Jan 202012
 

To flense the flesh from the bones with scalpels and with teeth.  To pulverize and grind the bones into powder.  To mix the powder with spraying arterial blood and force the mangled body to drink deep while the masters of its doom howl with maniacal glee.

To do all this and leave the victim smiling and begging for more. This is the trick.  Many have tried to master it, few have succeeded. On their new album, Global Flatline, Aborted show us how it’s done.

Rising above all else they’ve achieved before, this multinational collective have produced a head-whipping, face-shredding album that will cleave its way into your cranium and take up residence there — and you’ll be begging them not to leave. Scalpel-sharp riffing, obliterating drumbeats, explosive bass drops, tempos that flip upside-down on a dime, solo’s that jet like an acetylene torch, wonderfully bestial vocals — it’s all there.

And that would be enough, but mother of fuck, there’s still more — melodies swimming through the maelstrom of each song that sink them fast into your memory, and thunderous grooves that are irresistibly convulsive. You want the first skyrocket of the 2012 death metal season? Look no further than Global Flatline.

We’ve got two reviews of the album at this site (here and here), but as good as those are, there’s really nothing like hearing the music for yourselves. We’re SO fucking pleased to premiere a full stream of this fine album, which you can hear right after the jump. Continue reading »

Jan 182012
 

Lyric videos for metal songs seem to be increasing in popularity, but many of them are disappointing. They often consist of nothing more than images of an album cover or the band, with the words scrolling or fading in and out. And many times you’re better off not knowing the words. Lyrics aren’t critical to the kind of metal we listen to at NCS, because you usually can’t understand what the vocalist is singing, and they often turn out to be a forgettable distraction from the music — or worse — when you see them in print while listening.

Well, the brand new lyric video for the song “Transition” by Costa Rica’s Sight of Emptiness turns out to be a different breed of cat. This is a video well worth seeing, and we’re proud to give it an exclusive premiere.

You should already be familiar with the song — we premiered it here at NO CLEAN SINGING one week ago, and it’s damned cool. The lyric video now enhances the listening experience, creatively interpreting the lyrics through an intriguing (and ominous) animation that ends with the unfolding of the cover art for the “Transition” single, which you can see above.

The eye-catching animation was created by Andrés Montero Conde at B2crea (http://www.b2crea.com/), and it’s a kick to watch. The lyrics themselves tell the story of a rebirth, a transition and transformation of a being . . . but there’s a dark undercurrent to this story. Watch it after the jump (we recommend you take this to full-screen mode if you’re viewing it on a computer). Also after the jump, some exciting recent news about Sight of Emptiness. Continue reading »

Jan 112012
 

From left to right: Rafa Castro (Lead Guitar), Gabriel Arias (Electronics), Eduardo Chacón (Singer), Rodrigo Chaverri (Drums), Andrés Castro (Lead Guitar), Esteban Monestel (Bass & Backing Vocals)

 
To really set the stage for this story, we have to turn back the clock two years. In January 2010, we found out about a very impressive melodic death metal band from Costa Rica named Sight of Emptiness. What got us hooked were three songs from the band’s second album, Absolution of Humanity, that were then streaming at MySpace, plus a cool video of the band performing a fourth song — and we wasted no time posting about Sight of Emptiness here.

We wrote about them again in September 2010 on the occasion of the band’s release of a video capturing their performance of the song “Burning Silence” in front of 15,000 people in San Jose, Costa Rica, when they opened for Megadeth. Since then, the band have continued to perform and to build a an international fanbase — and to write new music.

And today we’re stoked to give you the world premiere of a new Sight of Emptiness single — “Transition”. It’s a killer song — one that rolls like a blast-wave of explosive detonation from start to finish, one that hits that sweet spot where the flash of cathertic high-energy intersects with shimmering melodies. It also reflects positive growth and evolution in the band’s sound.

In addition to the song, we’ve also got a short interview with the band and another video — after the jump. Continue reading »

Feb 042011
 

On February 15, the infernal majesty of DEICIDE will unleash hellfire on our fragile world with Century Media’s release of the tenth album in their storied career, To Hell With God. Today, we are proud (and duly humbled) to provide the exclusive premiere of the closing track from the new album, called “How Can You Call Yourself A God?”

As we wrote yesterday, this is a red-letter day for us. Not only is this our first world premiere of a song, it’s a song by one of death metal’s true icons — a band whose name every devoted deathmetalhead knows, a band who helped brick and mortar the foundations of a genre on which so many other bands have built their own work.

Deicide put the “fuck” in “I don’t give a fuck”. They put the “bad” in “bad-ass”. They may have put the “ass” in “bad-ass”, too. They represent all that is unclean about NO CLEAN SINGING. In a nutshell, for us, getting to premiere a Deicide song is like a fever-fueled, ringing-wet, nightmarishly horrific dream come true.

In debuting a track from the new album, we’re joining MetalSucks, who premiered “Hang In Agony Until You’re Dead”, and Invisible Oranges, who premiered “Into the Darkness You Go”, in helping to introduce the new album to all of you. We have a few words about the song itself — plus the fucking song — right after the jump. Continue reading »