There are only two songs on this new EP by the two-man Italian band Voids of Vomit. Only two songs… but they are so good that my only criticism of what V.o.V. have done is that they didn’t do enough. Why couldn’t they have made three songs? Or four? Or six?
I am speaking selfishly, of course. Suppressing my own selfishness, I should simply be grateful for these two tracks… and indeed I am. I hope you enjoy them as much as I have, because after another few paragraphs you will find our premiere of the two songs on Ritval Expiation.
I mentioned in a post earlier this week that I’ve been distracted during nights this week by a televised political convention (because I am a political junkie with low willpower), and I also had to make a quick out-of-town trip. Metal didn’t wait for me while I was diverted, and so I have an immense list of new things from the last few days that I want to recommend. I’ve cut the list down to a mere 10 items, which I’ve collected here. Seriously, I’m aware that 10 is a lot, so I’ve choked back my usual desire to spill a lot of words.
I’m starting with two news items and then following those with 8 new songs or videos, presented in alphabetical order by the name of the artist.
I no longer subscribe to Revolver magazine. If I still had the subscription, I might have seen the full-page ad at the top of this post, which so far seems to be the only disclosure that Meshuggah’s new album The Violent Sleep of Reason will be released by Nuclear Blast on October 7. Here’s another fan pic of the ad:
Relapse Records launched their first podcast way back in February 2010, showcasing both brand new and classic tracks from Relapse artists, as well as exclusive interviews, and it’s still going strong more than six years later. All of the podcasts since that first one are collected at the Relapse Records Podcast site (here), but beginning last month the podcast will now be hosted by a changing array of other platforms. Our friends at Invisible Oranges hosted Edition No. 43 in June, and this month NCS has the pleasure of providing a platform for No. 44 — and it’s especially pleasurable for us because this podcast features an interview with one of our favorite heavy bands, Virginia’s Inter Arma.
This edition of the podcast — which you can stream below and also download for listening at a later time — includes a big group of diverse new songs, including tracks by Red Fang, True Widow, Ringworm, Myrkur, The Album Leaf, Horseback, and Nothing, as well as songs by recent Relapse signees Survive, Integrity, Brain Tentacles, and Sumerlands. It also includes some older songs from the likes of Disembowelment and Human Remains, as well as classic tracks by Don Caballero and Revocation.
Daedalvs are a four-man death metal band from Charlotte, North Carolina, whose debut EP Apotheosis is being released today via Bandcamp, and we’re helping spread the word by providing a full stream of the EP, and a few thoughts about the music.
What Daedalvs dish out is a mammoth, monstrous, skull-fracturing beatdown, a rumbling, crushing avalanche of booming jackhammering bass, clobbering atonal riffs, and thundering drums, overlaid with an effusion of harsh roars and wild, acid-spraying shrieks. But while the music’s brute-force physical impact is certainly one of its main calling cards, it’s not the only one.
Those of us who hunger for darkness in music find sustenance in particular forms of extreme metal, made by people who sustain themselves by making it. But sometimes the essence of pain, frustration, anger, isolation, and the defiant desire to throw off the yokes that both engender such feelings and restrain their expression can be captured in other ways. And sometimes the summoning of that essence comes from unexpected sources.
Which brings us to Mütterlein — a band named for a song on a 1970 album by the German musician and actress Nico; a band whose principal creative force Marion Leclercq (of the cult French act Overmars) has named Nico, The Cure, and Breach as the three main pillars of her widely varying influences; a band for whom krautrock and Shannon Wright seem to be as beloved as Sabbath and Tragedy; a band who caught the ear of Phil at Debemur Morti Productions and Blut Aus Nord’s Vindsval, who together made Mütterlein’s debut album Orphans of the Black Sun the first release of their new collaborative label Sundust Records.
(We welcome back Neill Jameson (Krieg) with the second installment of a multi-part post devoted to under-the-radar black metal releases worthy of greater attention. You can find Part 1 here.)
As we slog through the bullshit heat and humidity of the summer one could say the best activity to beat the heat is to stay indoors, shun your asshole friends who think hiking on the surface of the sun is enjoyable, grab a drink and bide your time listening to music. It’s a good distraction and perfect excuse not to go outside and get skin cancer in the name of “fun in the sun”.
This is the second part of my blathering about black metal releases you should listen to because I’m under the misguided impression that I have decent taste. This might turn into a three-part series because I keep thinking of random records at inopportune times like when my boss is trying to explain new vital procedures at work.
I have a confession to make: I’m a political junkie. For the good of my mental and emotional health, I wish I could cut back (there’s no point in trying to quit), but right now I probably couldn’t get clean if my life depended on it. I’ve been glued to the Democratic Party convention coverage the last two nights, which explains why we haven’t had the usual volume of posts since the weekend. Things aren’t likely to get back to normal until after this particular circus comes to an end.
I did manage to pull this round-up together this morning, as well as a hell of a premiere earlier today — and a bit later we will have another Neill Jameson post about black metal. I’ll start with two citing news items and then move to some new song streams.
I still remember when I first heard the music of Khemmis at the Denver Black Sky festival in the summer of 2014. It was a real eye-opening experience. Even someone as half-witted as me could tell they were something special. Lots of other people figured that out last year when they heard the band’s debut album, Absolution. And now we have a second album to look forward to, as revealed in an announcement late yesterday.
Approximately one month ago my comrade DGR spilled a lot of words at our site about a very exciting piece of news — the rising presence on the horizon of a new solo album by the phenomenal Hannes Grossmann, and the release of the first advance track from the album. Today we’re delighted to bring you the premiere of a second song with an accompanying lyric video — “Hail Satan” (that’s the name of the song, as well as our reaction to it) — and a reminder about the crowdfunding campaign that’s necessary to put the entire album in our grasping hands.
For those who may only now be discovering Hannes Grossmann, he is a Nuremberg-based writer and producer who is probably best known as a drummer for such bands as Necrophagist, Obscura, Blotted Science, Alkaloid, and Hate Eternal. In addition to being an amazing musician, he was a principal songwriter for Obscura as well as a creative force in the remarkable Alkaloid, whose debut album The Malkuth Grimoire was one of 2015’s best.
Two years ago, he released his first solo album The Radial Covenant, which was also financed through a crowdfunding campaign, and this new one is named The Crypts of Sleep.
Yesterday I loaded up a Seen and Heard round-up with music from 9 bands I had discovered in a single morning, most of them of the more obscure variety. Today I’ve again decided to focus exclusively on things I discovered through a whirlwind tour of our in-box and Facebook this morning, but this time the bands have a higher profile than yesterday’s group. Of course, these things are relative; the odds are that none of the people you encounter today who aren’t already your friends will have heard of any of these bands. And of course that is their loss.
40 WATT SUN
This first item him me like a bolt from the blue. Although I haven’t been regularly searching for news about 40 Watt Sun, I think in the recesses of my mind I just assumed we would never have another album by this particular project of Patrick Walker (ex-Warning) — but indeed we will, in less than three months’ time.
(Andy Synn wrote this review of the debut album by Obed Marsh from Perth, Western Australia.)
Let’s face it, the relationship between Lovecraft and Metal is pretty well established by this point, with numerous acts from across the length and breadth (and other, more esoteric, dimensions) of the metallic spectrum all turning to the twisted dreams of the Providence-born prophet for their inspiration.
Joining their deformed and deviant ranks we now have Obed Marsh, a doom-laden duo named for Captain Obed Marsh, accursed founder of The Esoteric Order of Dagon, whose pact with the blasphemous Deep Ones was, in turn, the source of both Innsmouth’s prosperity, and its ultimate damnation.
Over the course of six weighty, oppressive songs – bookended, in true concept-album style, by the atmospheric “Prologue” and “Epilogue” — these down-under denizens conjure up a series of truly harrowing musical visions whose filthy tendrils seek to infiltrate and permeate every fibre of your being.
So come with me now, into the murky depths. But don’t expect to return unchanged by the experience…