(After some time away, Grant Skelton returns to NCS with this review of the long-awaited new album by Portland-based Dolven)
Greetings, fellow NCS readers! While it has been some time since I’ve contributed any content to our beloved site, I remain a faithful visitor. I know that the last 2 years have been particularly dreadful for us all. It is my sincere hope that all of you maintain the wellness of mind, body, and spirit. With that in mind, I am pleased to present you with this review of The Tyranny of Time by Dolven. Though the album was released in December, I didn’t want it to get buried in the year-end Listmania morass. Thanks to Dolven guitarist/vocalist Nick Wusz for agreeing to a later review.
I (briefly) covered the first album by these melancholic minstrels all the way back in 2015. I’m an ardent devotee of folk music. And that passion seems to deepen as I grow older. Acoustic instrumentation brings with it an air of remembrance. Even the term “folk” carries connotations of history, mythology, culture, and traditions. Folk music isn’t something that’s performed for you. It isn’t something that you just listen to. Rather, folk music invites you to participate in the formation of a narrative. This is the realm where Dolven dwells.