Reviews Archives - Page 47 of 601

SPIRITWORLD: “HELLDORADO”

Mar 112025

(SpiritWorld‘s new album Helldorado will be arriving on March 21st on Century Media Records, and we have Gonzo‘s take on it today.)

I’ve often described metal as the perfect additive to any other type of music. When done right, it can be an incredible marriage of styles. Results may vary, of course, but the ongoing explosion of subgenres within the metal realm will prove the point either way.

This fact will undoubtedly be obvious to anyone reading this. But the fun part of such experimental alchemy that so many bands have tried over the years? It creates new sonic territory yet to be explored by anyone else.

Enter Stu Folsom and his bedazzled cowboy cohorts in SpiritWorld. I was (and still am) hopelessly hooked on their 2022 album DEATHWESTERN, with its furious Slayer-inspired riffs and paint-peeling vocals. The fusing of country, folk, and dust-crusted Sergio Leone-style storytelling made the album worth its weight in gold. Three years later, the big question about new album Helldorado is whether or not it holds up to its predecessor.

Let’s find out.

SPIRITBOX: “TSUNAMI SEA”

Album Reviews, Exceptions to the Rule 1 Response »

Mar 102025

(Late last week the Canadian heavy metal band Spiritbox released their second album, and today we’ve got Wil Cifer‘s review.)

Before you throw the LaPlante out with the bathwater, it might be easy to write this band off as a pop act. After all, they are an evolution of Myspace metal. However, I might go as far as to say that this album is more inspired than Knocked Loose’s You Won’t Go Before You Are Supposed To, which was one of the heaviest albums since Sunbather to catch the ear of more mainstream audiences. It certainly takes more chances and employs a wider range of sonic colors, rather than hits you with blunt force you bob your head to.

If your eyes have skimmed any of the reviews I have done for this fine site or other of the more devious ones you might have stumbled across on the Dark Web, then you know this is outside of what I normally listen to. If you caught the trail of breadcrumbs that starts with Chelsea Wolfe covering one of their songs, then you might be getting warmer. Continue reading »

K L P S – K L P S

Album Reviews No Responses »

Mar 102025

(What sort of difference does a name make? Andy Synn sets out to find out!)

Hands up… how many of you have heard of Danish existential extremists Kollapse?

Well, this is not that band.

How about Swedish Post-Metal noisemongers Kollaps\e?

Well, it turns out that the latter group, in an effort to differentiate themselves further from their fellow Nordic neighbours just across the water (who, in fairness, did have the name first), recently re-branded themselves as K L P S (still pronounced the same way) and decided that the best way to celebrate his new era was with a brand-new, self-titled album.

All of which begs the question, does a ~~rose~~ band by any other name still ~~smell~~ sound as sweet?

AN NCS ALBUM PREMIERE (AND A REVIEW): NOMADIC RITUALS — “FUST”

Album Reviews, Premieres No Responses »

Mar 102025

(written by Islander)

It often happens that we, like everyone else, find our first exposure to an album in a single song provided in advance of the album release, even when we later find ourselves premiering the entire record. That is what happened here in the case of Fust, the apocalyptic fourth album by the sludge/doom band Nomadic Rituals from Northern Ireland that will soon be released by our friends at Cursed Monk Records.

One of their early singles from the album was “Change“. It greeted our ears with clobbering beats and demonic snarls, with vicious sizzling tones and shrill demented decibels. The song’s mangling low-frequencies lurch like some enormous primeval beast; the vocals scream and bay at the moon; the beats crack and tumble.

The music also pounds like a sledgehammer and seems to moan in agony, and the beasts come out in the doubled vocals too. It might have ended there, but doesn’t: the drums vividly clatter; the guitars go off like sirens; the low end brutally gouges with gruesome claws; the voices scream bloody murder.

As a welcome sign placed before listeners, “Change” was very fucking intense, an experience in rage and ruin, like a welcome sign made of skull and crossbones. How indicative was it of the album as a whole? You’re about to find out. Continue reading »

SYNAPTIC: “ENTER THE VOID”

Album Reviews 1 Response »

Mar 102025

(This is DGR‘s review of the debut album by the German band Synaptic, which was released in January by Lifeless Chasm Records.)

Dwelling in the earlier part of the year has so far presented a handful of pleasant surprises but none came out of left field quite like the first full-length from Germany’s Synaptic, a tech-death, thrash, and melodeath hybrid that has resulted in a sub-thirty-five minute blistering whirlwind of an album known as Enter The Void.

Synaptic have existed in one embryonic form or another for over twenty-plus years of on-and-off activity but up to this point have only had one release to their name, a twenty-seven minute EP dating back to 2008 entitled Distortion Of Senses. Since then, the whole lineup has changed save for one main project-driver, and it seems as if the entire sound of the group has shifted from those days. It means that in a lot of ways Enter The Void is a full relaunch of Synaptic – now a three piece – and is the sort of release that makes it seem as if the seventeen years between releases were put to good use.

Even though there’s only an eight-minute difference between Synaptic‘s full-length and the aforementioned EP, there is a lot more packed within those thirty some-odd minutes than you might expect. Continue reading »

SHADES OF BLACK: AMALEKIM, DERNIER SOUFFLE, FRYKTELIG STØY, SHEOL BLANC, KEXELÜR, AKVAN

Album Reviews, SHADES OF BLACK, SHORT BUT SWEET No Responses »

Mar 092025

I got a really good head-start on this column yesterday, so good that I thought I’d be able to post it much earlier today than usual. But of course the best laid schemes o’ mice an’ men gang aft a-gley.

This mouse forgot that Daylight Savings Time would go into effect overnight, springing the clock forward. And then this mouse slept for 9 1/2 hours. Put those two together, and the morning was well underway by the time I turned to finishing this. Oh well.

What you’ll find below is an alternating sequence of songs from forthcoming records and complete releases, most of them head-spinning in different ways, but with a more meditative and deeply haunting experience at the end. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): RITUALMORD — “THIS IS NOT LIFELOVER”

Album Reviews, Premieres 1 Response »

Mar 072025

(written by Islander)

Few long-gone bands from the underground still have as passionately devoted a following as the Swedish group Lifelover. Two of that band’s surviving members have worked together under the name Ritualmord to create a debut album that will be released tomorrow by Unjoy – Art & Ritualia. That pedigree alone would attract Lifelover fans to the album like iron filings to a magnet, but almost like a rebuff of an old lover, Ritualmord named their album This Is Not Lifelover.

And the album’s name is mostly true, but not entirely true. It isn’t Lifelover, but to use a cliché, there are some Lifelover nucleotides in Ritualmord‘s DNA — though indeed it’s true that the other ingredients of their musical polymer are quite different from what a Lifelover fan would expect and possibly hope for — though it may reflect where Lifelover would have gone (to more vast and mind-bending places), had it lived.

In lieu of typical PR promotional texts, the two people behind the album, ( ) (Kim Carlsson) and 1853 (Johan Gabrielson) have crafted a different kind of introduction, and we ought to begin there in presenting today’s album premiere: Continue reading »

EMPTY THRONE: “UNHOLY”

Album Reviews 2 Responses »

Mar 072025

(At the end of February Downfall Records released the debut album from a group of U.S. metal veterans who’ve taken the name Empty Throne, and today we have DGR‘s extensive and enthusiastic review of what they’ve accomplished on this first full-length.)

One of the most appreciable things about Empty Throne and their new album Unholy is that within the first minute of the opening song “Abbey Of Thelema”, you have a pretty good idea of exactly how this album is going to go and what the band sound like. It has been some time since we’ve had a release that has so clearly laid its cards on the table with an opening furnace blast of music quite like Empty Throne do up until the quiet guitar break in that opening song.

You’ll have a sense of just how much of the group’s death metal with a hint of melodicism, blackened thrash, and gnarly razor-sharp guitars you’ll want from the band right about that point. That’s not to say that Empty Throne aren’t happy to provide other things, but that opening minute lays out the core of a very ambitious band who across six songs and forty minutes have a lot to say — and as it turns out, at a very fast and teeth-shattering tempo as well. Continue reading »

SOM – LET THE LIGHT IN

Album Reviews No Responses »

Mar 062025

(Andy Synn does his best to let the light in… let’s see what it reveals, shall we?)

I think it was pretty much the day I started writing here that I began chipping away at the whole “no clean singing” thing here at NCS.

Granted, it was always more of a tongue-in-cheek statement, rather than a strict edict, as the site had been featuring bands with various forms of clean singing, off and on, well before I got here.

But I’ve definitely been responsible for bringing a fair number of bands – bands with nary a hint of harsh vocals in their sound – to the site that probably wouldn’t have been covered here otherwise.

And since I was the one to first bring Doom-Pop/Dream-Gaze quartet SOM to the site’s attention – first with my review of their debut album, The Fall, followed by my write-up of their stunning second album, The Shape of Everything (which also made it into my Critical Top Ten of 2022) – it only seems fitting that I continue to make a mockery of everything we stand for by sharing my thoughts on their upcoming third album, Let The Light In (out next week on Pelagic Records).

AN NCS ALBUM PREMIERE (AND A REVIEW): NECRAMBULANT — “UPHEAVAL OF MALIGNANT NECRAMBULANCE”

Album Reviews, Premieres No Responses »

Mar 062025

(written by Islander)

The Arizona band Necrambulant have a new album coming out tomorrow on Gore House Productions. Ever-interested in improving my vocabulary, I tried to look up the meaning of “necrambulant”, especially because a variant of the word also appears in the album title: Upheaval of Malignant Necrambulance.

Turns out it’s not in any dictionary (not yet). According to an 11-year-old interview of Necrambulant guitarist Ron Clark at Teeth of the Divine, it’s a word the band made up by combining the prefix “Necro” with “Ambulant” — “just a fancy way to say ‘Zombie.'”

At the time of that interview Necrambulant were about 9 months beyond the release of their debut album Infernal Infectious Necro-Ambulatory Pandemic. It might be time for another interview to figure out why it took the band so long to release more music, with 9 years passing by until their 2022 EP A Feast of Festering Flesh, and then 3 more years until this new second full-length, coming out a chunky dozen years after the first one. (I did find a quartet of more recent interviews, but they were all just the kind of stock questions that could be doled out to any band, and none of them delved into that question.)

But really, the answer is just a matter of bystander curiosity. It’s irrelevant to whether anyone should be paying attention to the band’s new album. Whether attention should be paid, of course, is a function of the music and the tastes of the listener. You’ll get to taste the whole thing — and it will get to taste you raw, without benefit of cooking or seasoning — because we’re providing a full stream today. Continue reading »

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