Feb 152023
 

Mauta Tala, the name of Sarpa‘s new EP which we’re premiering today, translates to “Death Rhythm” from the ancient Sanskrit language. It’s the solo work of David Baxter from Austin, Texas, the drummer of Plutonian Shore and a former member of Skrew and Škan. We’re told this about how he conceived the music:

David Baxter wanted to write a completely chaotic song, followed by a more mellow, yet still dark sounding passage. Day and night. Sun and moon. The music was mostly influenced by the time he spent out in the American Southwest desert, which is why it includes the sandstorms and other related sounds. The EP starts with the storm, which blows in the chaos, then ends with the storm, after which the music gets swallowed back up into the void.” Continue reading »

Feb 142023
 

 

(It’s Valentine’s Day. Axel Stormbreaker has gift ideas.)

Valentine’s Day is a universal holiday of its own uniqueness. Arguably, it may well be the only day of the year when every one of you feels both contrary and guilty simultaneously. The thing is, there’s been so much public discussion about why people should celebrate, or why they just shouldn’t, or even why the fuck should others care how people choose to spend this day. To the very point, a simple reminder of phrasal brawls is enough to mess with your mood momentarily.

Then again, metalheads feel even more divided for their own reasons. Especially, when the ones who choose to see to the needs of their better half got no clue as to what present they should be purchasing. Should it be a bouquet of roses, some exquisite chocolate box, or a rock ballad compilation? Most ideas seem so trivial, applied to the point of exhaustion. What present could you possibly choose that won’t appear as a petty option?

So, have no concern you troubled rascals! Dr. Love Stormbreaker is here to answer the dilemma that’s been dividing mankind since the birth of capitalism. Yes, you should celebrate Valentine’s Day and yes, you can do it in kvlt style! What I am about to give you is my ultimate top 5 cult tape list of Aloe City Wrld Records, each one selected according to your own special needs. Continue reading »

Feb 132023
 

 

(In a seasonal mood, our friend Neill Jameson (Krieg) has brought us and you a playlist of varied dark music for these chilly days in the northern half of the globe.)

We’re halfway through winter here in the northern hemisphere and, as is tradition by some of the louder dunces on the internet, people are already proclaiming their albums of the year. And while I could spend another few hundred words decrying the shortsightedness of this instant gratification culture we’ve fostered, that would only serve to give Metal Twitter™ more reason to warble on and on about my merits as a human being, which would take away from their time trying to figure out which band you like once shared an elevator ride with someone wearing a Goatmoon shirt.

As I’ve traditionally been a shut-in most of my life, I’ve spent a lot of evenings this winter reading, drinking tea and listening to music to find new projects to admire. I wrote that to sound more sophisticated than it actually plays out in an effort to make you like me. In actuality I’m just old and this is my idea of a wild night now. 

Anyway I’ve discovered a lot of interesting and dark music, mostly through the excellent Rites of Pestilence YouYube channel, most of which was unfamiliar to me, and started making a list of what I’ve really gotten something out of. Here’s that list.

Continue reading »

Feb 112023
 

I had a fairly quiet Friday night, with just enough spirits over dinner to get loose but not enough to feel wrecked and disjointed this morning. Kept making my way through the first season of “Poker Face“, which is enormously entertaining through episode 4, and then another chunk of pages in the latest Murderbot novel, which I’m forcing myself to ration since I’ll be so morose when I have to wait for the next one.

Anyway, thanks for asking about my Friday night. Pretty sure that’s what those whispers were in my head. But now to drown out all whispers with a few more things I got into this morning. Yesterday’s roundup was heavy on the death metal, so I decided to branch out a bit today, while saving most (but not all) of the black stuff ’til tomorrow.

YSKELGROTH (Spain)

Well, as I said, I didn’t save all the black stuff for tomorrow. This first song was just too good a way to wake people the fuck up. It’s a head-spinning amalgam of symphonic grandiosity, bizarro-world guitar convulsions (with a few bracing gallops and insectile quiverings in the mix), full-throttle madhouse drumwork, bunker-busting grooves, and macabre vocals that stretch far to find so many ways to be ugly. Continue reading »

Feb 102023
 

This has been a rare week when we didn’t have at least one premiere on the calendar every day. That gave me the time to do not one, not two, but three round-ups of new songs and videos, including this one. And I ought to have time for a fourth one tomorrow.

The timing has been fortuitous, because the past week or two has been jammed with new singles and advance tracks from forthcoming records that have piqued my interest (and should pique yours), including the following four, with news of a new reissue at the end.

NIGHTMARER (U.S./Germany)

This tremendously impressive band moved from strength to greater strength over the course of their Chasm EP (2016), their debut album Cacophony of Terror (2018), and their Monolith of Corrosion EP (2021), and now they’re returning with a second album named Deformity Adrift that’s set for release on May 5th via their label Total Dissonance Worship in the US and Vendetta Records in Europe. Continue reading »

Feb 082023
 

As you can see, I was able to finish Part 2 of a mid-week roundup of new songs and videos that began here. Finish it I did, and I’m pretty happy with the musical twists and turns it will take you on, but I’ve still had to hurry a bit more than I’d like to get it wrapped up. Please leave typo corrections in the Comments.

ENTROPIA (Poland)

I’ve already written here about “Retox“, the first single from Entropia’s new album Total, and now there’s another one out in the world. This one is named “Final“.

Prepare to be seduced by intriguingly warped melodies that are both glittering and dissonant, a mercurial but bone-vibrating bass, larynx-lacerating screams, and whip-crack drums. The mood also grows darker and more grim, as well as more nerve-racking and unsettling, but a feeling of fire-borne resilience fights through. Another fascinating track from an always-adventuruous band. Continue reading »

Feb 082023
 


Dying Fetus, photo by Scott Kinkade

Here we have a mid-week round-up of new songs and videos I want to recommend. I was very tempted to call it “PART 1”, because I have another collection already picked out. But I also have to finish the write-up for a premiere we’re hosting today, and I never know when my fucking day job will rear its head. So, I’ll refrain from promises and just hope the today’s second roundup works out. If it doesn’t I hope this will tide you over.

DYING FETUS (U.S.)

To start, here’s “Unbridled Fury“, a new Dying Fetus single (and video) that came out last Friday. I don’t suppose I need to say very much by way of introduction. Dying Fetus are an institution. Most everyone who visits this site knows the band’s music and knows whether they like it or not. The song will please those who do (it pleases me), and won’t interest those who don’t, because this is a rock solid Dying Fetus song. Continue reading »

Feb 042023
 


Chat Pile – photo by Juliette Boulay

For this Saturday’s roundup I decided to limit myself to single new songs and videos released in just the last few days. The first is in support of a 2022 album, and the rest are advance tracks from records due for release in March or April. I feel pretty confident in saying that I’ll have more to recommend through a Shades of Black column tomorrow, though I haven’t yet decided what to put in it.

CHAT PILE (U.S.)

Chat Pile probably don’t need more help getting noticed. Last year’s God’s Country popped up on most of the year-end lists assembled by notable mags and sites that get lots of eyeballs on them. But the band’s new video for the song “Tropical Beaches, Inc.” doesn’t have half a million views yet, so that needs some help. Continue reading »

Feb 032023
 

It’s another Bandcamp Friday today. From my perspective, that’s a mixed bag. On the one hand, it’s good for bands and labels because Bandcamp doesn’t take their usual cut from sales. On the other hand, my e-mail in-box (which is also the main address for NCS) gets deluged with Bandcamp-related messages and notifications, and that’s on top of the usual traffic of 200-300 e-mails to NCS per day. Trying to thoroughly crawl through all that takes more time than I have.

Still, because it’s a Bandcamp Friday I thought I ought to make at least a feeble head-start on the usual Saturday round-up. So here’s what I picked. Mind you, the songs definitely are not feeble.

ATHANATHEOS (France)

This French band is returning with a concept album named Cross. Deny. Glorify. It’s described as one “that follows the paths of three generations of Roman soldiers as they watch their empire decay from within in the wake of Emperor Constantine’s adoption of Christanity as its official religion”. All the songs are described as distinct and different in character, befitting this generation-spanning narrative. Continue reading »

Feb 012023
 


Venomous Concept

 

I have just enough time for a quick mid-week round-up of recommended new songs and videos. There have been a lot of new things this week so far, but that’s par for the course. These four happened to be among the ones I impulsively checkws out this morning. Hope you dig ’em all!

VENOMOUS CONCEPT (UK/U.S.)

I have a soft spot in my head heart for Venomous Concept, so I’m beginning with the new video for “Fractured“, the third one released in the run-up to their new album The Good Ship Lollipop.

The song was inspired by some troubles Shane went through during the upheavals of the pandemic and his efforts to pull the pieces back together. He wrote this, which will explain the imagery in the video:

“Music was always my comfort, but during this time my family needed me to be strong and I really wasn’t. I was breaking apart and trying to figure out how to put myself back together, and hopefully leave some of the bad bits behind. “Memories came—my childhood, my parents, my family, my children, my friends. Then the words to ‘Fractured’ came… I am still piecing myself back together, trying to be just good enough.”

Continue reading »