SEEN AND HEARD ON A SATURDAY (PART 2): HEAVEN SHALL BURN, OMINOUS RUIN, BALMOG, CHAINSWORD HURSAN, KATATONIA, GHOST

 Album Reviews, Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Apr 122025
 


Heaven Shall Burn – photo by Candy Welz

(written by Islander)

Fanatically determined to get both Parts of this roundup posted today, I took a 10-minute break after launching Part 1 and then dived into this one. I haven’t gone to the bathroom yet, but like Cory Booker I’m depending on Depends.

As discussed in Part 1, today’s already-large roundup mushroomed into an even bigger one after my pals Andy Synn and DGR threw 4 more songs into a mix that already included music from 10 bands.

As also discussed there, for you criminals who didn’t bother to read it, I used those 4 as bookends, 2 at the start and 2 at the finish. The 2 at the end have stressed out my usual NCS site-title boundary lines to the breaking point, but not for the first time. Continue reading »

AN NCS PREMIERE: ELUSIVE GOD — “KOB”

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Apr 112025
 

(written by Islander)

Pay no attention to the name of our site. We don’t really mean it. Well, honestly we mostly do mean it, but not all the time. Some of the time we hear singing that just makes us shake our heads in wonder and are helpless to bar the door against it. Today is one of those times. (So, for those few snarks who can’t resist yelling, “But there’s clean singing in this song!”, just choke that down or you’ll prove you’ve never been here before.)

What we have for you today is the premiere of a song named “Kob” off the thrilling new album Ambis by the Croatian epic doom band Elusive God, which will be released on May 9th by the always-interesting Personal Records. Continue reading »

AN NCS INTERVIEW: PYRE

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Apr 082025
 

(Today we share Comrade Aleks‘ interview with Dmitry “Dym Nox”, the drummer, bassist, and vocalist of the Russian death metal band Pyre, whose latest album has been out for a couple of months on the Osmose label.)

Pyre is probably the most powerful and recognized Russian death metal band, and the release of their third album Where Obscurity Sways at the end of January on Osmose Productions was an event.

The previous album Chained to Ossuaries was recorded five years ago by Dmitry “Dym Nox” (drums, bass, vocals), Roman Rotten (guitars), and Fred Obsinner (guitars). It was a strange experience for the band: Pyre were then on a tight deadline, there were problems with the drummer, and they, as never before, wrote and recorded all the material in a year, and it was immediately released. And Dmitry considers Where Obscurity Sways as a spontaneous continuation of its predecessor, but on a different level both in general and in production.

According to him, the band is currently euphoric about the result, especially since the new material was recorded with drummer Oleg “Malleus”, with whom Pyre had been playing together for a long time and testing out ideas. The result is impressive. I interviewed Dmitry for the Dark City magazine, and as soon as the current issue is released, I’d like to share this interview with you.

Continue reading »

AN NCS INTERVIEW: CARCOLH

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Apr 042025
 

(In February we had the pleasure of premiering and reviewing the newest album by the French doom band Carcolh, which is out now on Sleeping Church Records. Today we present Comrade Aleks‘ new interview with Carcolh vocalist Sébastien Fanton, and he again proves to be a wonderful conversationist.)

Five men from Bordeaux love and know how to make smart, traditional, almost textbook doom metal. And why not! Most of them did it years before Carcolh, and, let’s face it, they are professionals in their field.

“Carcolh” is a mythical half-snake, half-snail from French folklore, but this does not mean that the guys are “barely dragging their feet.” They managed to tell six stories in the 46 minutes of their third full-length Twilight of the Mortals, revealing in their own way the nature of human tragedies in the sublunary world.

This album shows that Carcolh maybe do not progress in a global sense of the word, but confidently move forward enriching their soundscapes with a lot of new nuances and semi-colours. All the instruments sound heavy, clear, rational, and tasteful. Sébastien Fanton’s vocal lines are harmonious and noble, matching the themes performed by his colleagues. Twilight of the Mortals is far from monotonous; its pace varies from the furious gallop of “The Battle Is Lost” to the crushing dirge of “My Prayers Are for Rain” or the twelve-minute long, multifaceted, and saturated “Empty Thrones”.

This material isn’t something one could easily digest in a case you aren’t into traditional doom metal, yet we did the interview with Sébastien, and it may help you to get how cool Carcolh are. Continue reading »

SHADES OF BLACK: DROUTH, DÉMONOS, SVARTA HAVET, LUX INTERNA, AASH, MRAKOMOR

 Album Reviews, Exceptions to the Rule, SHADES OF BLACK, SHORT BUT SWEET  No Responses »
Mar 162025
 

(written by Islander)

I’m afraid I have a self-imposed deadline to finish this weekly collection of music from the blacker arts so I can turn to other obligations, and so I’ll dispense with an introduction and dive right into all the quite varied music I’ve picked for your entertainment and edification.

DROUTH (U.S.)

To begin, here’s “False Grail“, a startling new song from a new album named The Teeth of Time by Portland’s Drouth. Continue reading »

SEEN AND HEARD: MÜTTERLEIN, CARONTE, CAUSTIC WOUND, AUSTERE, KORSAKOV, WAR MAGIC

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Mar 142025
 

(written by Islander)

I had a narrow opening in today’s schedule for a roundup of new songs and videos, and not a lot of time with which to fill it, so I won’t waste the time with further introductory remarks. We’ll get right to it, beginning with:

MÜTTERLEIN (France)

Ever since seeing the recent announcement of a new Mütterlein album a group of metal-loving friends and I have been greedily rubbing our blood-stained hands (contrary to rumor we don’t have talons and the blood is from paper cuts). The rubbing has become more intense since hearing the album’s first single (not that kind of rubbing, get your minds out of the gutter). Continue reading »

SPIRITBOX: “TSUNAMI SEA”

 Album Reviews, Exceptions to the Rule  1 Response »
Mar 102025
 

(Late last week the Canadian heavy metal band Spiritbox released their second album, and today we’ve got Wil Cifer‘s review.)

Before you throw the LaPlante out with the bathwater, it might be easy to write this band off as a pop act. After all, they are an evolution of Myspace metal. However, I might go as far as to say that this album is more inspired than Knocked Loose’s You Won’t Go Before You Are Supposed To, which was one of the heaviest albums since Sunbather to catch the ear of more mainstream audiences. It certainly takes more chances and employs a wider range of sonic colors, rather than hits you with blunt force you bob your head to.

If your eyes have skimmed any of the reviews I have done for this fine site or other of the more devious ones you might have stumbled across on the Dark Web, then you know this is outside of what I normally listen to. If you caught the trail of breadcrumbs that starts with Chelsea Wolfe covering one of their songs, then you might be getting warmer. Continue reading »

SEEN AND HEARD ON A SATURDAY: NITE, MAGUS LORD, DISPYT, CABINET, CHIAROSCURO, POLISH, BANK MYNA

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Mar 082025
 

(written by Islander)

I can’t think of any reason to criticize Bandcamp for renewing their Bandcamp Fridays in 2025. Unless I’m missing something, it’s good for bands and labels that use the platform, not only because it lets them keep more of their sales revenue but also because it incentivizes fans to spend.

But it does make my life harder, because in weeks ending with one of those days the volume of new music swells significantly. Even in more normal weeks I can’t listen to everything I’m interested in. That’s an even greater impossibility in weeks like this past one.

But of course I did make some picks. Three of the picks are live videos that I’ve included at the end without much commentary, but the bands’ names ought to be inducement enough. Continue reading »

SEEN AND HEARD: BEHEMOTH, CYTOTOXIN, FALLUJAH, GHOST

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Mar 072025
 

(written by Islander)

Only five days ago Bandcamp announced that it would continue Bandcamp Fridays in 2025, with the first one happening today. Before that, it wasn’t clear that they would continue, so it caught most of us by surprise. But word obviously spread very fast. What was already unfolding as a packed week for new music became a typhoon over the last few days. I was already agonizing about what the hell to do for tomorrow’s usual SEEN AND HEARD roundup, but now I feel like someone caught on the beach as a towering tidal wave rushes ashore.

Bandcamp Fridays are always an ideal time to spread the word about new music, but because of other duties around here I rarely have enough time to pull something together until the day after. I really don’t have much time for it today either, but felt like I needed to do something to make tomorrow’s task even a bit less overwhelming.

What I decided to do is a bit out of character for myself and the site as a whole: focusing exclusively on some of the bigger names in metal (or in one case, metal-adjacent). We don’t ignore the big names around here, as long as what they’re doing is good, but we often use them as a way of luring people into music from bands whose names are much more obscure. If I’d had more time, that’s what I would have done with this small roundup. It was just easier and faster to stick with these four.

But of course, none of these four new songs and videos would be here if I didn’t think they were worth recommending. Continue reading »

AN NCS PREMIERE: CHAMBER MAGE — “BLADES ON THE RAMPART”

 Exceptions to the Rule, Premieres  1 Response »
Mar 042025
 

(written by Islander)

WARNING! THERE WILL BE CLEAN SINGING!

Now that we’ve gotten that out of the way, for those of you who’ve forgotten that the name of our site has never been a hard-and-fast rule, let’s also add what else there will be: Glorious riffs galore, pulse-pounding gallops, blazing solo work, and mystical melodies.

We’re talking about “Blades On The Rampart“, the heart-jumping song we’re premiering from the debut album of Colorado-based Chamber Mage in advance of its March 28 release by Nameless Grave Records. The name of the album is By Light of Emerald Gods, and it’s a good name because it points the way to heavy metal that’s lit by magical and mythic colors, the stuff of swords and sorcery. Continue reading »

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