Dec 022023
 

Yesterday I managed to crawl through the 300-400 Bandcamp alerts and e-mails that hit our in-box during the 24 hours of Bandcamp Friday, plus social media messages from a few of the people whose recommendations I pay attention to. I even managed to very quickly skim through e-mails from the day before.

Doing that, I saved a shitload of links, and then barely scratched the surface of them in listening. There were some big surprises in that pile, some from bands I knew about and even bigger ones from names I’d never heard of. I picked some to pass along to you today. I’ve saved some others for the Sunday column, which I hope I’ll get to.

I had so many picks for today that I decided to divide them into two parts. The second part includes three bands from the same archipelagic country, all of which fall into the big-surprise category. I haven’t yet written part 2, and because the hour is late, it will probably come tomorrow. Continue reading »

Nov 302023
 

About 10 days ago we were halted in our scurrying tracks by a video for a song called “The Last Howl” from Savage Lands, a metal charity project whose goal is to help preserve the forests of Costa Rica and the creatures that live there.

Savage Lands and that song have already gained a lot of attention, in part because of the people who participated in making it. The Savage Lands project was founded by drummer extraordinaire Dirk Verbeuren (Megadeth, Scarve, etc.) and musician-turned-activist Sylvain Demercastel (a current resident of Costa Rica). For “The Last Howl” they brought in guitarist Andres Kisser (Sepultura) and vocalist John Tardy (Obituary), as well as vocalist Poun and bassist Etienne Treton from the French band Black Bomb A.

The song was great, and so was the video (and we said so here), and so we jumpted at the opportunity to interview Dirk and Sylvain as a way of helping to spread the word about a very worthy cause, and very worthy music. That conversation follows, but you really should take in “The Last Howl” first: Continue reading »

Nov 292023
 

Oh look, what a surprise, another roundup!

After months of posting 3-5 musical features a day, we’re in a bit of a lull here. Life has thrown boulders at some of our writers and I think others are focusing on year-end lists. I’m still writing premieres every day of course, but still feel compelled to try to have more than just one or two of those as the sole content of our site on a given day, and I happen to have had more time than usual for roundups over the last week or two. So, here’s another one!

Most of these are “hot off the presses”. I think they will all cause you to catch your breath or your breath to catch, albeit in different ways.

VORGA (Germany)

I had to start with the song “Voideath” so I could stick Adam Burke‘s fabulous cover art for Vorga‘s new album Beyond the Palest Star at the top of this page. Can you blame me? Continue reading »

Nov 272023
 

If you include yesterday’s Shades of Black column, this makes four days in a row that I’ve been able to pull together a round-up of new songs and videos. That’s a rarity, explained by a confluence of events I won’t bore you by describing.

I’m not sure it’s a welcome rarity, because it may just add to a feeling of being overwhelmed by the volume of music that each week (hell, each day) brings. But that’s not my problem, is it?

Is it? Well it is, because I also feel overwhelmed. Join the club. This pleasant misery needs company.

UNAUSSPRECHLICHEN KULTEN (Chile)

You don’t really need any preparation, just a listening device, working ears, and a finger putting pressure on a digital arrow. But I have to further justify my existence, so… Continue reading »

Nov 252023
 

I woke up before the sun rose today because it’s harvest season and I have crops to gather.

Ha Ha, no that’s horseshit. I have no idea why I woke up before the sun on this Saturday morning, especially given the number of adult libations I consumed (as usual) on Friday night.

The only good that came of the early rising was my ability to experience the coldest morning of the year so far, at least where I live near Puget Sound. As I slurped my coffee and inhaled the first cigarettes of the day in the blackness outside, my phone reported 35°.

On further reflection, my opening line wasn’t entirely horseshit. I do have crops to gather in, musical crops… the time of reaping is ever upon us here. Continue reading »

Nov 242023
 

Here in the U.S., where I am, it’s been a holiday week. For the rest of the world, it was just another Thursday. The holiday continues today, but even elsewhere in the world it’s not just another Friday.

For decades here, the day after Thanksgiving has marked the beginning of shopping season for the upcoming Christmas holidays, but it seems to have spread its infection elsewhere, even in the world of metal, based on the volume of e-mails I’ve received offering discounts on records and merch from locations in Europe as well as North America.

Well, why fight against the tide? Today, for one day only, we’re offering a 50% discount on the price of subscriptions to NCS, which is normally zero. Get ’em while they last.

I resisted the obvious temptation to limit today’s collection of new music to black metal, but it’s all still pretty black. Continue reading »

Nov 212023
 


painting by the great Zdzisław Beksiński

On November 21, 2009, I made the first post at this blog. On the 21st day of every November since then (except one year when I forgot to do it until a few days later) I’ve made a post celebrating our birthday. And here I am doing it again, because we’ve survived another year.

In these annual posts I usually explain how I had no ambitions or expectations when I started the blog, nor any training or experience as a music writer, and that the sum total of my motivation was to create an enjoyable diversion for myself from the grind of daily life, and to indulge my burgeoning interest in heavy music. And there, I just did it again, albeit in fewer words than in many other years.

In these annual observances I also tend to reminisce about how many things about NCS have changed from the early days, and about how surprising it is to me that we’re still here. Some of you remember the early days, because you were here with us then and haven’t left. Others who have begun checking in here more recently might yawn if I indulged in that kind of nostalgia, so let’s just skip that, as I have the last couple of years, and get right into expressions of gratitude and the annual tradition of mind-numbing statistics (though they’re less mind-numbing this year).. Continue reading »

Nov 182023
 

LOTS of new metal to get to today, so this sentence is all the introduction I’ll provide.

SAVAGE LANDS (Int’l)

A charity project whose goal is to help preserve the forests of Costa Rica and the creatures that live there. Founded by drummer Dirk Verbeuren and musician-turned-activist Sylvain Demercastel (a current resident of Costa Rica). First song is about howler monkeys and features appearances by guitarist Andres Kisser (Sepultura) and vocalist John Tardy (Obituary). OK, I’ll bite. Continue reading »

Nov 132023
 

No Clean Singing has been a proud sponsor of Northwest Terror Fest since its inception in June 2017, not just helping to spread the word but adding the (mostly) able bodies and (mostly) addled minds of our staff to the production of the fest as it has happened on stage. And now we’re doing it again.

As previously announced, Northwest Terror Fest will again take over the Seattle underground with a three-day cavalcade of dark, dangerous, and diverse sounds on May 9th to May 11th, 2024. What hasn’t been previously announced, but has now been made public as of today, is who you’ll get to see on stage. Here’s the lineup: Continue reading »

Nov 132023
 

Our friend Tito Vespasiani from Everlasting Spew Records (and other metal endeavors) is back with another playlist of recommended heavy songs. This one includes 16 tracks, with commentary about a few of them below. The full stream is at the end, and on Spotify here.

ENGULF – BELLOWS FROM THE AETHER

Engulf is back! Hal Microutsicos’ solo project made such a great impact with its three EPs and it’s now time for a full-length. Getting influences from old school acts such as Morbid Angel, early Gorguts, Suffocation, and Hate Eternal, and adding a modern twist, this is extremely catchy. Mandatory! Continue reading »