Apr 172016
 

Nadra-Form

 

So much music, so little time. In this post I’ve collected some recent black (or blackened) metal releases, and a few songs from forthcoming ones, that I’ve been enjoying, plus one other excerpt of a release that isn’t black metal but is pretty fuckin’ black anyway. Hope you find some things to like in here.

NAÐRA

I’ll begin with two Icelandic bands I’ve written about frequently, because their music is so exceptional. The first is Naðra, whose debut album Allir vegir til glötunar was released in January of this year (reviewed here) and whose line-up includes members of other notable Icelandic bands, including Carpe Noctem, Ophidian I, and Misþyrming.

Early last week the band released a new two-song EP named Form via Bandcamp. The first track includes guest vocals by Eirikur Hauksson, a well-known vocalist in Iceland in both pop music and heavy metal. Continue reading »

Apr 152016
 

Rabid Flesh Eaters-Reign of Terror

 

Reign of Terror is the kind of classic barrage of electrifying sound that ought to put a big goofy smile on the faces of all heavy metal fans. And although it’s the debut release by Rabid Flesh Eaters (from Arlington, Texas), it’s clearly the product of people who’ve got metal in their veins instead of blood and a deep knowledge, experience, and affection for full-throttle mayhem. You’ll have a chance to hear what I mean through our premiere stream of the whole album — which is being released today.

On this date five years ago, the late Mike Scaccia (of Rigor Mortis and Ministry fame) agreed to record the album, and he also contributed a scintillating solo on its opening track, “Lycanthrope”. The production quality will be one of the first things you notice about the album — the sound is so powerful, so sharp, and so immediate that it’s as if you’re right inside a room with the band — a room whose walls are being blasted outward by the explosiveness of the sound. And although Scaccia‘s solo is a thing of beauty, there are white-hot solos salted all the way through the album that will make you want to raise your clawed hands to the sky (check out the one in “B.T.K.”, for example, if you want to really get bug-eyed by the shred). Continue reading »

Apr 152016
 

Ancst-Moloch

 

(Here we have Andy Synn’s review of the first full album by Germany’s Ancst.)

If the name Ancst is unfamiliar to you, don’t feel too bad about it. Though we have featured them on NCS before now, Moloch is the band’s first “proper” album release, following a lengthy and varied series of EPs, singles, splits, and compilations, which have, over the years, allowed the band to showcase their ever-evolving blend of Black Metal, Punk, Hardcore, and Drone.

What this means of course is that even those already familiar with the band and their “anti-fascist, anti-sexist, anti-religion, DIY” ethos might not know exactly what to expect from the German collective this time around, such is their history of criss-crossing and cross-pollinating genres with almost reckless abandon.

Well, you need wonder no more, because Moloch is one hell of an incendiary blast of utterly ferocious punk-edged Black Metal. Continue reading »

Apr 142016
 

Zealotry-The Last WItness

 

(Bill Xenopoulos, a guest writer from Greece who also writes for Rock Overdose and has his own music blog here, rejoins us with this review of the new album by Boston’s Zealotry.)

Zealotry is a Boston based death metal band and they have been around since 2009, when they released their first demo. The Last Witness is their sophomore album and my first exposure to their music. Their members play in various other known bands. Tougas, for example, plays in Chthe’ilist, who released an impressive debut album earlier this year, and First Fragment, who will release their first full-length in the next month. Zealotry play a unique and difficult-to-approach death metal and The Last Witness is a tough nut to crack, but once you’ve done that, you’ll be exposed to a mesmerizing creation.

But who is the last witness? And what is he a witness of? Let us begin from the artwork and then proceed to the music. Maybe this isn’t a very common approach, but neither is Zealotry’s music. Continue reading »

Apr 142016
 

Fractured Insanity-Man Made Hell

 

Have you ever wanted to strap yourself to the nose of a jet fighter and then have the pilot fly you into a hurricane? How about wanting to crawl under a pile-driving machine and let it punch your body into a fragmented pile of goo and bone? Or wishing that you could dive right into a school of frenzied, feeding piranha and commune with them in their single-minded bloodlust? Yeah, of course, everyone would love to do these things. But how often do we get the chance?

Well, if you don’t know any fighter pilots or have ready access to a construction site or live near the Amazon, you can still very easily listen to Man Made Hell, the new album by Belgium’s Fractured Insanity. In fact you can listen to it right now because we’re premiering a full stream. Continue reading »

Apr 132016
 

Cult of Luna-Mariner

 

(Andy Synn reviews the new collaborative album between Cult of Luna and Julie Christmas, which was released on April 8. Accompanying photos are by Pär Olofsson.)

The name Cult of Luna should need no introduction or explanation to long-time readers of this site. After all, the stupendous Swedes have dwelled amongst the ranks of Metal’s mightiest heroes for a solid fifteen years now, and yours truly even selected their phenomenal Vertikal as the best album of 2013 (beating out stiff competition from the mighty Gorguts in the process).

The name Julie Christmas, however, might not be quite as familiar, though she certainly has considerable prestige and pedigree of her own, having acted as vocalist for both much-loved Doom/Post Metal troupe Battle of Mice and sludgy noisemongers Made Out of Babies, as well as forging her own career as a solo artist and frequent collaborator with other members of the Rock and Metal community.

Now, hopefully, this whistle-stop introduction should help give you at least a tentative grasp of why the idea of the two artists collaborating was met with such awe in certain quarters, and why Mariner has been one of 2016’s most highly anticipated albums ever since it was first announced. Continue reading »

Apr 122016
 

Khanus-Rites of Fire

 

I’ve collected in this post reviews of two EPs that I’ve been enjoying lately and would like to recommend.

KHANUS

The Finnish band Khanus first released their debut EP, Rites of Fire, in February of this year as a digital download, and also made it available on a small number of cassette tapes.

I learned about the EP through the recent announcement that I, Voidhanger Records will be releasing it in a limited edition of digipack CDs on May 6 — and that the band are now working on a debut full-length that will also be released by I, Voidhanger; the line-up for the new recording will include drummer Lordt of Code (a band that was the subject of Andy Synn’s most recent SYNN REPORT). Continue reading »

Apr 122016
 

Aborted-Retrogore

 

(Andy Synn reviews the new album by Aborted.)

A funny thing happened when I first listened to Retrogore… it didn’t click with me. At all. And I say this as a huge fan not only of the last two Aborted albums (both of which I consider amongst the top tier of their work), but as a huge fan of the Belgian brutalisers in general.

In fact it wasn’t until about a third of the way into the album that it finally started to get its hooks into me, with the first flurry of tracks in particular seeming to rush by in a faceless blur of blasts and riffs and breakdowns, grind parts, tech parts, and obtrusive melodeath licks, all of which screamed “EXTREME” at maximum volume, but really didn’t leave much of a lasting impression.

This was unsettling. I’m used to Aborted practically peeling my face off right from the very first track, and leaving me with some fresh new scars that I’ll cherish for a lifetime. And that most assuredly was not happening this time around.

Could Retrogore really be that much of a misstep, or was there just something wrong with me? Continue reading »

Apr 102016
 

Concatenatus-Aenoic Dissonances

 

I was drawn to this debut release by the eye-catching cover art of the Chilean artist Daniel Hermosilla (Nox Fragor Art), which I posted on our FB page not long ago (where it received an enthusiastic response).

The two musical artists (Sulphur and Balrog) who have taken the name Concatenatus are also from Chile, and their first EP, Aeonic Dissonances Beyond Light’s Consumption, was released via Bandcamp on April 5 (tape, CD, and vinyl editions will be forthcoming from Totenmusik and Ván Records). Continue reading »

Apr 092016
 

Negative Voice-Cold redrafted

 

About two weeks ago, in one of our Shades of Black posts, I wrote about two songs (“Limitation” and “Karmic Pattern” by Moscow’s Negative Voice that made an immediate and strong impression when I heard them. Those two tracks appear on the band’s second album, Cold Redrafted. I’ve now heard the rest of the songs, and you can, too — because we’re premiering a full stream just a couple of days in advance of its release.

Negative Voice deftly blend progressive-minded instrumental inventiveness, entrancing melodic hooks, and earth-shaking heaviness, while wrapping the music here and there in a wreath of charred black thorns. Continue reading »