Mar 102018
 

 

As I woke up this morning and it hit me that the final edition of Oration Festival was over, I experienced a wave of sadness, coupled with regrets over not having made the trek for the first two years of the event. Oration Fest MMXVIII was, by my lights, an extraordinary experience, one formed by the combination of its setting in Reykjavik (a magical place), the wonderful friends, both old and new, with whom I was able to share the experience, and of course the incredible music.

I’ll have some more perhaps excessively emotional things to say about all that at the end of this post, but the first order of business is to provide photos, videos, and accompanying personal reactions concerning the performances last night by these bands, who appeared in this order: Almyrkvi (Iceland), Inferno (Czech Republic), Misþyrming (Iceland), Svartidauði (Iceland), Vemod (Norway), and Rebirth of Nefast (Ireland/Iceland).

Once again, the high-quality photos you’ll find below were made by my Seattle friend Tanner Ellison; I made the rest of them, and the (sadly mediocre) videos, with my phone. Continue reading »

Mar 102018
 


Photo by Jørn Veberg

 

(Andy Synn continues our new regular Saturday series in which he discusses metal lyrics with bands whose music you should also get to know if you don’t already.)

 

For the second edition of “Waxing Lyrical” (and with a quick aside to say thank you to everyone who said kind things about the inaugural column last weekend) I’m speaking to Johnar Håland from Norwegian Prog-Metal sensations In Vain, whose new album was released at the end of January. Continue reading »

Mar 092018
 


Reykjavik wall art

 

The second night of the third and final installment of Oration Festival took place at the Húrra bar in Reykjavik, Iceland on the night of March 8, 2018. It proved to be just as thoroughly enjoyable as the first night (reviewed here), although the music took more deathly turns, and ultimately concluded in a marvelously bewildering and beguiling way.

Last night the bands who performed, in the following order, were these: Mannveira (Iceland), Devouring Star (Finland), Abominor (Iceland), Abyssal (UK), Slidhr (Ireland/Iceland), Sortilegia (Canada), and Virus (Norway).

As before, the group of friends from Seattle and elsewhere who’ve been sharing this experience with me convened for food and drink about two hours before the first band was scheduled to begin the night. Yes, two hours, because our group has a proven tendency over the course of many previous festivals to talk like there’s no tomorrow, lose track of time, and arrive late if we’re not careful. Which of course is what happened last night even with the two-hour head start. Continue reading »

Mar 092018
 

 

(Today, Xtreem Music is reissuing the 1993 debut album of the Florida death metal band Killing Addiction, and to celebrate, we’re presenting Todd Manning’s review.)

It’s amazing how an album can transport you back in time, evoking crystal clear memories of your past, especially when you haven’t even heard it before. That’s exactly what happened to me when I listened to Killing Addiction’s Omega Factor, which is being reissued by Xtreem Music on March 9th. By midway through the first song, I was already reminiscing about when my first Death Metal band used to practice in my parent’s garage, and about our first show, which occurred mere weeks before this album originally hit the streets in the spring of 1993.

What these Floridians produced was a great marriage of the Death Metal of their own region mixed with New York Death Metal, full of intense grooves (which would go out of fashion within a couple of years), and a peppering of Thrash-holdover riffs, even sneaking in the occasional blast beat here or there. Continue reading »

Mar 092018
 

 

(Today, Debemur Morti Productions releases the new album by the French band Eryn Non Dae., and to help spread the word we’re presenting a full stream of the album along with the following review by Andy Synn.)

A quick google search for Eryn Non Dae. will likely tell you two things.

One, that the band apparently don’t deserve an entry on Metal Archives, despite having two (now three) extremely impressive albums under their collective belt.

And, two, that the most common genre tag applied to their music is that most nebulous of all descriptors, the dreaded “Post Metal”.

But while I can’t do anything about the former (MA’s arcane, and somewhat consistent, criteria for inclusion are beyond my control), I can definitely do something to correct – or at least, amend – the latter. Continue reading »

Mar 082018
 

 

The Texas death metal band Abolishment of Flesh began life in 2006 under the name Abolishment, but after releasing a demo and a 2008 album the name was changed, and on April 20th Unholy Anarchy will release the first full-length under the band’s current name. Entitled The Inhuman Condition, it’s an 11-track assault that comes highly recommended for fans of Cattle Decapitation and Suffocation.

Today we’re bringing you an exclusive stream of the album’s opening track, “Inhuman Anatomy“. It will require only about three minutes of your time, but it will nonetheless leave you battered and breathless. Continue reading »

Mar 082018
 

 

The third and final edition of Oration Festival began last night in Reykjavik, Iceland. The first night of the festival featured performances (in this order) by NYIÞ, Naðra, Auðn, Asagraum, Sinmara, and Aluk Todolo. A big group of friends and I made it to the venue just as NYIÞ was beginning, and I stayed through Sinmara’s extraordinary set but was too drained of energy by that point to hang in there for Aluk Todolo.

So, what you’ll find below are thoughts about all the performances except the last one, accompanied by three videos that I made from the side of the stage and an assortment of photos. The dark, blurry, amateurish photos are mine; the really good professional quality ones are by our Seattle pal Tanner Ellison. Continue reading »

Mar 082018
 

 

(An NCS fan who we’ll call Barbarian Mike turned in this guest review of the presentation of DECIBEL Magazine’s 2018 tour in Seattle, Washington, on March 6, 2018.)

Whether you consider yourself a fan or not, it’s impossible to deny the status and reverence Enslaved has earned within the community of heavy music. Over a span of 27-years and 14 studio albums – barring live-show DVD’s, splits, and demos – it’s hard to imagine any band as capable as this one in maintaining a passionate fan base and consistently sold-out live performances.

In spite of this success, Enslaved are a band who don’t rest on their laurels, or coast on their hits of yesteryear. In fact, they appear to be continually invigorated by the challenge of creating something new, to pursue new ideas and sounds. It only makes sense that they would headline one of the bigger tours within heavy music – the DECIBEL Magazine 2018 Tour. Needless to say, I was excited to attend the event at Seattle’s own El Corazon. Continue reading »

Mar 072018
 

 

For those of us who live in the U.S. Pacific Northwest, the damp forests and snow-covered mountains are ever-present. Even when they’re not in the forefront of your mind, they loom in the distance. To be in the midst of them, particularly in the winter when mist and fog blur their hard lines and the cold eats into the skin, is both an awe-inspiring and a haunting experience… and a relief. In the midst of that communion you can think, “at least we haven’t fucked this up yet.”

Many musicians who’ve spent time in the PNW are drawn to capture such sensations, or they draw inspiration from them (though of course many are just as prone to make the kind of forgettable music you can hear on the radio any damned place). Some are more successful than others in channeling the gloom, the grandeur, and the isolation of these ancient places that are heedless of our own fleeting presence yet can lend us their strength, or pronounce their condemnation. The Oregon group NONE do that very, very well. Continue reading »

Mar 072018
 

 

(This is Wil Cifer’s review of the third album by the Finnish band Totalselfhatred, which will be released on April 27th by Osmose Productions.)

 

Depressive Suicidal Black Metal was never going to be the next big thing in metal. It was however a nice dark and emotive break from a steady diet of blast beats. Chances are, if you are reading this review you don’t need a refresher course in this sub-genre. You also are aware that this band from Finland occupied the top tier of the genre along with Shining and Lifelover.

While not pulling the numbers in terms of record sales that Shining has, they are arguably the keenest of musicians when it comes to making this style of music. There is plenty of evidence on Apocalypse In Your Heart (2011) to support this, making it the album against which their newest release is going to be measured. Continue reading »