Jan 052017
 

 

This is good timing. At our site we’ve recently started rolling out our list of 2016’s “Most Infectious Extreme Metal Songs”. Our 2015 list included a song by Sweden’s Gloson from their striking 32-minute debut EP Yearwalker. And now we have a new song to premiere from their forthcoming debut album Grimen, which is one we’ve been eagerly awaiting. Don’t be surprised if you see this song next year at this time, on our 2017 list.

We’ve already had one powerful clue that the dynamic power of Yearwalker wasn’t the result of random luck and didn’t represent a plateau of what Gloson were capable of achieving. I’m referring to the song “Cringe“, which appeared last fall. This new song, “Antlers“, provides further proof that Gloson have continued to move upward, even though they started their climb at a very high place already. Continue reading »

Jan 052017
 

 

(Andy Synn reviews the latest album by the band Zao.)

Remember when the word “Metalcore” actually meant something? Those halcyon days when it referred to bands mixing the breakneck emotional intensity of Hardcore with the prodigious sonic power of Metal, rather than being a watchword for formulaic, anodyne angst-merchants desperate for their fifteen minutes of dubious fame?

NoCleanSinging remembers.

And so, it seems, do Zao, who returned at the tail-end of 2016 with what could very well be the best thing they’ve ever released. Continue reading »

Jan 052017
 

maze-of-sothoth-soul-demise

 

(TheMadIsraeli reviews the new album by Maze of Sothoth from Italy, which is set for release by Everlasting Spew on January 9.)

Maze Of Sothoth are a staggeringly difficult band to quantify. The Lovecraftian theme certainly points to a band who might enjoy the eldritch, ambiguous, and alien, but whereas extreme metal bands generally attempt to capture all this through sound gimmicks, melodic dispositions, or atmospheric songwriting, Maze Of Sothoth bring forth a style of technical/brutal death metal that tackles that sub-genre from an almost de-constructionist, absurdist, and reductionist point of view.

Soul Demise is rooted in what is still death metal’s best period (in my opinion), which was the ’90s boom that produced a perfect blend of technicality, brutality, and songwriting — they exhibit all the best qualities of this period. In the tradition of that period, Maze Of Sothoth’s sound is also really unique owing to that reductionist perspective. Continue reading »

Jan 052017
 

 

For the third year in a row we invited Semjaza, the main man behind the superb Greek black metal band Thy Darkened Shade, to share with us his lists of favorite releases, and he again agreed.

This year, we’ve divided his year-end thoughts into four parts, and this is the third, which follows his introductory essay and a list of the 11 2016 albums he listened to the most (here) and an additional list (here) of 14 albums that also received a lot of his attention. Part 3 begin as follows: Continue reading »

Jan 042017
 

 

This is Part 3 of our continuing list of 2016’s Most Infectious Extreme Metal Songs. To see the first two installments and an explanation of the criteria for making the selections, go here.

MARTYRDÖD

Anyone who saw my review of List won’t be surprised to find a song from the album on this list. I came close to embarrassing myself with how effusively I praised it. Hands down, it’s one of my favorite releases in an incredibly strong year for metal. Continue reading »

Jan 042017
 

 

(We present Part 2 of our friend Vonlughlio’s 2016 year-end list. This segment is devoted to favorite brutal death metal albums, and tomorrow’s third part will delve into other genres.)

To begin, I would like to thank Islander for being able to share with all of you readers the music I love. Also to the contributors of NCS — thanks to them, I have discovered great bands.

As some of you might know, one of my favorite genres is Brutal Death Metal, and when I began  making my year-end Top 50 list I felt that some bands in this and other genres were left out (there are always some regardless). And so I decided to make two year-end album lists, one that will be only for BDM releases, and the other containing bands from other genres, such as Death, Black, and Technical/Death.

So here are my Favorite Brutal Death Metal Albums of 2016: Continue reading »

Jan 042017
 

 

It would be an understatement to say that the new album by the Dutch band Laster represents a large step ahead of their 2014 debut. It is more like a running leap ahead, doing somersaults and back-flips in the air before sticking the landing. That’s not intended to take anything away from De verste verte is hier, which was very good, but Ons vrije fatum is the kind of musical marvel that opens your eyes as wide as saucers.

This new album will be released on January 9 by Dunkelheit Produktionen, and today we bring you a full stream of its seven remarkable songs. Continue reading »

Jan 042017
 

 

(TheMadIsraeli wrote this review of the new album by Sepultura.)

Sepultura have been undergoing something of a renaissance since Dante XXI, with an oddly conflicted sense of identity. They have one foot in the past of their primal thrash intensity, another foot in their pioneering tribalistic groove metal days of Chaos A.D. or Roots, and are busy trying to play twister bending over backwards to put their hands into progressive inclinations and avant-garde adventurism. That has resulted in albums that’ve been interesting to listen to, while not exactly 100% all killer no filler.

Don’t get me wrong here, I don’t think Sepultura at this point gives a fuck about that, and they aren’t obligated to produce masterpieces with every record. I think we’re witnessing a band who are simply choosing to explore themselves to their limits on an almost spiritual level. Continue reading »

Jan 042017
 

 

(For the third year in a row we invited Semjaza, the main man behind the superb Greek black metal band Thy Darkened Shade, to share with us his lists of favorite releases, and he again agreed. This year, we’ve divided his year-end thoughts into four parts, and this is the second, which flows his introductory essay and a list of the 11 2016 albums he listened to the most — here.)

 

ADDITIONAL ALBUMS THAT I ALSO LISTENED TO A LOT FROM THIS
YEAR ARE THE FOLLOWING:
Continue reading »

Jan 042017
 

 

Last June the Debemur Morti label released a most impressive debut EP (Le Jour Se Lève) by the French band Au Champ Des Morts, which we had the pleasure of premiering. In those first songs, the band proved themselves to be powerful sonic spellcasters, with a talent for creating dynamic, richly textured music with a black metal core that hit with riveting emotional intensity. Debemur Morti is now following that EP with the release of the band’s debut album Dans La Joie later this month, and we have for you today a stream of its title track.

Au Champ Des Morts was founded in 2014 by guitarist/vocalist Stefan Bayle (Anorexia Nervosa) and he is joined on this album by bassist/vocalist Cecile G. and drummer Wilhelm. As you can see, the album also greatly benefits by the striking cover art of Dehn Sora. Continue reading »