Nov 142024
 

(written by Islander)

In April of this year the Trondheim-based “black psych metal” project Furze released a new album named Caw Entrance, its first full-length in six years. (We featured some crazed insights about it in our Comrade Aleks’ interview of Woe J. Reaper last July.)

Surely some significant amount of time would be necessary before he did something else under the banner of Furze, some period of recovery before his head could begin spinning again, and spinning ours — but NO! He quickly began musically self-medicating again, and the result is a second Furze album that’s now set for release tomorrow by Devoted Art Propaganda and Polytriad Fingerprints.

The new one is named Cosmic Stimulation of Dark Fantasies, which is a good description of the music and its apparent intent. You’ll see, because here on the eve of its release we’re presenting all the songs. Continue reading »

Nov 132024
 

(written by Islander)

Four years ago we premiered a couple of songs from Where Paths Divide, the eye-opening debut album of the Swedish death metal band Toxaemia that was ultimately released by Emanzipation Productions. We began one of those premieres with the following paragraphs, which four years later are still relevant:

“What causes a cult Swedish death metal band to come back to life after almost 30 years of silence? Not fame and fortune, at least not in the case of Toxaemia. Their roots go back to 1989, and their early demos and other recordings in 1990 and 1991 can legitimately be considered part of the pioneering sound of early Swedish death metal, but they’re not a household name in 2020. Rather than trying to cash in on a name, it’s a much better guess that this revival was spawned by one thing and one thing only: passion for the music.

“Sure, you might guess that nostalgia had something to do with it, but when you hear the music they’ve now made on a debut album that gestated this long, what you feel is fire and fury.”

Why are those words still relevant? Because the creative fire that fueled Where Paths Divide didn’t die away to embers. If anything, it has blazed higher in a new Toxaemia album named Rejected Souls Of Kerberus that we’re proud to present today, in full. Continue reading »

Nov 122024
 

(We present DGR‘s review of the sophomore album by the Dutch symphonic black/death metal band Haliphron, which was released a few weeks ago by Listenable Records.)

Truth be told, I hadn’t expected to see a second release from Haliphron to go sliding across my desk so soon after the first album had hit. Of course, it is often said that you have forever and a day to write your debut, and sometimes you have people who can’t seem to stop writing once that initial spark has been lit, and they burn brighter than a star lightyears away. Sometimes you’ll have people join the band with a bevy of ideas already percolating in their heads, as in Soilwork and Aborted‘s tendencies to have someone join and release a new EP soon after. And sometimes groups will wind up with an excess of material and it would be a shame to let that go to waste.

There’s a multitude of the cases available with Haliphron‘s lastest release via Listenable Records, Anatomy Of Darkness, but picking one certainly does help to mentally square the fact that we’re looking so soon at a second album. Continue reading »

Nov 112024
 

(Andy Synn refuses to throw any shade at Inversions)

So my weekend definitely did not go to plan.

Late Friday night my mum was taken to hospital due to severe and unexplained stomach pain, and then early Saturday morning was rushed into emergency surgery to prevent her from, well… dying.

Thankfully the surgery was successful and she’s now recovering well, but she’s not entirely out of the woods just yet, which means I’m going to be spending quite a bit of my time away from home for the next month or so.

As a result my posting schedule may be a little irregular for the foreseeable future, but hopefully I’ll still be able to bring you one or two gems a week that you might otherwise have overlooked.

Gems like Inversions, the long-gestating debut album from Atlanta’s Gorging Shade.

Continue reading »

Nov 102024
 

(written by Islander)

This column comes later in the day than usual, just like yesterday’s did. Yesterday’s was late because I went overboard with how much I tried to cover. Today’s is late because I spent a bunch of time this morning reading things that have nothing to do with music, still trying to process “current events”.

It’s also late because I still tried to cover as much as I could, though not quite as overboard as yesterday. Like yesterday I’ve alternated between recent singles and complete new records, and at the end I’ve added a couple of new videos for songs that aren’t new, though in different ways they’ve been made new again. Continue reading »

Nov 092024
 

(written by Islander)

I was going to begin by sharing some thoughts about “current events”. I started writing them. Then it dawned on me that if you wanted to read some dude’s thoughts about current events right at this moment, you wouldn’t be here. You might even be trying to forget about current events, to put off thinking about them until another hour, another day, another month.

And anyway, trashing what I started writing rather than finishing it provided more time for thoughts about another couple of songs. You might not want to read those either, but you might listen, and that’s good enough.

Once again, there’s a lot here. I’ve alternated between complete albums and preview tracks from forthcoming records, followed by a couple of clean-singing head-knockers and something quite out of the ordinary at the end. Continue reading »

Nov 082024
 

(written by Islander)

The Polish blackened sludge metal band Fiasko gave the world the first tastes of their new album AMOK ꓘOMA through videos for two of the album tracks, “Wniwecz” (“Into Naught”) and “Sztuczne kwiaty” (“Fake Flowers).

In the first of those, Fiasko showed their current colors in a slow-moving display of miserably moaning and wailing melody, backed by gut-punching percussive blows — and then they shock the listener with a sudden detonation of blasting drums, frantically swarming riffage (which still sounds dismal but vastly more deranged), and furious screams.

In that typhoon surge of sound you can still detect the grim opening melody, but it has been spun up into something substantially more frightening, and as the riffing evolves, it becomes both more feverishly unhinged and more disturbingly agonized. Even the sudden singing sounds emotionally shattered, elevating into screams again. Continue reading »

Nov 082024
 

(Denver-based NCS writer Gonzo brings us reviews of the following three albums released in October, just in time for gray days ahead.)

Call me a downer if you must, but I really hate theme parties.

Come to think of it, I don’t like “themed” anything. I once was dragged to an office party with a “The Office” theme (I shit you not) and it was one of the most excruciating hours of my life. This was the same job that occasionally held “ice cream socials” that consisted of nonverbal weirdos quietly grabbing a small cup, wordlessly putting a scoop of Breyer’s into it, and scampering back to their desks. (“Ice cream antisocial” might be the Anthrax and Weird Al collab we never knew we needed.)

That job, fortunately, was a long time ago, but my stance on themes remains. There’s a caveat now, though: after assembling this column, I realized that all three of the albums I used are all similarly dreary, doomy, and full of despair.

So, with this month’s roundup being perfect music to slit your wrists to, perhaps I’m not as averse to themes as I thought I was.

On that gloriously uplifting note, let’s get right into it.

Continue reading »

Nov 082024
 

(Here is Todd Manning‘s review of the latest album by Minnesota-based Canis Dirus, which will be unleashed December 21st on LP by Bindrune Recordings and on CD by Alte Seelen.)

Bindrune Recordings have long been one of the most trusted yet still thoroughly underground labels of the 21st century, specializing in all things atmospheric metal. Their latest release from Canis Dirus, By the Grace of Death, keeps the label’s excellent standard of quality alive with their folk-infused take on black metal.

Album opener, “Once Cursed Path Glistens in the Sun”, is an epic black metal piece constructed from a minimal number of parts. The primary riff is mid-paced and heavy, yet also meditative and melancholy. They eventually find a blast beat and display their ability to conjure violence as well. Yet a synth line underneath the maelstrom keeps the atmosphere intact. Continue reading »

Nov 072024
 

(written by Islander)

The last time I attempted to find words for the music of Auriferous Flame I deployed adjectives such as “dire and deleterious,” “hypnotic” and “mystifying,” “deranged and dervish-like,” “molten” and “exotic.” The occasion then was an album named The Great Mist Within, released by True Cult Records in the summer of 2022. Now we have a new occasion because of a new album by this Greek black metal entity, which is one of the several guises assumed by the masterful Ayloss (with Spectral Lore being the best-known of those).

The new album, The Insurrectionists And The Caretakers, will be released tomorrow by the same True Cult Records. It is three songs long, and its overarching subject is revolution. Continue reading »