Nov 262013
 

(DGR, feeling grindy, reviews the latest album by a group of Finns who’ve taken the name Spawn From Deceit.)

Even though it has felt like a system oft overlooked in favor of newer, shinier services like Spotify and Pandora, I have to give a huge shoutout to the last.fm recommendations system because it seems I find more new music through that site than I do the other ones, especially considering the rarity of commercials on the last.fm site player vs the other services.

Lately it seems to have noticed that I’ve been in a deathgrind mood and it has recommended bands accordingly. It did me a huge solid this time in the form of Spawn From Deceit, a Finnish grind band that is just starting to get its feet off of the ground – their first demo was released in 2010, just a year after the project was formed by a couple of guys in the group Ithaquan, and their first actual disc hit in 2011 with the title At Least We Did Care.

However, I found myself at their doorstep via the song “Volition” from the group’s 2013 release Woven Promises – Unraveled Victims, and, as we are wont to do on this site when it comes to music we enjoy, we had to share it, if only for its stark differences from the other, grindier bands that I’ve been reviewing as of late. Continue reading »

Nov 262013
 

(One of our most frequent commenters and the alter ego of Godless Angel, djneibarger, answered our call for guest posts with this show review straight from Lawrence, Kansas, and photos.)

My introduction to Morbid Angel happened in 1993 courtesy of the music video for “Rapture”, the opening track from their seminal album, Covenant. The ominous imagery and savage, hypnotic pulse served as my gateway drug to the death metal scene. And although my interest in the band waned after the departure of David Vincent, that legendary album is still as mesmerizing to me now as it was twenty years ago. When it was announced that Morbid Angel would be performing the album in its entirety and that the tour would be making a stop in my hometown, I knew I had to be there to witness it.

Continue reading »

Nov 252013
 

Are you like me? Do you think packing for a long trip is much more fun if you wait until the last minute and then scurry around like a rat with rabies, thereby increasing the odds that you’ll forget a bunch of things and then feel like a dumbass when you get where you’re going? Yeah, I thought so. Everyone loves to do that. Which is why I’m sitting here banging out this round-up of diverse new items I saw and heard over the last 24 hours instead of packing for my vacation trip, which begins . . . (shit!) . . . in a few hours.

AVICHI

I saw that Profound Lore’s first release of 2014 will be the much-delayed third album by Chicago-based Avichi, Catharsis Absolute, which was recorded by Andrew Ragin (The Atlas Moth) and mixed by Sanford Parker (Nachtmystium, Twilight). The official release date is January 21. This album will be entirely the solo work of Andrew “Aamonael” Markuszewski (also in Lord Mantis). PL has also begun streaming one of the album’s new songs, “Lightweaver”.

“Lightweaver” is a study in winding the coil and then letting it go. Avichi builds the tension, ratcheting it upward with storming, tremolo-picked scales . . . and then lets the storm break in a rocking beat with a bounding bass line . . . and then proceeds to tighten the spring again. And so it goes, back and forth. And through it all, Aamonael howls like a winter wolf while weaving a trilling (and thrilling) guitar melody, chaining together chaos and something approaching beauty. Listen next: Continue reading »

Nov 252013
 

(NCS contributor Austin Weber brings us two videos, one that just appeared and one that’s older, from Australia’s The Schoenberg Automaton.)

Lyric videos in metal trend are rarely done well, as the majority of metal bands have terrible/boring/cliched/wordy-but-goofy lyrics. In some cases viewing a lyric video has made me like songs less, as I’m forced to focus upon cringe-worthy words that are otherwise easily ignored when listening to the music. I say all that because The Schoenberg Automaton just dropped the greatest lyric video I’ve ever seen, for the song “ULTIMATEWHIRRINGENDMACHINE” from their Vela album; it’s practically a music video.

I enjoy their lyrics, as they are often atypical of metal and/or they put a great spin on lyrical tropes. Tracks such as “Arecibo” are rife with painful observations such as, “We are losing the connection with our natural world,” and that lyric has parallels to the apocalyptic themes found in “Ultimatewhirringendmachine”. Included below, along with the new lyric video, is a well-shot horror-themed music video for “A Stone Face Of Piety” that’s been out for a while but I forgot to post about it. I particularly love that they draw you in by giving the story a start before the song kicks in, and that not a moment of it consists of performance footage. Continue reading »

Nov 252013
 

(NCS contributor Austin Weber has delivered unto us a three-part introduction to new and forthcoming releases by 7 bands. In this first part, he focuses on The Conjuration and Order of Leviathan.)

The end of the year is usually a slower time for new music releases, a time when much alcohol is consumed and countless amounts of money are wasted on bullshit soon forgotten. But fortunately I’ve got plenty of releases and new songs to catch up on and spread the word about.

THE CONJURATION

I wrote about them a few months back regarding their 2012 release The Human Condition, an unhinged album with a schizophrenic avante-garde meets progressive take on death metal unlike anything I’ve heard before. Recently a new album titled Surreal was announced, with a release date coming up soon, sometime in December. They just premiered “Capricorn” through their Facebook. In addition to that track, sole member and composer Corey Jason sent me another track to check out called “Kaleidoscopic Thoughts”.

“Capricorn” starts in a keyboard meets groovy death metal interlocking mass before transitioning to thrashy blasting death metal that is soon layered in the same keyboard flourish that starts the song. As per how The Conjuration usually structure their music, the song suddenly splinters off to somewhere new, which is a tantalizing heavy groove that lasts for only a moment. Continue reading »

Nov 242013
 

I’m probably one of the least qualified people imaginable to review this new EP. However, every day I read about, and occasionally meet, all manner of motherfuckers who are unqualified to do what they are doing, so I don’t know why that should stop me. Besides, unlike all the motherfuckers to whom I refer, at least I’m being honest about my lack of qualifications. Putting to one side the question why you should continue reading this review in light of my disclosure, I shall forge ahead.

The title of this EP is Dreading Consciouness and it was released on November 18 by Canada-based Hypnotic Dirge Records. That label releases an eclectic range of music, but Dreading Consciousness is an odd one even for them. It’s a collaboration between netra (the one-man project of Steven LeMoan, a Frenchman who now lives in Norway) and an underground rap duo (Hockeymask and Konsept) who call themselves We’rewolves. Netra provides the music, We’rewolves the rhymes.

And here’s where my lack of qualifications come in — because I am not well-versed in either the kind of trip-hop backing music that dominates most of the three songs on the EP or hip-hop, yet I do like this. Continue reading »

Nov 242013
 

Two days ago Torture Division released their latest offering of “the world’s best death metal”, The Sacrifice. I’ve written about Torture Division so often at this site that explaining who they are and their approach to releasing music runs a high risk of redundancy, yet there’s always the slim chance that a few lost souls are discovering them for the first time. For them, here’s the back story:

The three members of this Swedish band – Lord K Philipson (guitar), Tobben Gustafsson (drums), and Jörgen Sandström (bass/vocals) — collectively have over 60 years of combined death metal experience, including membership in bands such as GraveEntombedVicious ArtThe Project Hate MCMXCIXVomitory, and God Among Insects. Their modus operandi is to release short demos and give them away for free. Every time they finish releasing a group of three demo’s, they or a record label package them up and sell them as a compilation CD. So far, this has happened three times; the latest compilation, The Army of Three, was released as a digipack earlier this month and has already sold out.

In June of this year, Torture Division gave away the first three-song demo in a new trilogy. That one was named The Worship, and I reviewed it here. The new one, which was again mixed and mastered by Dan Swanö at Unisound, delivers three new songs — “Queen Sacrifice”, “Fähund”, and “Flesh Before My Eyes”. Continue reading »

Nov 232013
 

In the daily discourse about metal, whether it be online, in print, or in face-to-face conversations, it’s common for the music to be described in physical terms. In fact, I can’t think of any other genre of music where fans, critics, and musicians so frequently discuss and describe what they’re hearing by reference to the physical sensations that the sound triggers in their imaginations.

For example, when someone describes a song as “galloping”, most metal heads immediately have at least a general idea about the pace and rhythms of the music. And that word is always the first one that springs to my mind when I listen to China’s Tengger Cavalry — and not just because the word “cavalry” appears in the band’s name or because their music is so heavily influenced by Mongolian culture, in which the horse occupies such a central place (The Font of All Human Knowledge tells us that nomads living in the traditional Mongol fashion still hold more than 3 million horses, which outnumber the country’s human population).

Tengger Cavalry have completed recording a new album entitled Ancient Call that will be released on February 1, 2014, and thanks to a tip from my NCS comrade DGR, I learned that they’ve just made it available for pre-order on Bandcamp and have started streaming two new songs (which can be downloaded immediately by those who pre-order the album). Continue reading »

Nov 222013
 

Even before today, next year’s edition of the Maryland Deathfest had already been shaping up as a truly stunning festival. But about an hour ago MDF announced a slew of additional confirmed appearances that further increase the stun power — and they’re still not finished. Check out the list of bands announced today:

DARK ANGEL (One of only a few US shows)

TRIPTYKON (Switzerland) – (Exclusive US appearance)

INQUISITION

CRIPPLE BASTARDS (Italy)

ANTISECT (UK)

SOURVEIN

LEFT FOR DEAD (Canada) Continue reading »

Nov 222013
 

For reasons I won’t bore you with, over the last 24 hours I haven’t been able to devote my usual efforts to scouring the world of metal for new sightings and hearings. However, with a little help via links from friends, I did compile the following brief round-up of items that are very much worth mentioning.

KAMPFAR

The first item is at the top of this post. It’s the cover, released today, for the next album by KampfarDjevelmakt, which appears to mean “devilpower” in Norwegian. This is noteworthy for two reasons: First, because Kampfar chose a painting by the masterful Zdzisław Beksiński for the cover art. And second, because Kampfar is an excellent band, and whatever they do next will be worth hearing.  Continue reading »