Sep 122017
 

 

We have some history with Tombstalker, starting with a post back in 2012 about metal in Kentucky (here), following that the next year (here) with a review of their self-titled EP, and then including some commentary in 2015 about their fine and ferocious debut album Black Crusades. And here we are, two years later, gleefully helping spread the word about a new Tombstalker EP named Chaotic Devotion.

This latest offering is a two-track electrocution set for release by Boris Records on September 19 as a 7″ vinyl and as a digital download, and it’s a hell of a ride. Continue reading »

Sep 122017
 

 

Fans of extreme metal and those of us who choose to write about it throw around words like “savage”, “ferocious”, and “bestial” as if they were beads at a Mardi Gras parade. Perhaps we throw them around so often and in so many directions that their currency becomes devalued. But in the case of Hades Archer, those words are really understatements. We need some kind of new terminology.

This Chilean band’s new album Temple of the Impure as been alliteratively described by agents of Hells Headbangers (who will release it in October) as “a fucking firestorm of filth and foulness, a forever-flowing fount of unnervingly hypnotic ultra violence”. That’s some good terminology, vivid and bullseye-accurate. But of course I’d like to try my own hand at describing the truly remarkable slaughtering impact of this music. In fact, I already have. Continue reading »

Sep 122017
 

 

(Wil Cifer review the new album by Ufomammut, set for relase on September 22 by Neurot Recordings.)

When I am searching for doom I want something that is just Black Sabbath worship. I’ve listened to those albums for over 35 years and can pull them off the shelf at any moment to revisit as needed… So it gets me excited to hear a band like these men from from Italy who must set bongs aflame across the world with their super psyche-filled doom.

Ufomammut take you out into the cosmos with a fuzzed-out density that is obscured by clouds of trippy haze. The vocals feel more Pink Floyd-like to me than carrying any kind of an Ozzy influence. Each song takes you further into the depths of their warped rabbit hole. Continue reading »

Sep 112017
 

 

Flames play a prominent role in the eye-catching video you’re about to see, along with vistas of smoke-belching factories and pine-shrouded mountainsides. But given the nature of the music, you might expect to see those factories battered into rubble, the mountains fragmented into gravel, and the timber scythed to the ground like stalks of wheat.

The video (directed by Mehdi Khadouj) is for a track named “Vengeful Flavors” off the second album by the French death metal band The Walking Dead Orchestra. With the title of Resurrect, it will be detonated by Unique Leader Records on October 13th. Continue reading »

Sep 112017
 

 

I learned of the new album Among The Lightened Skies The Voidness Flashed by the Belarusian band Woe Unto Me through the recent premiere of a very impressive track named “Triptych: Shiver, Shelter, Shatter“, which includes excellent guest vocal appearances by Daniel Neagoe (Clouds, Eye of Solitude, Shape of Despair), Patryk Zwoliński (Proghma-C, ex-Blindead, ex-Neolithic, ex-Antigama) and Jón Aldará (Hamferd, Barren Earth, Clouds). If you missed the song, and the 360° lyric video that accompanied it, you’ll have a second chance at the end of this post.

But the main feature today is our premiere of another track from the album called “A Year-Long Waiting“. As you will discover, it reveals a very different side of the new album — literally, a different disc, because Among The Lightened Skies The Voidness Flashed is a double album, and on the second record in this collection Woe Unto Me deliver music that features significant acoustic instrumental contributions. One of those tracks on the second disc is the song you’re about to hear. Continue reading »

Sep 112017
 

 

Up to a point, you may detect a pattern in the arrangement of the music I’ve selected for this eight-band Monday round-up.

The new Spectral Voice song put me in a certain frame of mind, and that influenced the next three selections after it (my ever-burgeoning list of good new things to write about is so mammoth that I look wherever I can for inspiration to overcome the agony of having to make choices). And then I made a radical change of course for the fifth item, and it in turn inclined me toward the sixth one.

And then we have a video for a song that’s off on a different tangent that was inspired by the writing of our own Grant Skelton, followed by a finisher that’s off on another tangent again (but has a connection to something that precedes it in this collection).

SPECTRAL VOICE

The debut album by this Colorado band (with the same line-up as Blood Incantation, apart from the drummer) is entitled Eroded Corridors Of Unbeing. Based on their previous releases (a sequence of demos and splits) and the staggering live performance I witnessed at California Deathfest in 2016, this album has been on my personal list of most eagerly anticipated 2017 releases for a long time. It’s now set for release by Dark Descent on October 13. Continue reading »

Sep 112017
 

 

(TheMadIsraeli prepared this review of the new album by Iceland’s Beneath, released in August by Unique Leader Records.)

I was a 100% emphatic fan of Beneath’s sophomore release The Barren Throne. it was one of 2014‘s finest examples of technical/progressive death metal done with immaculate nuance and care. I wasn’t a big fan of the band’s first album, Enslaved By Fear, but it was different from The Barren Throne. Based on the band’s new album Ephemeris, I can now see that what I attributed to just natural evolution or getting better as a band wasn’t that. It’s actually that Beneath wants to write a different kind of death metal album every go around.

Ephemeris abandons The Barren Throne and it’s Suffocation-esque mix of bleak melody and noodily passages of inter-dimensional angular tangents, opting for something of a more opaque sci-fi aesthetic. Continue reading »

Sep 112017
 

 

(Andy Synn reviews the new album by the UK’s Dawn Ray’d, which will be released on October 2nd.)

Despite what some people might have you believe, Black Metal is not, nor has it ever really been, a monolith.

In fact if you look back at the early days of the scene, and in particular those responsible for laying its foundations, you’ll quickly become aware of the variety of personalities, approaches, and opinions which, collectively, contributed to the genesis of the nascent genre, while also planting the seeds for the variety of different styles and sub-genres to come.

Of course while the guiding principle of Black Metal may well be “do what thou will”, this doesn’t mean you can claim that anything is Black Metal. There are certain markers you still need to hit, certain rules you might say, that apply even here.

But within these (relatively loose) confines you’ll find a world of different approaches, different beliefs, different ideologies – from nihilism to humanism, asceticism to Satanism – all clashing and coalescing in a tumultuous display of pure passion and unflinching intensity.

Which is why, regardless of what you might think about their personalities or their politics, I have little hesitation in declaring The Unlawful Assembly to be one of the best Black Metal albums of the year. Continue reading »

Sep 102017
 

 

As you can see, I have music from 10 bands from the blackened realms in this post. I thought about dividing it into two parts to make it more easily digestible, posting the first 5 as soon as I finished writing about them and then beginning on the second 5. But then I remembered what happened last weekend, when the rest of life intruded and I didn’t finish Part 2 before the typhoon of Monday made landfall. So I forced myself to defer posting this collection until I had completed all of it. Though I guess I could have divided it then. Oh well.

Doesn’t mean you have to consume all of this at once. You can pretend there’s a dividing line after Witchcraft Sadomizer and come back later… just don’t forget, or let the rest of life get in the way.

VERGE

Finland’s Verge are fascinating on many levels. Wholly apart from the evolution of their music into increasingly distinctive shapes, the lyrics of their songs are also engrossing and thought-provoking, though in their unsettling poetry you must be prepared to experience despair and hopelessness in a search for self-becoming that seems perpetually elusive, always challenged and usually defeated by our own wretched flaws and misunderstandings. Continue reading »

Sep 092017
 

 

(Andy Synn is the author of this thought piece, and as always, we welcome your own thoughts in the Comments.)

I/we recently received a pair of promos here at NCS that couldn’t have been more diametrically opposed in style, Deus Salutis Meae by Blut Aus Nord and Will to Power by Arch Enemy.

The former is a return to the oppressive, industrialised soundscapes of The Work Which Transforms God and Mort, whose purposefully unsettling nature practically epitomises the idea of “art for art’s sake”, while the latter is a collection of shamelessly catchy, if predictably formulaic, tunes, designed with one eye firmly on increasing the band’s popularity and mainstream (in Metal terms at least) appeal.

And though the two bands/albums have very little in common on the purely musical side of things, their very nature means they can still be compared as representing the two polar extremes of the modern-day Metal spectrum. Continue reading »