
(This is the fourth installment in NCS writer Andy Synnâs week-long series of year-end lists. To see his lists of the âGreatâ , the âGoodâ, and the most “Disappointing” albums of 2012, go here, here, and here.)
Let me stress immediately that this âCritical Top 10â list is NOT a list of my own favourite albums. These are all albums I like, appreciate, even love, yes⊠but theyâre all albums I think set the highest standards for the past year in metal. Itâs a serious list, and one I take seriously as a result.
Tomorrowâs list, my âPersonal Top 10â of the year, is more fun, and needs less justification. That list reflects me as a person, and the albums I have loved this year, the ones that have clicked with me the best â yet also I hope it reflects a modicum of self-awareness, as I freely admit that my personal tastes are not always the âbestâ albums.
Which is where the âCriticalâ list comes in. I slimmed down the list of âGreatâ albums to a shorter list of 14/15, then began to place and order the remaining entries, occasionally removing an album from contention when it became clear it wasnât going to make the cut. It was hard going. Iâve had to cut some albums I would dearly love to have included. Iâve had to include a couple that were initially discarded, until I realised I was letting personal tastes dictate things too much. Itâs a struggle to be objective sometimes.
For example, how do you weigh the objective quality of a brutal death metal album against a more conceptually-driven prog-metal album, or a record of vicious, scintillating black metal? Itâs finding a balance, and a way to fairly measure these sorts of records against each other, that takes a lot of time. Essentially there are three criteria â ambition, creativity, and execution. All quite broad, but they seem to encompass the âbestâ aspects of music. Some of these albums are more ambitious than others, meaning that at their best they go further and reach higher. Others are more creative, either through the clever use of disparate influences, or simply by doing more with less. And then there are the albums that are just flawlessly executed gems of metallic precision. Each of these reflects a manner in which an album can achieve âGreatnessâ, but the greatest of all manage to meld all three.
Oh, and a quick warning (because apparently it wasnât clear in one of my other columns): thereâs a fair helping of clean singing on this list. Just so you donât get confused by the blog title and everything. Continue reading »