CRYPTID SPAWN: “BLACK PHOSPHOROUS DUNGEON”

 Album Reviews, SHORT BUT SWEET  No Responses »
Feb 172026
 

(We present Todd Manning’s enthusiastic review of a debut EP by Singapore-based Cryptid Spawn, released at the end of January by Iron Lung Records.)

When it comes to vicious hardcore punk, d-beat, and grind records, the label Iron Lung Records reigns supreme. However, it is rare that they release anything that falls more firmly in the metal camp. So when they do put something out that is unquestionably metal, it is something to take notice of. Such is the case with Black Phosphorous Dungeon, the new EP by Cryptid Spawn.

When we say that Cryptid Spawn is undeniably metal, we aren’t talking about Judas Priest, not that there would be anything wrong with that. Cryptid Spawn’s leather-gloved hands are sticky with the DNA of the darkest extreme metal forebears. Think early Bathory, Blasphemy, Sarcófago, and Hellhammer. “Gods of the Grim and Dismal World” shows how they are able to blend the relentless blur of war metal with actual, discernible riffs, the song held together by a primitive but memorable chord progression. The vocals spew blasphemous phlegm in the best possible way, and when the guitars slow down partway through the song, the riff is the best combination of death metal crawl and sludge-ridden filth.It’s an auspicious beginning to a short but devastating release. Continue reading »

CONVERGE: “LOVE IS NOT ENOUGH”

 Album Reviews  No Responses »
Feb 162026
 

(Last Friday Converge released their new album Love Is Not Enough, and below you’ll find Wil Cifer’s thoughts about it.)

It is always an exercise in objectivity when you are reviewing one of your favorite bands. For me, they are under more scrutiny as they set my expectations high, leaving me with certain boxes to check off as I am listening. The larger their catalog, the more expectations their legacy has built.

I am not surprised that the hyper-aggression of Boston hardcore legends Converge has endured, now 11 albums into their career. Their new album does find it being refined and often being more of an Entombed-like stomp. There are some thoughts on the idea that seem to be stuck on the chaos of what they do, but in truth, compared to albums like When Forever Comes Crashing, it is a much more streamlined effort that is more accessible to a larger metal audience. Continue reading »

SHADES OF BLACK: HEIDEN, FARSON, MALAURIU, GALARE, LYSERGIC, LIGATION

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  2 Responses »
Feb 152026
 

(written by Islander)

Getting a late start today. In yesterday’s roundup I mentioned that I had a cold. I took some over-the-counter stuff last night to help me sleep through it. I woke up 10 hours later, so I guess it worked, and hence the late start.

I picked all of today’s recommendations yesterday, and though my head is infected, these songs proved to be both more viral and more virile than the rhinovirus. I’m very happy with the choices and hope you will be too.

By way of preview, things begin in what we might call avant-garde territory, and then move in more punk-influenced directions, and then you’ll get blistered and beaten. At the end is an album that’s outside the usual boundaries of this column, but I didn’t want to wait any longer to give it a further push. Continue reading »

SEEN AND HEARD ON A SATURDAY: MELECHESH, KADAVEREICH, ARCHITECTS OF AEON, A FOREST OF STARS, THE HOLEUM, VOIDSPIRE

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Feb 142026
 

(written by Islander)

I felt a cold coming on yesterday when I woke up, and that was quickly followed by the discovery that anyone trying to get to NCS experienced frantic meltdowns from their browsers, which warned people that our site was insecure and might expose all their personal finances and identities to theft, might turn their children into ghouls, might cause cats to have sex with dogs, etc., etc. In other words, it seemed our site’s SSL security certificate had expired.

Or at least that’s what I concluded based on some googling, because I hadn’t received any advance notice or warning. I had forgotten what an SSL is, had no idea when we implemented it, and was completely clueless about what I was supposed to do to fix the problem. I e-mailed our IT consultant, who I think must have implemented SSL for NCS years ago (I still haven’t heard back from him).

I also opened a support ticket with our security provider, because our web host told me they maintain the site’s security certificate. I haven’t heard back from them either — though late yesterday afternoon the scary browser warnings stopped, so I guess they remewed our certificate, but I really am still in the dark about the whole incident. Which means I’m also in the dark about how to prevent this bullshit from happening again.

Oh, and my cold was also in full bloom by late afternoon yesterday. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): WAMPYRIC RITES — “UNDER THE TRAGIC FULLMOON OF THE VAMPIRE”

 Album Reviews, Premieres  No Responses »
Feb 122026
 

(written by Islander)

Vampires and other undead entities reputed to feed on the essences of living humans have figured in the folk mythologies of many cultures around the world for millennia. Fear of such creatures has led to episodes of mass hysteria, executions, the exhumation and decapitation of corpses, and of course the staking of suspected revenants through the heart.

(Many such incidents and more are documented in Killing the Dead: Vampire Epidemics from Mesopotamia to the New World, an exhaustive scholarly work by John Blair published just last November.)

Vampirism lives on in our imaginations (hopefully, only there), itself a deathless dream that the passage of millennia can’t exorcise. In our tiny corner of modern culture, black metal has kept the nightmares alive more than any other sub-set of metal, and one of the most prolific exponents over the last seven years has been the Ecuadorian band Wampyric Rites.

This band’s newest album, Under the Tragic Fullmoon of the Vampire, is now set for release by Inferna Profundus Records tomorrow — Friday the 13th of February — and on the eve of that dreadful event we have a full stream of the album for your consideration. Continue reading »

BEST OF BRITISH: 1986 / MOLOCH / UNMOTHER

 Album Reviews  No Responses »
Feb 122026
 

(Andy Synn compiles three more albums from his “local” scene that he’d like you to check out)

As the resident Brit here at NCS, I’ve made it my mission to highlight as many bands from these green and (un)pleasant lands as I possibly can each year (with last year in particular being a big one in that regard).

And while this process hasn’t always gone smoothly – there have been at least a handful of bands over the years who haven’t taken kindly to my coverage, even though it always skews positive, because they didn’t think I praised them enough – generally speaking I’m proud of the fact that I’ve helped spread the word about our vibrant, versatile “scene”… even if that “scene” hasn’t always been kind to me in return.

Today’s triptych of recent and/or upcoming albums features a promising, if imperfect, debut (1986), an extremely ambitious second album that serves as something of a creative reboot/rebirth (Unmother), and the latest release in a long-running, uncompromising career of unrepentant ugliness (Moloch), all of which come with my personal recommendation.

Continue reading »

ULTIMA: “I: KATABASIS”

 Album Reviews  1 Response »
Feb 112026
 

(Our Norway-based writer Chile reviews the debut album of the Spanish black metal band Ultima, released last month by Obscurant Visions.)

The beauty of loving different genres of music, and in particular, different genres of metal, gives us the opportunity and a benefit of reaching out for precisely that single piece of music that befits our current state of mind.

Be it something hellishly heavy, calmingly droning, or just something in the middle, no one can argue that the selection of riches is not adequate. We are talking about decades upon decades of talented musicians spoiling us for choice.

Moving through those boundless vasts, we are today travelling to Spain for a fresh dose of black metal conjured in the deepest dwellings of the psyche tailored for anyone bearing a heavy mind, courtesy of Ultima and their just released debut album I: Katabasis. Continue reading »

AN NCS SPLIT PREMIERE: FORCEFED HORSEHEAD AND SHAVING THE WEREWOLF — “FROM HORRID TO WORSE”

 Album Reviews, Premieres  No Responses »
Feb 112026
 

(written by Islander)

“Next Friday, February 13, two of Norway’s most unhinged entities collide as Forcefed Horsehead and Shaving the Werewolf unleash their split EP From Horrid to Worse, a violently inventive, no-rules document of chaos that feels less like a release and more like a controlled detonation.”

That’s how the press materials have announced this new split, and it’s spot-on. So is this further introductory comment:

On one side: Forcefed Horsehead, weaponizing grindpunk, death metal, hardcore and hysteria with apocalyptic precision. On the other: Shaving the Werewolf, twisting powerviolence, noise rock, nu-metal and mathcore into something deeply uncomfortable and disturbingly catchy. Together, it’s all bruises, whiplash, and creative malpractice of the highest order.

To back up these words, what we have for you today (along with introductory comments of our own) is a full stream of Horrid to Worse in all its apocalyptic and poisonous glory. Continue reading »

PONTE DEL DIAVOLO – DE VENOM NATURA

 Album Reviews  No Responses »
Feb 112026
 

(Andy Synn crosses the devil’s bridge once more)

It was almost exactly two years ago that Italian diabolists Ponte Del Diavolo released their debut album, Fire Blades From the Tomb, and although I didn’t catch up to it immediately I did manage to pen a review as part of that month’s “Things You May Have Missed“.

This time around, however, I’m (just) ahead of the game, as their new album, De Venom Natura, is set to come out this Friday, meaning I get the chance to help set your expectations ever so slightly in advance.

So, without further ado… let’s see where this bridge takes us, shall we?

Continue reading »

BLOOD RED THRONE: “SILTSKIN”

 Album Reviews  No Responses »
Feb 102026
 

(Soulseller Records launched Blood Red Throne’s latest album in December of last year, and of course we knew the time would eventually arrive when our DGR would write it up (because he loves this band’s music) — and now he has.)

This is a review for a 2025 release

A hair under two years is pretty quick turnaround time in the world of heavy metal. That doesn’t translate much to a layman’s way of thinking of course, as the old adage still holds true that creativity does not exist in a vacuum nor could you every try to put any time scale on inspiration. Some groups are prolific, others move at a snail’s pace – it’s a case of what works for some, may not work for others.

That said, it’s hard not to get a little spooked when turnaround time feels too quick between albums. Any number of events could take place in the background to cause it: new contracts may require new albums in a year, sometimes material gets backburnered or banked for future releases, but the year over year turn has just as often resulted in releases coming out as straight-shooting and “expected” as an album could be. Quick releases are likely the home of more solid-sevens out there than anything else.

But what then do you do when a band whose very existence is consistency, as if they themselves are the universal continuity upon which the world is built? Anything lesser would result in galactic cataclysm and anything more would equal a galactic sublimation. What if a band just exists on that line of “good-to-great” or “inarguably-solid-as-a-rock”? What then does a quick-feeling turnaround time do to them?

Even though the year may have ended, we still have to touch base with a few releases and one we weren’t about to let escape from our sight was the mid-December unleashing of Blood Red Throne’s latest album Siltskin. Continue reading »

 Older Entries  Newer Entries