Mar 272024
 

(Andy Synn reminds you all that it’s mother’s day this Friday)

As has been pretty well documented, I’m somewhat of a sceptic/cynic when it comes to “one man bands”.

The reason for this is that – in my estimation, at least – the lack of that collaborative creative push-and-pull which you get in a full band situation all too often results in a rather myopic view of things from the singular solo-artist, who may well have something they want to say (I’m not denying that) but doesn’t realise that it’s already been said, in much the same way, many times before.

There are, however, obvious exceptions to this “rule”… certain artists who don’t just possess the necessary vision, and the voice with which to express it, but are also self-aware enough to know that a big part of getting your message across is not only what you say, but how you say it.

And one of those artists is Erik Bleijenberg, aka Verwoed.

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Mar 262024
 


Photos by Lu Kox

(Today, after a bit of a delay that’s our fault, we publish an interview by Comrade Aleks of guitarist Artur Szydło from the Polish metal band Kalt Vindur, whose new album released in January was reviewed here by our Andy Synn and is well worth your time.)

The Icelandic words “kalt vindur” translate as “cold wind”, and as you can imagine, it’s the most fitting name for a black metal band. Indeed, Kalt Vindur performs a sort of progressive and a bit “doomed” black metal, but they are based in Poland, not in Iceland. It doesn’t make their music less expressive, as the band’s third album Magna Mater is one of most remarkable releases I’ve heard in this year yet.

This 35-minute-long work was released by The Circle Music in January, so I suggest for you this interview with Artur Szydło (guitars) in case you skipped the release. At least watch the videos attached to the text; they transfer Kalt Vindur’s updated message clearly enough.

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Mar 262024
 

Four years ago we premiered and reviewed at length The Shrine of Deterioration, the second album by the Polish “black/doom” band Above Aurora. It followed the dark and desolate path whose first steps were marked by the band’s 2016 debut album Onward Desolation and their 2018 EP Path To Ruin.

That second album created an almost relentlessly shattering and yet also wholly enthralling experience. No surprise, we leaped at the chance to premiere the band’s forthcoming third album, Myriad Woes, which we do today in advance of its March 29 release by War Anthem Records.

It’s obvious from the album’s title alone that Above Aurora‘s worldview has not brightened over the last four years, and the music is as dark and devastating as you might expect from their previous works, but they have managed to increase the scale and colossal power of the traumas they transmit, as well as providing dramatic contrasts in tone, volume, and speed, variations in style, and melodic nuances that are piercing in the midst of cataclysms. Continue reading »

Mar 262024
 


artwork by Dan Goldsworthy

(On March 28th The Absence will release a new self-titled album via Listenable Insanity Records, and we’ve got DGR‘s extensive review of it below.)

You could argue that it’s a common enough situation that it shouldn’t warrant a raised eyebrow, but six albums in is usually not the expected timeframe for one to get the honor of being the self-titled one.

Maybe it’s just us, but there’s a lot to be said for being the ‘self-titled’ album. It usually marks a few things within a group’s history; it’s either the one with the definitive sound for the band, or the complete reinvention. Sometimes the event of the ‘self-titled’ is usually two or three albums in, when it seems a group has finally honed its craft. The self-titled album is stating to the world that this release is such and such band.

You usually don’t get the self-titled album this late unless the band have opted for the second of our two above-mentioned scenarios, wherein the group are completely reinventing themselves and taking a serious gamble. It’s a way to dodge the curse of naming your release after a phoenix or some new-born flame because that almost wills your group into breaking up soon after. Yet with The Absence‘s The Absence we’re not really facing any of those scenarios. Continue reading »

Mar 252024
 

(Today we present Comrade Aleks‘ interview with bassist Mat from the German doom band Spiritual Void, whose latest album Wayfare saw release last summer.)

As we interviewed Iron Void, why don’t we do the same for Spiritual Void?

This doom metal trio is located somewhere in the Lake Constance area, at the northern foot of the Alps in Germany. That explains why the band prefers themes related to Nature in the artworks and lyrics of their albums White Mountain (2017) and Wayfare (2023). Spiritual Void’s members weren’t involved in any other bands before, so for Mat (bass), Schlunsky (drums), and Rob (guitars, vocals), Wayfare was only the second album in an entire career, so to speak.

And yet this material is remarkably solid, loud, and mournful, as any traditional doom metal album should be. Now come and taste it, while reading this interview with Mat.

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Mar 252024
 

On May 3rd much of the world will be deep into spring or entering summer, but it will still be a very dark day, cast into deep and sinister shadows by Pulverised Records‘ release of Nokturnal‘s debut album Shades of Night.

The album by these Indonesian necromancers is well-named, because the darkness of their music does have different shades, and reveals many shifting shapes within the gloom, as you shall witness through our premiere of an utterly diabolical and relentlessly dynamic album track named “Dagger of Will“. Continue reading »

Mar 252024
 

The capacity to create sonic scenes of crazed and cataclysmic conflict, weaponized by technically eye-popping instrumental armaments and urged on by monstrous proclamations — these are among the achievements of the Turkish death metal band Engulfed, whose name encapsulates the experience of being caught and consumed by their ravenous music.

The engulfing savagery and racing technicality of the band’s music would by themselves be enough to put Engulfed on the global map, circled in red, but they also manage to insidiously infiltrate their music with mood-moving atmospherics both grim and grievous.

After only one album and a pair of EPs, Engulfed are already at the point when news of a new release whets appetites for angry and exhilarating music, and a new Engulfed release is what we’ll have on on April 19th when Me Saco Un Ojo and Dark Descent release the band’s second album, Unearthly Litanies of Despair.

So far, one song has erupted from the album, and today we un-cage a second one through our premiere of “Cursed Eternity“. Continue reading »

Mar 252024
 

(Andy Synn eases us into another week with his take on the debut album from Leaving, out now)

Webster’s Dictionary defines “liminal” as “of, relating to, or being an intermediate state, phase, or condition: in-between, transitional”.

Which is a pretty apt metaphor for Californian collective Leaving, whose sound exists somewhere in the strange, unresolved space between Doom and Shoegaze.

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Mar 242024
 


Scarcity — photo by Caroline Harrison

Today’s selection of black and blackened metal was partly the result of coincidence and partly by design. Coincidentally, out of all the worthy songs I listened to in searching for selections, many of them were by bands whose names begin with “S”. By design, I limited this column to those bands. Chalk it up to some need for order out of chaos.

Also coincidentally, two of these songs were accompanied by videos that are among the best I’ve seen this year in any genre, and by arranging this column alphabetically by band name, they come first. Continue reading »