Apr 282015
 

 

(Austin Weber introduces our premiere of a new song by Bedlam of Cacophony from Orange County, California.)

Sometimes it’s an even shittier day than usual, or maybe just an exercise in going through the motions sort of day — whatever the case, for many of us metal is a cathartic way to process these feelings and views in a positive way. So to give you a daily dose of high-voltage metallic vitamins, we bring you the premiere of a new track by Bedlam Of Cacophony, a California-based group who play a particularly nasty and frenetic form of death metal-meets-grind, executed in a highly technical way with choppy, chaotic songwriting that hints at a Dillinger Escape Plan math-y influence. Continue reading »

Apr 272015
 

 

Next month Sweden’s Temple of Torturous will release the third album of Germany’s Total Negation, and to give you a hint of what lies within it, we bring you today the premiere of “Fleuchtling”.

There is no easy way to sum up this long song. It is both a lyrical and a musical narrative, one that unfolds (as the album does) very much like a story — a dark and disturbing story full of changing moods reflected in changes of pace and intensity. A mid-paced rocker at the start, it becomes brooding and eerie, with a spacious interlude pierced with twisted feedback, flickering noises, and the strumming of an acoustic guitar. As the song continues to unfold, bursts of double-bass and blast-beats join with whipping tremolo chords, rhythmic bass lines bound along beneath the reverberation of discordant guitars, and hand drums make an appearance as the song reaches its hallucinatory finale. Continue reading »

Apr 222015
 

 

(TheMadIsraeli introduces our premiere of another new song from the forthcoming album by Mendel, the solo project of Aborted guitarist Mendel Bij de Leij.)

Time to serve up another tasty morsel courtesy of Mendel. His new album Oblivion is coming soon and it’ll blow you away. We premiered the first single “Discover” earlier (here), and now we bring you the second track, “Horizon”.

This song is more of a display of Mendel’s riff-writing capability. This song lacks any notable lead playing, and instead is a technical riff showcase. There IS a solo in this song, but it’s a sax solo and it fits quite nicely with what he’s got going on. Let us know what you think. Continue reading »

Apr 202015
 

 

We’re premiering a new Six Feet Under song today. I’m actually not sure that 4/20 is the best date for the premiere of “Gruesome“. I was thinking that something like the birthday of Ted Bundy might make more sense.

I’m not saying you shouldn’t blaze one before listening to “Gruesome”, as long as you understand the risk of warfare in your brain chemistry — between the part of you that wants to sink into a couch and dial out for a pizza and the part, awakened by this song, that wants to skin your obnoxious neighbor with a lemon peeler and then set him on fire before he bleeds out. Continue reading »

Apr 202015
 

 

We discovered the Swiss band Schammasch through their 2014 album Contradiction (reviewed for us here by Andy Synn), which was one of last year’s best releases and quickly became a favorite of our site. Contradiction was the band’s second album, and now Prosthetic Records is poised to re-issue the band’s debut full-length Sic Lvceat Lvx in re-mastered form, and we’re privileged to bring you a stream of the second single from the album, a song named “INRI“.

The album was originally issued in 2010 as a limited-edition CD. In addition to having it re-mastered, Prosthetic has revamped the cover with striking artwork by Valnoir of Metastaszis (Behemoth, The Black Dahlia Murder) and is making it available not only on CD but on vinyl, along with a double-sided t-shirt.

The band’s vocalist C.S.R. has described “INRI” as “one of the few groove songs we wrote so far — thrashy, simple, forthright and still a great one to play live.” As for the song’s title, he explains: “Unlike it’s usual meaning as the cross inscription, the letters “INRI” refer to the alchemist aphorism ‘Igne Natura Renovatur Integra,’ pointing out purification through the flame of consciousness.” Continue reading »

Apr 172015
 

 

Antru Kald is the name of the new three-song EP by the Portuguese/Dutch band Israthoum. Ever since discovering their phenomenal 2012 album Black Poison and Shared Wounds, Israthoum has become a favorite of this site, and today we have the privilege of premiering one of the new songs from Antru Kald: “Alleviate, Elevate”.

Antru Kald is a conceptual creation, one that has been gestating for many years, and it was recorded over a multi-year period as well, with help from Mories of Gnaw Their Tongues and Cloak of Altering (whose projects also happen to be favorites of this site). Mories also created the EP’s cover art. Continue reading »

Apr 162015
 

 

Exactly two weeks ago our Norwegian friend Gorger provided us with a glowing review of the debut album by London’s Crom Dubh. Lo and behold, now we have the chance to share with you a full stream of Heimweh.

I could stop there and simply let the music speak for itself, but some of Gorger’s words of praise deserve repeating, because this album genuinely is unusual — and unusually good:

“Someone put the band in the black cubicle on Encyclopaedia Metallum. I can only acknowledge this as long as we add that the band has torn down the decayed walls to some adjoining cubicles. Crom Dubh is a band that must be heard. The music the band plays is founded in black metal, but with so much more to offer. The sound has a dirty dissonant touch, and a certain timbre that is unique in itself. The band mixes atmospheric, melodic, and folk-metallic elements, but with a complete lack of respect for genre conventions…. Continue reading »

Apr 162015
 

 

The creative flames that light the imagination of black metal bands in Greece seem to have become bonfires over the last year, as we have been the beneficiaries of one stellar release after another from that country — and now one more is on its way: The Athenian dragon cult Serpent Noir are poised for the release on Walpurgis of their second album, Erotomysticism. It will be delivered via Daemon Worship Productions, and today we present to you the premiere of one of the new rituals, a song named “Al Runa“.

Serpent Noir have crafted this new album through a Draconian collaboration, following the Left Hand Path — the path of the Red Dragon — through gateways into other worlds of spiritual freedom and hidden potential. When you listen to “Al Runa”, you do get the sense of participating in a ritual, and of a gateway opening.

At the beginning, the pace of the song is stately, the deep bass tones and measured drum beats providing the rhythm of a processional, the dissonant guitar harmonies preparing the way forward, the chanted words providing the incantations. But soon enough, the music catches fire — the riffs begin to writhe and the drums to hammer as the intensity of the music grows. The chants don’t disappear entirely, but they’re joined by echoing, inflamed exhortations and the piercing voice of a shimmering lead guitar, which creates eerie melodic traceries, like spiraling smoke in a vaulted cavern. Continue reading »

Apr 162015
 

 

(Austin Weber introduces our premiere of a full stream of Perdition, the debut album by Italy’s Necrosy.)

In recent years the Italian metal scene, and specifically the death metal scene, has been taking the metal community by storm with a never-ending barrage of top-notch releases and a seemingly endless supply of new bands popping up all the time.

Here at NCS, we’ve kept our eye on this region and have written about it countless times, from the country’s most well-known powerhouse acts to its plethora of new talent. In the spirit of our love affair with the rampaging and vicious death metal that Italy churns out with ease, we bring your attention to an up-and-coming new band called Necrosy, with this early stream of their soon-to-be-released debut full-length, Perdition. Continue reading »

Apr 152015
 

 

At the end of this post we bring you the premiere of a multifaceted song named “Harrowing Winds” from the self-titled third album by California’s WRVTH, which will be released in June.

WRVTH (pronounced “wrath”) were once known as Wrath of Vesuvius, and this new record follows a 2009 EP (A World In Peril) and two previous albums, Portals Through Ophiuchus (2010) and Revelation (released by Mediaskare Records in 2013). But even if you are familiar with the band’s previous efforts, the new album reflects some changes in musical direction, along with that alteration in the band’s name — and “Harrowing Winds” is a signpost to those changes.

When I first heard the opening minute of the video clip for the song, I was having trouble squaring it with the little “Unique Leader” logo in the bottom right of the video frame. The shimmering, reverberating guitar harmony is tranquil, even transcendent. But as the song evolved, that Unique Leader connection became more understandable, just as the song became darker, more extreme, and more unpredictable. Continue reading »