Islander

May 042024
 


Wormed

I think I’ll begin by previewing some likely disruptions in our usual roll-out of posts during next week.

As you may know, our site is a principle sponsor of Seattle’s Northwest Terror Fest, which will have its latest incarnation on May 8-10. Andy Synn, DGR, and I (islander) will all be working the fest, beginning with a lot of heavy lifting on the day before it begins, culminating in a pre-fest show that night.

Speaking for myself, I haven’t agreed to any premieres from May 8-10 and it’s unlikely I’ll manage any of the usual weekend posts on May 11-12. Rumor has it that Andy and DGR may write some things in advance to keep us from going dark during those days, and maybe some of our other writers will send things in.

Though I expect to be bleary-eyed every morning, I also hope to at least publish more of Comrade Aleks‘ interviews, many of which I have in hand, as well as an interview from Vietnam by Vizzah Harri.

With that notification out of the way, I’ll turn to a few picks for this Saturday’s roundup of new songs and videos. Continue reading »

May 032024
 

Eight years after the release of their debut album Mutilation in the Chapel, and seven years after their EP Realm of Eternal Suffering, the bestial Dallas death metal horde Morgue Meat are returning at last with their second full-length, Apocalyptic Visions, which is now set for co-release on May 23rd by Satanath Records (Georgia) and Pest Records (Romania), emblazoned with stunning cover art by Mark Cooper.

To help pave the way toward the new album’s release, today we’re premiering a thoroughly evil song from the record named “Conqueror’s Wrath“. Continue reading »

May 032024
 

(Today we present an excellent interview conducted by Daniel Barkasi with guitarist and composer Atlas from the German black metal band Vorga, whose new album is out now on Transcending Obscurity Records.)

The cosmic side of black metal is a fascinating one, boasting a wide range of approaches and sounds – from the horrifying and disturbing to the eclectic and bombastic. Emerging purveyors from deep, dark reaches of space, Vorga has metastasized an energy-laden, yet cuttingly furious approach. If a soundtrack to being sucked violently into a black hole has any appeal, their latest Beyond the Palest Star should be on your list.

Said new full-length is an advancement on the acclaimed Striving Toward Oblivion, which was a sonic boom of pacey, vivacious black metal that was always traveling at Warp speed. Beyond the Palest Star achieves a balanced output; plenty of speed to burn, while also allowing a wider array of influences to take hold, forming a deeper and more complex offering.

We managed to track down guitarist Atlas to speak in-depth about the new record, a film-quality video the band released, the sci-fi and the black metal scene, as well as the impacts of AI and streaming on the artist and the world at large. Prepare to traverse into the void with us. After all – “In space, no one can hear you scream.” Yeah, we went there. Continue reading »

May 032024
 

Two years ago the long-running Israeli black metal band Arallu, whose roots go back to the late ’90s, released their latest album under the imposing title Death Covenant. And the music is also imposing — ferocious, heavy, often vast and towering — but it’s also complex, dynamic, and exotic (for want of a better word) in its seamless incorporation of Middle Eastern folk melody and instrumentation.

It’s a striking example of how a style of extreme music born in the cold regions of northern Europe can be reconfigured and reborn to suit the terrain and traditions of a dramatically different world. And its changing musical manifestations and elaborate songcraft make it an album that rewards careful and extended listening in addition to firing up the blood and casting spells on a first spin, the kind of record that reveals new discoveries with each journey through its 10 songs.

One of this writer’s favorite songs on Death Covenant is the penultimate track, “Empire of Salt“, and so it’s a real pleasure to host the premiere of Arallu‘s transfixing video for that song today — especially since we’re doing it on a Bandcamp Friday, a good day to pick up records like Death Covenant. Continue reading »

May 022024
 

Tomorrow is another Bandcamp Friday, and I had enough time to get ahead of the game today with a few selections that might help drain your bank account tomorrow. Actually, it’s more than a few — new singles and videos from 11 bands, spanning a very broad spectrum of music.

GAEREA (Portugal)

We begin with an intense new stand-alone single from Gaerea. As the band explain, “‘World Ablaze‘ tells the story of a man who has lived all his life inside a cage. He knows that one day he will be set free and experience the world with its true colors. Unfortunately, he also knows that day will be his last hours alive. It’s a song about desire, hope and freedom. A dance between life and death, hope and despair”. Continue reading »

May 022024
 

The Austrian extreme metal band Cadaverous Condition started in the early ’90s (their first demos were released in 1990-’92), and since then their discography has swelled significantly, though more than a dozen years have passed since their last album (Burn Brightly Alone), if one doesn’t count an album-length collaboration they did with Herr Lounge Corps in 2018.

Despite their significant number of releases, this seems to be our site’s first encounter with them. The musical histories we’ve been provided are intriguing, to say the least. We’re told that their path has taken “many twists and weird turns, incorporating neofolk (‘death folk’) and collaborating with a wide range of artists creating a weird yet coherent body of work”.

It’s a crooked path that reportedly made them the first death metal band to cover The Sisters Of Mercy and Death In June and included their own interpretations of songs by The Decemberists and Bonnie “Prince” Billy, and collaborations with such acts as Nurse With Wound, Thighpaulsandra, Tobias Nathaniel (The Black Heart Procession), and the afore-mentioned Herr Lounge Corps.

They also did an art project with Bill Drummond (The KLF) involving a specially made CD and sending a message in a bottle from the shores of Iceland.

Having read all that, we really had almost no idea what to expect from their new album Never Arrive, Never Return, which is set for a June 14 release via The Circle Music. What we found is something fascinating, something clearly rooted in death metal but with tendrils that taste of other terrains. As a sign of what we found, today we’re premiering a lyric video for the new album’s chilling but powerfully captivating opening song, “They Came From the Hills“. Continue reading »

May 012024
 


Photo by Lassi Kojola

(In two days from now Prosthetic Records will release the politically charged debut album by the Finnish death metal band Unearthly Rites, and to help pave the way we present Comrade Aleks‘ very interesting interview with vocalist Sisli and guitarist Santtu.)

Here’s a quite fresh and dirty entity from very North of Finland. Unearthly Rites was formed back in 2020, and since then they released only a self-titled EP in 2021… until now.

The lineup in Unearthly Rites includes members from the bands Dome Runner, Fosforos, Frogskin, Fuck-Ushima, Bolt Cross, Praise, etc, so this company of two ladies and three gentlemen seem to be quite busy with different sorts of underground activities. Yes, right, Unearthly Rites is a blackened death metal band, and one of the women is the person who roars in their full-length album Ecdysis.

Prosthetic Records are ready to release Ecdysis on May 3rd, so here we are to support this band with their absolutely crushing sound, a dedicated approach, and an attitude worthy of respect. Sisli (vocals) and Santtu (guitars) provided us quite an in-depth and interesting interview. Continue reading »

May 012024
 

The Italian artist Selvans probably needs no introduction to those who regularly visit our site, but for those encountering Selvans for the first time today, we’ll share a few words from Selvans‘ label Avantgarde Music:

The singer and keyboardist Selvans, plays black/heavy metal with prog-rock influences. Lyrics and concept are inspired by Italian folk-horror tales and imagery. After two full length albums, Lupercalia (2016, Avantgarde Music) and Faunalia (2018, Avantgarde Music) in 2021 he released The Dark Italian Art EP, an artistic manifesto that sees the team-up with the horror writer Luigi Musolino.

We can also share that Selvans will be following The Dark Italian Art with a new album. Though a release date hasn’t yet been announced, we’ve all been given a preview of what it will bring through Selvans‘ recent release of a single named “Il Capro Infuocato“. To help spread the word further, today we’re presenting a lyric video for the song. Continue reading »

May 012024
 

Vladimir Bauer is a musician originally from Odesa in Ukraine but based in Germany since 2017. He is best known for his band Schattenfall, whose music we’ve written about frequently over the years (as you can see here), and for his work in the early years of White Ward. But Bauer has another project named Der Ghul, and it’s the black metal of Der Ghul we’re focusing on today.

Der Ghul released a debut EP (available on Bandcamp here) named Pulse of Awakening in 2019 (which included Stefan Traunmüller as vocalist), and that will soon be followed by a debut album entitled Hunger Anger Decay, which is set for release on May 17th. One song from the album has been revealed so far, and today we premiere a second one — “The Rat King“. Continue reading »

May 012024
 

(About 10 days ago Nuclear Blast released the 15th studio album from My Dying Bride, and DGR has sat with it long enough to now provide his thoughts below.)

My Dying Bride‘s newest release A Mortal Binding is a surprisingly turbulent album by My Dying Bride standards. Though My Dying Bride have been an adaptive beast over the course of a long-running career, the group have cycled back around into an interesting amalgamation of modern day doom and their early miserable forms.

Yet My Dying Bride have been the civilized and staid older-sibling of the doom scene, awash with despair yet seeming more ‘refined’ than their cohort bands. No stranger to longform song writing either, it hadn’t been until 2020’s The Ghost Of Orion that they forged themselves into a stately yet concise version of what they’d been before. Granted, they almost immediately followed that up with Macabre Cabaret, an EP with a ten-minute song as its opener, but it seemed like My Dying Bride had found a strong comfort zone with the fragile and mournful atmospheres of The Ghost Of Orion.

Which is what makes A Mortal Binding quite the followup. Continue reading »