Islander

Feb 282022
 

The Costa Rican band Epidemik released their debut EP, Murder By Command, in 2013. The group disbanded a couple of years later, and then revived but experienced a succession of line-up changes. At last a new line-up solidified, and the group began working on their first full-length, which is now ready for an April 4 release through the cooperation of GrimmDistribution (Ukraine) and Sanatorio Records (Costa Rica).

The band self-titytled this first album not only because it signals the resurrection of the group but also because it represents a stylistic shift. The band’s original old-school thrash influences haven’t vanished, but now they’re blended with death metal ferocity and more technical twists and turns. As a preview of what the new album delivers, today we’re premiering a track with a timely title: “Nuke War“. Continue reading »

Feb 282022
 

 

In normal times I would have posted this column yesterday, but I decided to devote yesterday to playlists of Ukrainian metal, which I hope you’ll explore (here and here) if you haven’t yet.

For this week’s black metal column I picked a variety of new songs and videos from among what I listened to in recent days, plus one big curveball of an album at the end that’s more than 18 months old.

THE SPIRIT (Germany)

To launch the column I picked the second single (with a video) to be released from this German band’s new album, Of Clarity and Galactic Structures. The new one, “Celestial Fire“, was preceded by the title track, which I’ve already written about here. True to its name, the new song blazes. Continue reading »

Feb 282022
 

At one time or another every human being will become personally acquainted with horror. The horror of disease (mental and physical), the horror of violence, the horror of dying and death, the horror spawned by our own imaginations — one or more or all, they wait for us, as unavoidable as the sunset.

Tremendous amounts of human energy are devoted to keeping them at bay (fruitlessly), but once encountered they’re not easily forgotten. People try to whitewash them away with philosophies and prayer, but those are like thin coats of paint on a picket fence long gone to rot. Other people stare at them with clear eyes, refuse to look away, and even embrace them.

Which brings us to the unholy Georgia-based death metal band Father Befouled and the song we’re premiering from their new album Crowned in Veneficum. Continue reading »

Feb 272022
 

 

In Part 1 of this big collection of music I provided a long-winded introduction. If you want to read it, go here, but all I’ll say now is that I wanted to do something to express solidarity with the people of Ukraine in this terrible time for their nation.

Because today is the day of the week usually devoted to SHADES OF BLACK, I devoted Part 1 to the music of Ukrainian black and “blackened” metal bands. This Part includes songs by 12 Ukrainian bands in other genres of metal (though some charred music did find its way into this Part too).

As in Part 1, I’ve focused mainly on music released in the last few years, just as a way of keeping the collection from going on forever. As before, I encourage you to leave any further suggestions in the comments. And as before, I’m not including commentary or the usual links, just the music streams. Continue reading »

Feb 272022
 

 

I haven’t been able to stop thinking about the tragedy that’s under way in Ukraine. With a mixture of fury and grief I read the news every waking hour, and dream about it in my sleep. The fact that my wife is half-Ukrainian has something to do with that, but I hope I’d feel the same way if she were half-Russian.

For many people around the world, it’s hard to know how to channel our feelings of outrage over Putin’s invasion, his incessant lies, his threats of nuclear war, and his repression of dissent into anything that seems like meaningful action. For most people, and especially those of us very far away from the borders of Ukraine, speaking out, pressuring political leaders to act, and providing moral and financial support to embattled Ukrainians — and not letting any of that support wane in the darker days to come — may be all we can do. It’s better than nothing.

This is just a metal blog, and so all we’re capable of doing through this channel is offering up music. Anti-war and anti-fascist music from any locale would be suitable for this time, but I want to focus on the music of Ukrainian bands, a small way of providing moral support. Continue reading »

Feb 262022
 

 

If we let a day go by without posting something, will anyone worry that a catastrophe has befallen us? Some technological breakdown or illness or death in the ranks of those of us who toil here at NCS? Oh, probably not. Maybe just mild disappointment would befall some regular visitors, rather than severe anxiety or anguish. Maybe others would welcome a break from the daily torrent of new sounds.

But life is disconcerting enough these days without the experience of even mild additional disappointment. And so… here are a few new songs and videos, just a few.

MESHUGGAH (Sweden)

It’s hard not to mention the appearance of a new Meshuggah song and video even though everyone likely to visit our site already knows about it, especially because the video is so intriguing (and frightenig). The song’s stuttering and shivering grooves are relentless, and very catchy, and it succeeds in creating a spacey, futuristic atmosphere in keeping with Meshuggah‘s history of providing what seem line soundtracks to the rise of hideous machine intelligence. Continue reading »

Feb 252022
 

Today Buried Zine and Stay Free Recordings are releasing a limited-edition split by two bands who’ve made brutality a hallmark of their music, albeit in very different ways: the Spanish band Wormed and the deceased New York band Copremesis.

Buried Zine has explained that they selected these two bands and recordings for this collaboration “to celebrate the diversity and extremity of the brutal death metal scene, in both musical styles and conceptual approaches: Wormed‘s progressive brutality, extreme musical precision and galactic themes contrast to the base perversity of Copremesis’ raw and darkly humoured ultra brutal death metal”.

The split features two previously unreleased live recordings by both bands, pressed into 7-inch vinyl records of varying colors, and to help spread the word about the release we’re presenting premiere streams of one performance from the split by each band. Continue reading »

Feb 252022
 

 

More than a dozen years have passed since the Italian/German death metal band Humator released their debut album Memories From the Abyss, but with a revamped line-up in place, and armed with a musical arsenal of obliterating and head-spinning proportions, they’re returning with a second album named Curse of the Pharoah that was inspired by Egyptian mythology and classic fantasy. It’s set for a February 28th release by the Italian label Time To Kill Records, but we have a full stream of it for you today.

This long-awaited return truly is an explosive one. With a modern production job that delivers both bunker-busting power and mind-piercing clarity where needed, the album spawns references to such old-school masters as Cannibal Corpse, Monstrosity, Suffocation, Sinister, and Morbid Angel, as well as the likes of Dying Fetus and The Black Dahlia Murder. The music is ruinously brutal and technically impressive, but displays a deft use of dynamism and melody that gives the tracks character and contagiousness. Continue reading »

Feb 242022
 

 

Active since 2005 (and even earlier under the name Hrapp), the Danish black metal band Ligfaerd are about to unleash fresh hell on earth through the release of their fourth album in March via the German label Vendetta Records. The name of the album is Salvator Mundi, and today we present its stunning cover art and first advance track, “Hierusalem“.

In this new song the riffing flies like a swarm of razors over a measured beat, and a trilling lead leaps forth like tendrils of aural flame. Heavy and heaving chords also reverberate in tones of oppressive gloom, dragging and clawing at the senses while paving the way for scorching vocal vitriol. When the lead guitar erupts again, there’s a feeling of frantic despair and pain in its sound. But in this dynamic song, there’s still more to come. Continue reading »

Feb 242022
 


Evergrey

We’re just a heavy-music site, but it’s hard to ignore what’s happening in Europe right now as the world takes another big step backward into a darker time. That has influenced my musical choices in this collection. The song titles and some of the album titles seemed particularly appropriate. As always, the music streams are mostly brand new, and very good, and varied enough to suit many tastes.

EVERGREY (Sweden)

The first song is a hard-charging, emotionally fiery, and ferocious track, with a glorious guitar solo in the mix — and of course it’s a well-earned exception to our rule about singing. Excellent video too. “Save Us” comes from Evergrey‘s new album A Heartless Portrait (The Orphean Testament), out May 20 via Napalm Records. Continue reading »