Mar 172024
 

Yesterday I read that in the annual St. Patrick’s Day parades in the Irish Channel of New Orleans, float riders toss cabbages and potatoes to the people on the street, a unique twist on the Mardi Gras practice of throwing strings of beads to revelers.

Although a flurry of cabbages would be entertaining, I’ll have to aim some other things at your head on this Paddy’s Day — spiky obsidian things dipped in poison or hallucinogens, some red with heat and some freezing.

Of course, I felt compelled to lead with music from a couple of Irish bands before crossing the waters east and west.

P.S. This column is late-appearing because I can’t hold my Saturday night Jameson shots and Guinness back like I used to. and my spouse and friends kept me up way past my bedtime. Continue reading »

Mar 102024
 

What the hell happened? This collection of new black metal is appearing an hour later than it should have. I finished it at 10:00 and then I looked at an electronic clock and suddenly it was 11:00, without anything happening during that hour.

My first thought was that the music I picked had skewed space-time. The music, as you will see (or rather, hear), is certainly epic enough to cause such an upheaval. But then I discovered the reason was much more stupidly mundane. I gather that on a Sunday next November this column will appear an hour earlier than when I finish it. I look forward to being surprised again. Incipient dementia has its rewards.

AUSTERE (Australia)

Yes, “epic” is an overused and often poorly used word, but even worn-out words still mean something and sometimes are still better than the less-abused alternatives. And yes, “Cold Cerecloth” is epic. It’s also epically infectious. Continue reading »

Mar 032024
 

Here’s the way today’s collection of music goes: The first four choices include two albums and two singles that I thought fit well together. The music by all four bands is unmistakably harsh and hostile, but it’s also adventurously inventive and head-twisting, laced with the kind of unpredictable and unexpected elaborations that might invoke in some people’s minds the amorphous label “avant-garde”, or at least the term “unorthodox”.

After that I’ve included four other individual songs as bonuses. Later I’ll explain why I used that word to explain their presence here, if you make it that far (and you damn well should). Continue reading »

Feb 252024
 

I have a lot to get to for this Sunday column as I continue to benefit from my day job at least temporarily leaving me alone. I hope it will be a benefit to you too. I’ll try to make this a bit easier to get through by calling out tracks to sample from the three full releases I’ve included.

ABYSSLOOKER (Russia)

I made a point of including music from a Ukrainian band in yesterday’s roundup, yesterday being the second anniversary of the egomaniacal thug Putin’s invasion of Ukraine. I wanted to make a point of including a Russian band today, the point being that sometimes blame can be painted with too broad a brush, and we ought not do that. Continue reading »

Feb 182024
 

Like yesterday, I was able to assemble a big round-up of fairly new music for today. It seemed like a way to welcome myself back to doing what I habitually did before I got thrown way off course by my job. And now I’m wondering, as I habitually used to do, whether I’ve overdone it.

What you’ll find below are singles from three forthcoming records, followed by five complete albums or EPs, all of them released this month. I only stopped at the total of 8 so the cover art would line up neatly in the collage I made.

If you have the patience to move through everything, you’ll find as you go deeper that the doors start coming completely off the hinges, in bizarre and even horrifying ways, but with something profoundly dreamlike at the end. Continue reading »

Feb 042024
 


Ash

Sometimes we must confront grim tasks head-on and grapple with them, rather than shying away. And so I forced myself to calculate how much time has passed since the last time I did one of these columns. The answer is, six weeks ago, the day before Christmas.

Countless creatures making up thousands of species are born, live, and die within a six-week span. Hell, males among the American sand-burrowing mayflies live less than one hour after reaching adulthood, and females have just five minutes to breed before they die. Let’s have a moment of silence for them, please.

Thank you.

Even thinking about what has happened to me over the last six weeks to produce such a void in this Sunday column is a grim contemplation. Knowing what I have ahead of me next weekend, there will likely be another void next Sunday. But for now let’s contemplate more pleasurable grimness. Continue reading »

Dec 242023
 

For reasons explained yesterday, this is likely to be the last Shades of Black column until we reach Sunday, January 21st, when I hope I can then resume.

I barely have time for this one before the iron hand of commerce rudely forces my nose down to the grindstone again, even though the nose is already ground down to a nub. So let’s get right to it.

P.S. If you don’t see something here you wish I had included, see yesterday’s explanation and then feel free to mention the release in a comment and share a stream link. Continue reading »

Dec 032023
 

You know the old saying about situations when your eyes are bigger than your stomach? When you take on more food than you can possibly finish? That’s kind of my situation, musically, today.

Yesterday’s two-part roundup, which spilled over into today, was a big platter of delectables. What I still had sitting on the platter this morning (all the well-charred food) was just too much to get through, despite my appetite for it and the “clean your plate” philosophy with which my family raised me. Stacked on top of the two-part roundup, it probably would have been too much for you as well.

But, at the risk of an exploding gut, here are a few more servings.

EITRIN (France)

Who could possibly leave untouched a feast prepared by Vindsval (Blut Aus Nord), Marion (Mütterlein), and Dehn Sora (Throane) in celebration of Debemur Morti Productions‘ 20th anniversary? Not I. Continue reading »

Nov 262023
 

This is one of those Sundays when I didn’t have any inkling of what I might choose before beginning to choose. I had so little inkling that I spent some time searching out where the word inkling came from since I didn’t know. (The answer is at the end of this post. Hint: it has not a drop to do with ink.)

Lacking any preconceived ideas I just started wandering through very recent releases, to see what might take hold. Hopefully what I chose will take hold of some of you too.

MISERY SPELL (Russia)

It took all of about two minutes for me to feel completely drenched by the music on this Saint Petersburg band’s new album Абсолютная тьма (“Absolute Darkness”), which was released just yesterday. Continue reading »

Nov 192023
 

I hurt all over, thanks for asking. The result of a week spent trying to exercise muscles that turned into limp noodles after months of sedentary living. If I could get all the lactic acid out of my body it would probably fill a barrel.

Well, maybe hurting all over wasn’t the worst thing as a basis for picking the music in this Sunday column today. It led to selections that will make you hurt in different ways too.

IHSAHN (Norway)

The hurting begins with “Pilgrimage To Oblivion“, a new song from Ihsahn that surfaced three days ago in two different versions. The main version combines orchestral bombast and terrorizing screams, frenzied strings and plundering percussion, to create a thoroughly harrowing experience in keeping with the song’s title and the video’s tale of personal ruin. Continue reading »