Islander

Jan 062023
 

Slaves of shred will have another reason to bow down in 2023 because Toronto-based Malice Divine will be releasing their second album Everlasting Ascendancy on January 27th.

As lots of people already know, the man behind this project — Ric Galvez — has made a name for himself as a guitar virtuoso, and if anything, he elevates his skill to even greater heights on Everlasting Ascendancy. But as the album’s title track that we’re premiering today (through a lyric video) demonstrates quite convincingly, the songs aren’t just excuses to show off, but are instead well-crafted pieces that display dynamism, inspiring melodies, and the kind of hard-charging ferocity that creates primal reactions. Continue reading »

Jan 062023
 

Not even one full week into the new year, and we’re already seeing lots of excited reactions among metal fans and our own staff about how strong the year is beginning, and today we’ve got one more reason for you to be excited, thanks to the German band Devil’s Hour.

On their new six-song EP Black n´Punk Marauders, the band whip up enough high-voltage energy to power big turbines. As the album’s name suggests, their music is a cauldron of sound that’s mainly influenced by Punk, Rock, and First Wave Black Metal bands from the ’80s and ’90s, but Devil’s Hour also masterfully pull from wellsprings of old-school speed metal and classic heavy metal.

The spiked gauntlet and vicious knuckledusters on the record’s cover reinforce the message that this is intended to be a savage rampage, but as feral and ferocious as the music is, it quickly becomes clear that these marauders know how to write songs, and highly infectious ones at that. Continue reading »

Jan 052023
 

February 3rd, 2023 will be a bittersweet day for ardent admirers of adventurous music. On that day Acephale Winter Productions will release a new album named Cabal by NorCal’s Palace of Worms. It will be a sweet day because the album is so gloriously intrepid and unpredictable, but a bitter one because Cabal is reportedly the band’s final album.

Anyone who has followed the musically mercurial course of Palace of Worms doesn’t need to be told that there’s no sure way of knowing in advance what each new release will do. Significant time has elapsed between albums since 2010’s Lifting the Veil, with six years between that one and The Ladder, and then another seven passing by before Cabal. Time brings change of course, but especially when the mind behind the project — Nicholas “Balan” Katich — is already so intrinsically pre-disposed to turn the tables on listeners, most likely because he finds straight and narrow paths to be stultifying.

So, what has he done with Cabal? Well, here’s one series of clues from the press materials for the record: Continue reading »

Jan 052023
 

As you may have noticed if you’ve been slumming at our putrid site this week, we’re in the midst of rolling out our list of last year’s Most Infectious Extreme Metal Songs. But even this early in the new year we’re beginning the task of assembling candidates for the 2023 list for a year from now — and the song you’re about to hear has jumped on it with both lead-shod feet.

Pathology Calls” by German death metal band Magefa (named for a Hebrew word meaning plague) is a catchy musical monster in several respects, but the grabbiest part is probably the brutal jackhammer groove that opens the track and then continues to pump heads like pistons every time it re-surfaces. But yes, there’s more… Continue reading »

Jan 052023
 

We’ve made our way up to Part 4 of this evolving list, and so far I’ve managed to keep to the plan of posting a new installment every day since I started.

This is one of those days when there’s no rhyme or reason to the grouping. Stylistically, the three songs have almost nothing in common, other than (of course) that in my judgment they’re all infectious. But even there, the reasons for the infectiousness are also different, as you’ll learn for yourselves.

AN ABSTRACT ILLUSION (Sweden)

Tear Down This Holy Mountain” is another rarity for this list, an unusually long song that I still find infectious despite its length, or actually because of what happens during all those 11 1/2 minutes. I’m not alone in that respect, since the song received a lot of nominations from our readers, as well as from my compatriot DGR. And to be honest, the song is such a remarkable artistic achievement that I’d feel churlish not finding a place for it, even on a list where artistic achievement isn’t the main measure of success. Continue reading »

Jan 052023
 

(Axel Stormbreaker has rounded up some badass 2022 thrash for you today.)

“Jingle bells, jingle bells, jingle all the way…”. Oh, enough with that crap already. Not that I bear any distaste for the Christmas spirit, or any celebration for the matter. We just deserve every day to be considered a holiday, if only for breathing the toxicity of life, whose tarnished beauty you gotta grab by the hair in every waking moment.

Only thing certain, if you’re looking for fun, you just gotta stop bitching about it and go ahead to make some yourself. Because, simply, if you won’t help yourself, no one else will even bother. So, to be a good Samaritan, I thought I should lend you a hand instead, in order to compile a playlist for your ultimate fun metal party. I present you 2022’s filthiest thrash metal singles; solely, the utterly obnoxious kind that makes you feel like a total badass. Continue reading »

Jan 042023
 

Like yesterday I found myself with a little extra time this morning before having to turn to other tasks that are un-connected to NCS. The music I chose to recommend goes in many different directions, but one thing they have in common (with one exception) is the terrifying intensity of the vocals.

SUM LIGHTS (Germany)

I’ve mentioned before that Rennie Resmini (starkweather), one of my constant sources of new musical discoveries, has a fairly new SubStack blog where he writes about his own new musical discoveries. I have found it to be a blessing and a curse, a blessing because it’s packed with good shit, a curse because I was already deluged with new music to check out before I started reading there.

I’ve decided to book-end today’s round-up with music I found via Rennie’s newest SubStack newsletter. The opening salvo is a song by the German black/death unit Sum Lights, who came roaring out of the gates in late 2021 with an album named Emanating Fulguration. I can only hope that the new song, “The Sense Of A Sun“, is sign of more to come soon. Continue reading »

Jan 042023
 

 

Welcome to Part 3. Like yesterday, I was influenced to put these three songs together because of the videos that were paired with them, and because all three are shades of black metal.

KANONENFIEBER (Germany)

Kanonenfieber had a productive year, following up quickly on the brilliance of the band’s 2021 debut album Menschenmühle. Last year they brought forth two EPs, Yankee Division and Der Fusilier, and both of those included songs I put on my list of candidates for this list as soon as I heard them. But it was the standalone single “Stop the War” which won out.

I confess that the subject matter and the video tipped the scales. If there had been no video and I hadn’t known why the song was written I probably would have chosen “Der Fusilier I“, or at least it would have been a harder choice. Continue reading »

Jan 032023
 

 

This round-up of new music will be short, but of course I think it’s also sweet. I have just enough time for three recommendations before my gilded carriage of a morning turns into the rotting pumpkin of my day job.

CONTRARIAN (U.S.)

Until I looked I had forgotten how many premieres we’ve done for Contrarian‘s releases (four of them, going back to 2015). What I didn’t forget was how head-spinning their music has been, and so I jumped at the chance to listen to the first single from Contrarian‘s new album Sage of Shekhinah. The remarkable cover art by Guang Yang just sweetened the pot. Continue reading »

Jan 032023
 

My internet pen-pal Rennie Resmini from the band starkweather has a talent (born of a mind that functions as a vast musical encyclopedia) for hinting at the experience of a new release through references to other bands. In the case of Mithridatum‘s debut album Harrowing, he wrote: “If you said this was a collaboration between Zhrine, Ulcerate and Thantifaxath it would make sense.”

Willowtip Records, which will release the record next month, has provided a different kind of hint: “Through mercurial waves beneath the moon’s mournful glow, a trinity of incarnate beings that embody Mithridatum have conjured forth the entity known as Harrowing, an auditory pilgrimage traversing a gloomscape leaden with dissonance, despondency, isolation, entropy… into the abyss.”

You might also want to consider the origins of the band’s name. As the label, or perhaps the band, explain: “The name Mithridatum refers to the practice of achieving immunity against poisoning through self-administered, sub-lethal doses. The allegory is inescapable in its illustration of the unrelenting immiseration all incarnate beings must endure, willing or unwilling.”

Of course, I’ll add my own two cents about the impressions left by the music, which truly is startling, but as of today you have two tracks from which to form your own impressions. Continue reading »