Apr 152015
 

 

Those with long memories may recall that last October we reviewed two tracks that had surfaced from a forthcoming demo by the Swiss band Antiversum. Since then the Irish label Invictus Productions has arranged for the release of the demo — entitled Total Vacuum — and we now bring you the premiere of all four of its songs, in all their horrifying glory.

The demo is well-named in one sense: Total Vacuum creates an atmosphere of bone-freezing gloom, summoning immense vistas of a heartless, malignant cosmos. The demo begins and ends with eerie ambient sounds that include deep groaning tones and piercing electronic shrieks, effectively summoning sensations of dread and implacable menace. But in between those chilling bookends, Antiversum embark on a void-faring excursion that’s loaded with harrowing encounters. There is life in this vacuum, even if it is utterly alien and frighteningly voracious. And unlike a vacuum, it’s massively heavy and disturbingly oppressive. Continue reading »

Apr 152015
 

 

(Andy Synn reviews the forthcoming sixth studio album from the Ukrainian band Kroda — GinnungaGap-GinnungaGaldr-GinnungaKaos — and we also have for you the premiere of the album’s fourth track, “Чорні Хребти Карпат” (Carpathian Black Spines).

There are some albums you just never really get on with. Not that they’re necessarily bad, but albums you just don’t “click” with, for whatever reason. Where the pieces just don’t seem to line up properly and the overall package just seems lacking.

Then there are albums that you fall in love with instantly, where even their tiniest flaws seem to have a necessary place in the grand scheme of things.

This is one of those albums. Continue reading »

Apr 142015
 

 

One of the most marvelous things about music, of any kind, is that it’s an inherently interactive experience. No two people will hear music in exactly the same way, because what we hear is necessarily influenced by who we are, by our own life experiences, by the turn of our own imaginations, by the entire complex of ingredients that make up our own unique identities. And what we hear may not be entirely consonant with what the creators of the music were feeling or intended when they made the music.

There’s a reason why I’m starting this post with those thoughts, and I’ll come back to it at the end. But for now, let me tell you some other things about the new (third) album by Chicago’s FIN — The Furrows of Tradition — and about the song from the album that we’re premiering today: “Bliss Apparition of Sunlight”.

Some black metal albums are rightly described as icy cold. The Furrows of Tradition is hot-blooded. It’s a boiling inferno, overheated to the point of running a life-threatening fever. To mix my metaphors (which I have a tendency to do when carried away by an album), it’s a rip-roaring black metal hurricane that rushes by with torrential speed and power and leaves you breathless in its wake. Continue reading »

Apr 132015
 

 

Reviews are useful, but there is no substitute for listening. Six days ago I gave very high marks to Below the Hengiform, the stunning new EP by Malthusian, and although I’m going to remind you of why I’m so enthusiastic about this release, the main purpose of this post is to give you the chance to hear all of it for yourselves.

First, the reminder: Below the Hengiform represents a large step forward for a band who had already made a striking debut with their 2013 demo. In addition to creating a powerful atmosphere of imminent catastrophe and generating overwhelming maelstroms of violent sound, Malthusian are doing what few practitioners of blackened death metal are able to do:  They are crafting memorable songs. Continue reading »

Apr 132015
 

 

(TheMadIsraeli introduces our premiere of a song from the new album by Mendel, the solo project of Aborted guitarist Mendel Bij de Leij.)

Mendel, as some of you may be aware, is Aborted’s current lead guitarist.  For a while now, he’s also been doing guitar-centric instrumental solo material that is quite good, and for me has been elevating him into the ranks of players like Jeff Loomis and Paul Wardingham.  He plays a purely neoclassical style of metal drenched entirely in modern aesthetic, which puts a new spin on this approach to guitar exhibitionism.

The guy not only has chops, he has phrasing, borderline poetic, and knows how to write a central motif unlike many others I’ve ever heard.  His new album Oblivion will be released May 17th, and we’ll be streaming it on or before that date.  Today, I’m presenting the first single, the album’s opener “Discover”. Continue reading »

Apr 102015
 

 

(Austin Weber introduces our full streaming premiere of the debut release by Vermörd.)

Recently here at NCS, I wrote about a Maryland-based blackened death metal outfit named Vermörd. I can thank Islander for this since he steered me toward them, and they certainly didn’t disappoint. While my initial assessment of the band was positive, it was based only on a single track “Derodidymus”, which left me wanting more — a wish that was soon fulfilled upon getting to hear all of Dawn Of The Black Harvest recently.

After listening to all of it, my favorable impressions of the band have only grown, and I think that many of our readers will appreciate their multi-faceted and monstrous approach to destruction and mayhem from start to finish. Continue reading »

Apr 092015
 

 

(Austin Weber introduces our premiere of a song from Mictlan, the debut EP by an Indiana band named Kossuth.)

For reasons unknown to me, the state of Indiana has been a hotbed for killer death metal ever since I first got into metal around 2002. The first wave, in my opinion, was kick-started by the release of the now legendary Twilight Of The Idols by Harakiri, which was put out by Willowtip and is one of my all-time favorite death metal records,

In my time here at NCS, I’ve written extensively about death metal acts from Indiana, including bands such as Primordium, Dawn Of Dementia, and Breeding Filth. Now we can add another band, Kossuth, to that list of fresh new death metal talent coming from Indiana. Continue reading »

Apr 082015
 

 

Are you sitting down? Okay, good, because if you weren’t, I would tell you to sit down, because what you’re about to hear will knock you over. Also, I’d recommend putting on some flame-retardent outer wear. Hell, if you’ve got asbestos-lined underwear and a Kevlar loincloth, those would be good ideas, too.

(WARNING: MIXED METAPHORS AHEAD)

This song, “Orbit of Nemesis” from a British Columbia band named Xul, is like a Formula One death metal machine whipping around one hair-pin turn after another, with you tied to the spoiler by a barbed-wire leash and with flames coming out the exhaust, close enough to burn off your eyebrows and incinerate your nose hairs. Continue reading »

Apr 062015
 

 

Last fall our man Austin Weber enthusiastically reviewed Living Ghosts of the North Shore, the new EP by a New York group with one of most evocative band names ever: Buckshot Facelift. Today we bring you the premiere of the band’s official video for the EP’s title track.

Before turning to the video, I want to excerpt Austin’s review, as an introduction for people who haven’t yet been exposed to Buckshot Facelift:

It’s clear from Living Ghosts of the North Shore that this is the work of a top-shelf grind band who don’t fall prey to one of the dangers that go hand-in-hand with the main strength of grind, a risk that so often becomes its weakness in lesser hands — favoring speed over memorable substance.

What Buckshot Facelift deliver here is a lot more diverse and off the beaten path, not falling within the typical punk end of the grind spectrum, nor delivering purely short songs. While there is a fair bit of death metal meat and heft to Living Ghosts of the North Shore, it’s not presented in a way that deathgrind typically sounds like, in style or in structure. As it appears here, it’s more like a monstrous slab of flesh surrounding and sloshing about between spirited grind bursts.

Continue reading »

Apr 032015
 

 

WAIT!  DON’T LEAVE! Yes, I know you’re usually into the grymm and the kvlt, and you’re instinctively suspicious about bands whose names and album titles sound like they’re just goofing around — but suspend your skepticism for a minute and hear me out.

You see, I had the same initial reaction when we were approached about premiering this new EP. With a band name like Killer Refrigerator and a thematic focus on a war between humanity and the appliances that rule and control our lives, how could you possibly take the music seriously? While I acknowledge it’s true that we are indeed enslaved by our dependence on our smartphones, blenders, and toaster-ovens, would there really be anything worthwhile in songs named “Slaystation”, “Shower Thrashing Death”, or “Slave To the Easy-Bake”?

Turns out the answer is a resounding YES — that is, if you have a taste for thoroughly brain-twisting, ass-thrashing shred. Continue reading »