NO CLEAN SINGING

AHAB: “THE CORAL TOMBS”

Feb 092023

(Ahab rose again from the watery depths with a new album that was released last month by Napalm Records, and today we follow that up with a review of the album by our Sacramento-based writer DGR.)

Turns out that when a solid chunk of your region spends the first three weeks of the year under flash flood warnings and with one of its main highways effectively underwater, leading to some very dramatic New Year’s photos that aren’t too far from your house, it’s hard to keep your thoughts cogent around a nautical-doom album, no matter the quality. Who knew? Apologies to Ahab on that one.

It is wild to think about just how large the gap was between albums for Germany’s underwater-doom specializers. You never would’ve figured that a band who had a pretty solid track record of new releases every three or so years would suddenly see a near-eight-year gap between albums, but alas, to keep things succinct, it had been a sizeable wait for the group’s newest album The Coral Tombs – with only live albums and collections in between to keep people interested. Continue reading »

THE SOUND OF SUFFERING

Album Reviews 4 Responses »

Feb 092023

(Andy Synn presents three recent releases which might ease your pain)

As some of you may be aware, the last 18 months or so have been a steady stream of set-backs, fuck-ups, and tragic events for me, all culminating (I hope) in my upcoming surgery to remove an infected wisdom tooth.

So… yeah, I’ve been in quite a bit of pain – both physical and mental – for a while now, and this has clearly carried over into my listening habits (especially in the past month or so).

Still, I’ve always found that a good dose of auditory agony can serve as a pretty effective painkiller in other areas of life, so here’s a selection of things that have been easing my suffering recently.

SEEN AND HEARD: ENTROPIA, WILD BEYOND, VANISHMENT, THE GRIFTED, MOROKH

Metal News, RANDOM FUCKING MUSIC 1 Response »

Feb 082023

As you can see, I was able to finish Part 2 of a mid-week roundup of new songs and videos that began here. Finish it I did, and I’m pretty happy with the musical twists and turns it will take you on, but I’ve still had to hurry a bit more than I’d like to get it wrapped up. Please leave typo corrections in the Comments.

ENTROPIA (Poland)

I’ve already written here about “Retox“, the first single from Entropia’s new album Total, and now there’s another one out in the world. This one is named “Final“.

Prepare to be seduced by intriguingly warped melodies that are both glittering and dissonant, a mercurial but bone-vibrating bass, larynx-lacerating screams, and whip-crack drums. The mood also grows darker and more grim, as well as more nerve-racking and unsettling, but a feeling of fire-borne resilience fights through. Another fascinating track from an always-adventuruous band. Continue reading »

AN NCS PREMIERE: AGLO — “COLLECTOR”

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Feb 082023

If I had had my wits about me I would have asked where Melbourne-based Aaron Osborne got the name for his solo death metal project AGLO. It sounds like “aglow”, but the only glow generated from the music is the kind of radiation from thermonuclear detonations that turns stone into molten glass. “Aglo” is also the Esperanto term for “eagle”, and there is indeed a ruthless raptor-like quality to the music as well (with listeners playing the role of field mice).

But it probably refers to neither of these things, especially since AGLO is inspired by Star Trek, and especially by the Borg, those cybernetic organisms whose mission is to assimilate the technology and organisms of other species into the hive-mind Collective that’s intent on achieving a kind of soul-devouring perfection. Perhaps AGLO is an acronym… and perhaps we’ll find out and let you know later.

But for now the focus should be on AGLO‘s new EP Into the Maze, which will be released by the wonderfully named label Gutter Prince Cabal on February 16th, and even more specifically on the song we’re premiering today — “Collector“. Continue reading »

SEEN AND HEARD: DYING FETUS, BURNER, DISCREATION, COMMON WOUNDS, SLAWIA

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Feb 082023

Dying Fetus, photo by Scott Kinkade

Here we have a mid-week round-up of new songs and videos I want to recommend. I was very tempted to call it “PART 1”, because I have another collection already picked out. But I also have to finish the write-up for a premiere we’re hosting today, and I never know when my fucking day job will rear its head. So, I’ll refrain from promises and just hope the today’s second roundup works out. If it doesn’t I hope this will tide you over.

DYING FETUS (U.S.)

To start, here’s “Unbridled Fury“, a new Dying Fetus single (and video) that came out last Friday. I don’t suppose I need to say very much by way of introduction. Dying Fetus are an institution. Most everyone who visits this site knows the band’s music and knows whether they like it or not. The song will please those who do (it pleases me), and won’t interest those who don’t, because this is a rock solid Dying Fetus song. Continue reading »

AN NCS INTERVIEW: AMPUTATE

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Feb 072023

(In today’s new interview Comrade Aleks engages in a very lively discussion with vocalist/guitarist Tom Kuzmic from the Portuguese death metal band Amputate, whose latest album was released last year by Massacre Records.)

The band’s name should tell you everything and you don’t need the crystal ball to learn what Amputate is about.

The core lineup of this Florida-styled death metal crew from Portugal located to Switzerland some time ago, but they keep on playing the same bloodthirsty razor-sharp stuff even in relatively comfortable Zurich. Their second album Dawn of Annihilation interested Massacre Records and these eight tracks of gore and the macabre have been available on CD and vinyl since October 2022.

Tom Kuzmic, the band’s front-man, consults us about sonic surgery and its contraindications. And how much of good old gore is left in Amputate? Let’s find it out. Continue reading »

THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

Album Reviews 2 Responses »

Feb 072023

(Andy Synn recommends four albums from last month which you may have overlooked)

So we’re officially one month into the new year and… my list of artists/albums that we didn’t cover in January is already four or fives times longer than the ones we did write about.

Maybe it’s time to accept that it’s impossible for us to stay on top of everything, and just be happy with what we are able to do?

Hell, usually it’s another couple of months of stress and strife before I/we inevitably come to this realisation, so perhaps this is a sign of what I think they call “growth”?

Whatever… here’s four releases from January that you might have missed (but which, thankfully, we didn’t).

MITHRIDATUM: “HARROWING”

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Feb 072023

(This is DGR‘s extensive review of the debut album by the multi-national band Mithridatum, recently released by Willowtip Records.)

Mithridatum are a new death metal trio that are part of a much larger musical wave taking place within the metal scene. Over recent years the concept of a dissonant death metal band has been a slow-growing sub-section of an already fractured and widely spread subgenre of metal to begin with. Reflective of the large motions in the quest for the nebulous ‘heavy’, many artists have found new vitality in making some of the ugliest and most unapproachable music out there, where a listener can recognize the barest components but otherwise spend just as much time fighting to find the appeal in any of it, or having the music actively reject the idea of approachability.

There’s so much incredibly cool stuff happening within the spinning vortex of sound that emanates from Mithridatum but you’re just as often subjected to nightmarish sonic hellscapes as best as the band could write them. Fascinating? Yes. Friendly? Not a chance in hell. Harrowing may be one of the more apt titles out there for the five songs and thirty-five minutes of music on the group’s first full-length release. Continue reading »

ALL OUT WAR – CELESTIAL ROT

Album Reviews No Responses »

Feb 062023

(Andy Synn has a few words to say about the new album from Metalcore legends All Out War)

From what I can tell, it’s common in a lot of genres for bands/artists to mellow out as they get older.

But I’m sure we’re all aware of a lot of exceptions to this particular “rule”… especially in the Metal/Hardcore sphere.

Case in point, while I wasn’t the biggest fan of All Out War‘s initial “comeback” album in 2017 (heck, I didn’t even end up reviewing it, despite my initial excitement) it felt like they really found a new gear, and a new level of intensity, with 2019’s Crawl Among the Filth (which I did review, and you can check that out here) which found the band embracing an even more “blackened” and grind-influenced edge.

And now, some 26 years since their debut, they’ve once again kicked things up a notch with Celestial Rot, which proves once and for all that some bands just get nastier with age.

AN NCS VIDEO PREMIERE: THE GIANT’S FALL — “DARK INSIDE”

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Feb 062023

In the annals of Greek mythology Talos was a giant bronze automaton, created by the god Hephaestus at the direction of Zeus, who gave Talos to the king of Crete to protect the island from invaders. To do so, Talos marched around the island three times every day and hurled boulders at approaching enemy ships.

At his core, Talos had one long vein running from his neck to his ankle, where the vein was closed shut by a bronze bolt. Within it flowed a mysterious life source of the gods that the Greeks called ichor. Talos met his end in the tale of the Argonauts, when the sorceress Medea induced Talos to dislodge the bolt, causing the ichor to flow out, exsanguinating him.

We summarize the tale of Talos because it is the conceptual core of the self-titled debut album by The Giant’s Fall, a Greek project that’s the experimental solo work of Mikebass (ex – Lucky Funeral & Bone To Rust) and whose name itself seems connected to the myth. The album’s song titles themselves point to the connection: “Ichor”, “Dark Inside”, “The End of Talos”, “The Giant King”, and “Hades Calling”, although it becomes clear that the album’s themes aren’t limited to the myth.

The Giant’s Fall was first released digitally by the band in December 2018, and then digitally by FYC Records on December 25, 2022. But FYC Records will also be releasing a limited CD edition of the album on February 28th, and to help spread the word we’re now premiering an official video for the album track “Dark Inside“. Continue reading »

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