Sep 172024
 

(In this article our Vietnam-based contributor Vizzah Harri brings us four reviews of four unusual albums from blackened realms — albums created by Skeletal Augury, Cemetery Trip, Conifère, and Xw​î​n.)

The following 4 albums have been on my to-do list for months. You won’t find a slew of reviews on their Bandcamp pages sharing the praises from bigger media outlets. I couldn’t even find many reviews of the albums themselves out there. And partially this could be because of it being one hell of a year for black metal, but isn’t that just every year?

If you like black metal, you’re bound to love at least one of what I’m sharing with you today. The only order here is chronological because I don’t have a favorite amongst them and their styles diverge violently. There were more albums which I will hopefully be able to get to soon, but 4 is a nice number for its tetraphobic propensities in East Asia. The number 4, you see, signifies shaking hands with Elvis (I only learned that slang phrase for death today). Continue reading »

Sep 162024
 

(written by Islander)

As trained self-defense advisers we urge you, before listening to the EP we’re about to premiere, to armor up with ballistic helmets and kevlar vests, and hunker down behind the thickest steal plating you can find. You might also want to have some antiemetics on hand, and a strong sedative available for the aftermath too.

Okay, we’re not trained self-defense advisers or medical professionals, but we do know gutting and gruesome goregrind when we hear it, and that’s what Québec-based Gorgerin catastrophically discharge on their self-titled mini-LP, now set for release by Gurgling Gore on September 20th. Continue reading »

Sep 162024
 

(Today we present a very good interview by our Comrade Aleks with vocalist and guitarist Biały from the Polish black metal band Odium Humani Generis, in company with our premiere of a song from their forthcoming album Międzyczas – which you can find here.)

Odium Humani Generis isn’t a new name in the Polish black metal underground. The band have existed since 2015, and their second album Międzyczas will be released on September 27th via Malignant Voices.

Międzyczas is an evolution of Odium Humani Generis’ sound, which started with their debut album Przeddzień (Cult of Parthenope, 2020) and the following EP Zarzewie (Folter Records, 2022). The band’s name derives from Tacitus’ expression in his work Annales. In it he wrote about emperor Nero blaming the early Christians for the malicious arson in Rome.

“Odium humani generis” literally means “Hatred for the human species/race”, but if you expect totally nihilistic and full-of-hatred raw black metal as the title demands, then you’ll rather be surprised. Międzyczas is quite depressive and melodic black metal, even a bit intricate. I found the album good enough to dig deeper and share with you what I’ve found. Continue reading »

Sep 162024
 

(written by Islander)

Our site is not a well-oiled machine. Everyone here pretty much does what they want, with very little coordination. And so it is a complete coincidence that today we’re premiering a song from a new album named Międzyczas by the Polish black metal band Odium Humani Generis AND publishing a very good interview with its vocalist/guitarist Biały. I didn’t know that our Comrade Aleks was conducting that interview, but it arrived out of the blue just as I was beginning to work on this premiere feature. Kismet!

Aleks‘ interview, which will follow this premiere in about one hour unless a meteor strikes my home, provides insights about what inspires this Polish band and how they approach their music. Among other things, it tells us that the band took their name directly from Mayhem‘s song “My Death” from the album Chimera, but Aleks also identifies its even older source, an expression by the famous Roman historian Tacitus in his work Annales, a Latin phrase that literally means “hatred for humanity”.

In the interview Biały, referred to the concept — “Contempt for humanity, society, disappointment in the world, disappointment in oneself, and a constant rush towards an inevitable end”. But he also further explained:

“Of course, we don’t constantly walk around angry at humanity and the whole world, but every day there are more and more reasons why it would be better to escape somewhere where there is no one. In the face of the ever-approaching end, nothing in human affairs has any significance. The lack of meaning in life and in the world, the constant passage of time, are very important elements of our lyrics and the meaning of our music.” Continue reading »

Sep 162024
 

(Andy Synn highlights one of his favourite new discoveries of the year)

One thing I’m sure you’ll notice, if you spend any amount of time online, is how often people complain that “there’s no good new music any more“.

They’re wrong, of course, but it occurs to me that there’s a cruel (and dispiriting) irony to the fact that the proliferation of streaming services, which should – in theory ay least- grant their users access to a seemingly endless and almost infinitely varied array of new artists and albums, has ultimately, through the use of increasingly solipsistic and artificially-unintelligent algorithms, ended up stifling a lot of peoples’ ability, or willingness, to actively go out and look for new music themselves.

If you’re reading this, however – congratulations, you’re probably not one of those people.

And your reward for that is that you get to listen to the disgustingly doomy, dissonance-drenched Death-Sludge of Canada’s Mind Mold and their new album, Erosive.

Continue reading »

Sep 152024
 


Barathrum

(written by Islander)

I’ll put my cards on the table (it’s a very weak hand):  I got a late start on this Sunday morning and my beautiful black chariot will turn into a pumpkin very soon, which is to say that very soon I’ll have to leave home for the rest of the day due to other commitments.

Which is to say that, because time is short, I don’t have very much new black metal to recommend today. But I hope that the few things I’ve been able to hurriedly write about below will still succeed in ruining improving your day. Continue reading »

Sep 142024
 

Another Saturday, another opportunity to help spread the word about new music. It’s always difficult to decide what to include in these roundups, and a bit more difficult than usual because I’ve spent a fair amount of time addressing the first item below, which is a new album released at the end of last week.

In deciding what to do with my meager remaining time, I decided not to include new songs and videos I came across from bands whose profiles are high enough that most people probably already know about them, i.e., Mastodon and Lamb of God (collaborating), Defeated Sanity, 1349, and Ensiferum. But if you don’t know about those songs, now you have the links that will take you to them.

But now, let’s get to that new album, and then follow it with just a few other worthy new songs from forthcoming records. Continue reading »

Sep 132024
 

“Tolkien fans can bang their heads to this blistering speed metal track! With a dose of 80’s Megadeth and Testament, this song tells the Silmarillion tale of the dark lord Morgoth breeding his most lethal weapon and chief among Dragons, Ancalagon the Black.”

That’s how Ohio’s Emerald Rage introduce their song “Dragonblood“, for which we’re premiering a lyric video today. The track is from the band’s latest album, Valkyrie, which was released last year by Stormspell Records.

In keeping with the tale it tells, “Dragonblood” is a rush to hear, fast and flame-throwing, exultant and dangerous, and guaranteed to get your pulse pounding. Continue reading »

Sep 132024
 

(written by Islander)

The members of the Detroit band Pillar of Light chose an evocative name for their group, one that describes an otherworldly image, suggestive of blinding wonder and perhaps even the appearance of divinity. Yet the image might also be perceived as daunting or frightening.

It turns out to be a name that’s fitting to their music, which is itself a multi-faceted experience capable of producing awe-struck reactions, but it must also be said that the musical edifice they’re constructing is as much supported by columns of obsidian rising from an abyss as pillars of light descending from on high.

That edifice, in its most fully realized form so far, is represented in the band’s debut album, Caldera, which will be released later this year by Transcending Obscurity Records. One single from the album (“Wolf to Man“) surfaced this past summer, and today we present another one as the fall encroaches. Its name is “Spared“. Continue reading »

Sep 132024
 

(Here we present Comrade Aleks‘ interview of Kevin Ridley, with a main focus on his band Theigns & Thralls and their new album which is set for release on September 20th.)

As UK legendary folk thrash veterans Skyclad don’t hurry to return with new material, the band’s guitarist and vocalist Kevin Ridley works with his folk metal outfit Theigns & Thralls. Their second album The Keep and the Spire is about to be released, and Kevin promises some changes in the band’s sound, as they got rid of almost all acoustic songs, “pushed the boundaries of the band’s sonic palette”, and got a full stable lineup. Or so it seems.

Inspired by ancient poetry, historical novels, and current events, these songs will provide some good food for thought. And the interview with Kevin will help to digest it. Continue reading »