Jul 212019
 

 

I feel like I should apologize. I know that I’ve chosen a mountainous amount of music to recommend this week, more than any of you are likely to make time for today. Maybe (hopefully) you will bookmark  this page and return to it periodically as the week rolls on until you’ve at least sampled everything here. You might find something you’ll remember for months to come, and perhaps longer. And that, of course, is the reason why I stuffed this week’s column full to bursting, because I felt so strongly about all these releases that I couldn’t force myself to leave any of them on the cutting room floor.

I will also just get the credits out of the way in advance, because this is another collection of music I found as a result of recommendations by others. Most of those came from Rennie (starkweather), and one from Miloš; the two of them regularly complicate my choices for these columns, and other round-ups of new music as well. To justify my own existence I did find the first selection below on my own, and the last one (though I had help even there).

FINSTERFORST

I would have been thrilled by the prospect of a new Finsterforst album, but am even more thrilled because of the two song excerpts that are now out in the world. They’re just excerpts, I guess because the full tracks are lengthy. “Fluch des Seins” is 11 minutes long, and “Ecce Homo” is… wait for it… 36 1/2 minutes long. Continue reading »

Jul 162019
 

 

This is a rare mid-week edition of a column that usually appears on Sunday. This didn’t happen by design. I was trying to select some new songs for a SEEN AND HEARD post, and by chance it happened that three of them — these three — were shades of black metal. So I decided to collect them today, and try again tomorrow for a cross-genre round-up under the SEEN AND HEARD banner.

NIGHTFELL

A Sanity Deranged is the third album by Portland’s Nightfell, a duo (Tim Call and Todd Burdette) whose music I’ve enjoyed from the beginning. It will be released on Friday the Thirteenth of September by 20 Buck Spin (who are having another great year of releases), and the first song in today’s selection is from that new album. Continue reading »

Jul 142019
 

 

I’m in the midst of a two-day outdoor event with co-workers and other friends that happens every summer. It tends to leave me very little time for NCS, and that has proven true again this year. I also failed to ask someone else to take over SHADES OF BLACK for this Sunday.

But I didn’t want to have a complete blackout of the site today, which might leave some of our visitors wondering if some disaster had befallen us, or if that Manhattan power outage had decided to leap the continent and send us into a different kind of darkness than what usually descends in these weekly columns. So I have one song to share with you, and unfortunately only one. As it happens, a notice of it arrived in our in-box only this morning. Lacking the time to listen to any other candidates on my list, I took a chance and listened only to this one. If it had not been good, we might have had a total blackout. Continue reading »

Jul 092019
 

 

This is the second Part of the weekly column I began (here) in its usual Sunday slot. I had intended to finish it in time for posting yesterday, but that obviously didn’t work out. Since I ran out of time before I could complete it on Monday, the inevitable happened — it grew larger overnight. On the other hand, Father Time is still being a hoarder of his gifts, so I’m still hurrying, and must try to be sparing with my verbiage.

TENEBRAE IN PERPETUUM

A decade after the last album by Tenebrae In Perpetuum, its sole creator (Atratus) is returning with a new album, aided by drummer Chimsicrin (of Gorrch). Named Anorexia Obscura, it will be released by Debemur Morti on August 30, and the first advance track — “Dissonanze mentali” — is how I’ve decided to begin today’s collection. Continue reading »

Jul 072019
 

 

As you can see, I’ve planned a two-part SOB again. I doubt I’ll finish Part 2 in time to post it today, and even if I do, I think I’ll defer it to Monday anyway. With so many new-music round-ups lately, I’m afraid we’re at risk of overloading people already, especially because this Part 1 includes four full releases in addition to the two advance tracks I’ve placed at the beginning (and there are additional complete releases in what I have in mind for Part 2)..

NOCTEM

We’ve been closely following the progress of the Spanish band Noctem since 2011, when they released their second album, Oblivion. Four of us have written about the band over the years since then, amassing 16 different posts about them (including two interviews). Obviously, we are fans. But we have equally been persistently curious about what they would do next.

Noctem’s music has always been a blend of death and black metal, but the sound hasn’t remained stagnant. It might go too far to say there has been a continuous trajectory over time, but in general it seems like in the earlier years they were more death-metal focused, whereas the last album, 2016’s Haeresis, leaned more toward the black metal elements in their sound. Based on the title track from their new album, The Black Consecration, it sounds like they’re leaning even harder in that direction, and have in other ways made shifts in sound from their last record. Continue reading »

Jun 302019
 

 

Man, I have so much new black metal to write about this week (like what else is new?), but not enough time to write about all of it (that’s not new either), in part because of the time I spent on a rare Sunday premiere (which you really should go listen to if you haven’t already), though it’s a shade of black too.

Despite the temptations, I know better than to call this post Part 1. We know what the Scottish bard said about best-laid plans. Better to just see what happens, better to be pleasantly surprised than disappointed by another broken promise.

DEADSPACE

When the first song in this collection appeared last week my friend Mr. Synn quipped on FB: “Like Nachtmystium but worried that by doing so you’re in danger of having your canoe stolen and sold for drug money? Well, worry no longer!” Continue reading »

Jun 242019
 

 

Here’s the second Part of the SHADES OF BLACK column I started yesterday. I scurried like a hamster on a wheel to get this finished yesterday, but fell off into a pile of sawdust (or whatever people line their hamster cages with).  I think it’s fair to say that the following selections are defined by musical eclecticism — but you be the judge of that.

DAMIM

I’m beginning this second installment with a new discovery (at least for me), a London-based group named Damim, led by vocalist/guitarist Nathanael Underwood (ex-Akercocke). Damim have a new album named A Fine Game of Nil (excellent title) set for release on June 28th by Apocalyptic Witchcraft Recordings and Czar of Crickets Productions, and what you’ll find below is a track from the album called “Rising of the Light“. Continue reading »

Jun 232019
 

 

There’s no hope of catching up. The flood of new metal is unrelenting; the torrent certainly did not pause for me while I spent a week in Iceland and then much of the next week trying to get the rest of my life back in order while paying homage to the Iceland experience (and honoring a bunch of premiere commitments I had made before leaving the country). Although I can’t listen to everything that surfaced during those two weeks, much less what had accumulated in the weeks before those, I’m going to attempt a two-part post today, in an effort to cover more rather than less of what I managed to find over the last 48 hours.

Today’s blackened selections are a mix of advance tracks from forthcoming albums, a couple of complete short releases, and a few excerpts from recently released (or re-released) full-lengths. For both Parts, I decided to end them with performances that diverge from the general wildness of everything else.

ARS VENEFICIUM / ULVDALIR

On June 21st Immortal Frost Productions released In Death’s Cold Embrace, a new 7″ vinyl split by two bands whose previous music we’ve praised at NCS. The split is also deserving of praise — and your close attention. Continue reading »

Jun 102019
 

 

I wasn’t able to complete the second Part of this week’s SHADES OF BLACK in time to further despoil the Sabbath with it, but as promised, I have at least used it to begin sending the new work-week deep into the void.

Part 1 consisted of advance tracks from forthcoming albums, but for this one I’ve chosen four complete album-length releases that in all but one case arrived last week. As you’ll discover, there are other marked differences between the selections here and those in Part 1, which is another reason I chose this division.

ANDAVALD

As many of you already know, Fallen Empire Records has permanently ceased activity, but its proprietor has not. Instead, he has joined forces with Mystískaos Records, whose previous releases have included music by Chaos Moon, Entheogen, and Vonlaus. The first three releases of this new collaboration include two of the albums in Part 2 of this week’s black metal column. The first of those is Undir skyggðarhaldi, the debut record by the Icelandic band Andavald. Continue reading »

Jun 092019
 

 

My mind is on Iceland today. Soon my body will be too. Ascension Festival looms ahead this week, set to begin on June 13th in Mosfellbær. Anticipating that event, I’ve drawn a few connections with Iceland in today’s SHADES OF BLACK selections. My selections are numerous enough that I’ve divided them into two Parts. Part 1 includes advance tracks from forthcoming albums. What I have in mind for Part 2 are three or four full releases. If I can’t finish writing Part 2 in time to post it today, you’ll see it first thing Monday morning.

However, I’m doubtful you’ll see a SHADES OF BLACK here next Sunday, which will be the day after Ascension concludes. Maybe I’ll be able to scrawl a few words about the just-concluded festival, but probably won’t be able to prepare another one of these columns. For Part 1 of today’s column, the organizing principle is subjective impressions first, objective info second.

VÁSTÍGR

Despite the imposing wintriness of the cover art, this first song has the ebullient mood of a thronged carnival in full swing. The reverberating notes sparkle and dance, soar and swirl. The music grows more frenzied, ever-bursting with extravagant drumwork, and darkness creeps into the atmosphere even before the manic exuberance briefly abates, and moodiness descends. Continue reading »