SHADES OF BLACK: ROTTING CHRIST, CHARUN, SATANIC NORTH, DODENKROCHT, FRAGMENTUM, CANTIQUE LÉPREUX, BEDRÄNGNIS

 Album Reviews, SHADES OF BLACK, SHORT BUT SWEET  3 Responses »
Mar 312024
 

It is a good thing to be tolerant of people who are different from you, including people who believe things you think are ridiculous. But tolerance is sorely tested by people who are hypocrites and con-men, whose professions of faith are a cover for corruption, hatefulness, and abuse of others.

Having those people in mind today, and all the people who have fought back against them (with a kind thought also for the sweet people who humbly try to follow the precepts of such passages as Matthew 7:12 and 25:35-40), I picked the following five songs from forthcoming records and two complete releases to recommend to you on this Easter Sunday.

ROTTING CHRIST (Greece)

Rotting Christ, but of course I’m starting with them today. Their new album ΠΡΟ ΧΡΙΣΤΟU (Pro Xristou) — “Before Christ” — “serves as a fervent tribute to the last Pagan kings who resisted the onslaught of Christianity, guarding their ancient values and knowledge”. Continue reading »

SEEN AND HEARD ON A SATURDAY: ADVERSARIAL, ARROGANZ, BLACK TOTEM, CULT LEADER, DEAD FLESH, HENRY KANE, LILJEVARS BRANN, OU, SIG:AR:TYR, TÝR, ULTIO, VULGARIS

 Metal News, RANDOM FUCKING MUSIC  1 Response »
Mar 302024
 

It’s the 30th day of March, and 30 is about the number of new songs and videos I checked out in anticipation of this roundup, all of them having surfaced during the past week. I settled on an even dozen to share with you, and you probably won’t like all of them, even if you’re tenacious enough to go through all 12.

Why? Because your range of heavy metallic interests is probably narrower than mine (most people’s are), and the big herd below ranges pretty far and wide. On the other hand, the breadth of the range means you’ll probably find something to like.

Because there’s so much to get through, I dispensed with uploading and re-sizing all the cover art and tried to limit myself (with varying degrees of success) to more pithy expressions than usual. I also alphabetized the selections by band name.

P.S. There will be more recommendations tomorrow, Easter Sunday notwithstanding. In fact, the Easter observance just makes me more eager to char the day black. Continue reading »

AN NCS PREMIERE: ANTAGONYZE — “HIDDEN WISDOM”

 Premieres  1 Response »
Mar 292024
 

The Chilean death metal band Antagonyze first began coalescing in 2019, on the unknowing eve of a global pandemic. Despite the ensuing hardships of the plague, the band released a demo cassette in May 2020 (Echoes From Soul), but that year and the next year brought line-up changes even as the band continued to work on new songs.

Eventually they began to play new shows, and by the end of 2022 they decided to re-record the best songs of Echoes From Soul and added new songs to create a full-length work titled Interpretations of the Unknown Wilderness, which drew the attention of the great Mexican label Chaos Records.

That label will release the band’s debut album on April 19th, and as a sign of its marvels, today we present the album track “Hidden Wisdom“. Continue reading »

AN NCS PREMIERE: VATICINAL RITES — “CORPOREAL AFFLICTION”

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Mar 292024
 

The UK band Vaticinal Rites made an extremely impressive debut with their self-titled EP in 2021, a definite silver lining to the black cloud of our pandemic existence, which was itself the awful spawning ground for the band.

As they explained then, they played “a visceral form of death metal inspired by the classic Floridian bands of the early – mid ’90s, with a special homage also paid to the European underground sound” and with lyrical and visual themes that “explore spirituality, loss, the occult and escapism”.

Those four songs (as we wrote at the time) were technically impressive and often lightning-fast, but also ferocious, heavy-grooved, and capable of generating supernatural auras.

It is thus very good news indeed that these London-based extremists are now returning with a debut album, Cascading Memories Of Immortality, which will be released on May 10th by Everlasting Spew Records — and very good news for us when we got the chance to premiere a song from the new album today. Its name is “Corporeal Affliction“. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MONASTERY DEAD — “EGO SUM DOLOR”

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Mar 292024
 

Today we premiere a full stream of Ego Sum Dolor, the fourth album to emerge, after four years of work, from the Saint Petersburg death metal band Monastery Dead. It will be co-released on March 31st by Satanath Records (Georgia) and Australis Records (Chile).

If your Latin is rusty, the album’s title translate to “I am pain”, or perhaps “I am in pain”. Consistent with that title, the concept of the album is described as follows:

This is a story about a man doomed to experience all the suffering and torment destined for him in his life, here and now. He bears the burden of merciless retribution, which, like stigmata, he acquired by birthright, experiences pain and inflicts pain, is obsessed with destruction and destroys himself. His own wounds and those of his victims will never heal and will bleed forever.

Or to put it more succinctly: “The basis of the concept of the release is the idea that the real hell is our current existence on Earth.” Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MOUNTAIN SHADOW — “MOUNTAIN SHADOW”

 Album Reviews, Premieres  2 Responses »
Mar 282024
 

As you can see, we’re premiering a full stream of the self-titled debut album by Mountain Shadow. In advance of the music stream we have delectable teasers to offer, beginning with this preview from Fiadh Productions, which will officially release the album tomorrow:

Mountain Shadow… is Pennsylvanian Folk Death Metal, existing between Archaic Death Metal, Atmospheric Black Metal, Funeral Doom & Bluegrass, exalting Appalachian Horror and the melancholic ruins of nostalgic America.

More teasers: The listing of instruments in the credits for the performances on the album, beginning with the two childhood friends who are the band’s members: Continue reading »

SEEN AND HEARD: VERBERIS, ALLEGAEON, PARTY CANNON, MORTAL WOUND, VRYKOLAKAS, VERITERAS, OLD IRON, FRAIL BODY, ATARAXIA

 Album Reviews, Metal News, RANDOM FUCKING MUSIC, SHORT BUT SWEET  1 Response »
Mar 282024
 

Lately I’ve been organizing these roundups of recommended new songs and videos in alphabetical order by band name, because that means I don’t have to spend any time thinking like a DJ, trying to figure out what makes sense in the flow of the music. Sometimes that has coincidentally led to interesting juxtapositions.

Today, however, I’ve chosen a different organizational scheme, because some of the songs naturally paired up with each other. So this collection includes a block of goofy stuff, a “hulking and hideous  death metal” block, a Seattle block, and some curveballs at the end, although the very end is more like a sequence of eephus pitches that sail in high and slow (look it up).

But to begin, you’ll find something that doesn’t fit anywhere else but left me wide-eyed and slack-jawed. Continue reading »

BRODEQUIN – HARBINGER OF WOE

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Mar 282024
 

(Andy Synn embraces his inner masochist with the torturous new album from Brodequin)

Let’s be clear about something… if they hadn’t disappeared for almost twenty years it’s highly likely that the name Brodequin would be talked about just as often, and held in as just as high regard, as the “Big Ds” (Dying Fetus, Deeds of Flesh, Defeated Sanity, Disgorge… the list goes on) of Brutal Death Metal.

Hell, some people already put them up on that same level, and with damn good reason, especially since their third (and, for a while at least, final) album, Methods of Execution, was one of the most definitively brutal, and brutally definitive, statements of the early 2000s.

But now they’re back, and the big question on everyone‘s lips is – has time dulled their blades, or are the terrible trio still just as sharp, and as sick, as ever?

Continue reading »

AN NCS ALBUM/VIDEO PREMIERE (AND A REVIEW): HIEROPHANT — “GATEWAY TO THE ABYSS”

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Mar 272024
 

In August 2022 Season of Mist Underground Activists released Death Siege, the very impressive fifth album by the Italian extreme metal band Hierophant. In his review at our site, Andy Synn noted that the album revealed the band “making an unexpected heel-turn away from the crusty, sludgy, Blackened Hardcore sound of their previous records to instead become a full-blown Black Metal band (albeit, one with a distinctly deathly tinge) in the vein of Death Fortress, Rites of Thy Degringolade, Panzerfaust“. Andy further wrote:

“[T]here’s no denying that this new, more blackened version of the band are still very, very good at what they do…. As a result I’d say this is the perfect jumping on point for potential new fans since – if the oppressive atmospherics and visceral sonic violence of closer “Nemesis of Thy Mortals” are anything to go by – Death Siege looks, and sounds, to me, like the beginning of a whole new era for the band”.

Following the release of Death Siege, Hierophant performed on some very big stages, honing their live rendition of the songs on Death Siege and burnishing their reputation. This led to the decision to record their performance at Hellfest 2023 in France, and to release it as Hierophant‘s first live album — Gateway to the Abyss — which will be released on Match 29th by the Dusktone label.

As icing on the cake, that show was also caught on film, and today we premiere the new album in tandem with an exceptional video. Continue reading »

AN NCS INTERVIEW: CORAX B.M.

 Interviews  No Responses »
Mar 272024
 

(The debut album of the Greek black metal band Corax B.M., released this past January, drew the attention of Comrade Aleks, and that led to the following friendly discussion he had with the band’s two founders.)

Corax B.M. isn’t the most original band name in the metal world, but sometimes it’s better to keep things simple and straight. As the band’s story is, for example.

Corax (guitars, vocals), Énnea (vocals), Morker (drums), and Peisithanatos (bass) started the band in Athens, 2021. Some of them had an experience of performing heavy or extreme music before, some didn’t, that wasn’t an obstacle, and the EP Spread the Occult appeared in 2022. Those four tracks already pointed the direction the band had chosen to follow, and it was performed more accurately and sharper in the Pagana full-length (2024, The Circle Music).

Corax B. M. switched from occultism to heathenism very naturally, and the band’s approach to black metal with a well-known Hellenic touch helped them to create a remarkable piece of dark art. It’s mysterious, ominous, and evil to some degree, just as Hellenic black metal should be. We discussed Pagana and the band’s current plans with Corax and Morker. Continue reading »

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