Aug 212019
 

 

(Vonlughlio returns to NCS with a review of the forthcoming second album by the slamming brutal death metal band Facelift Deformation.)

This time around I’m writing about Facelift Deformation‘s sophomore effort, Cybernetic Organism Atrocities, to be released on the 31st of August via Realityfade Records. To be honest, I had heard of this Hong Kong/Taiwan project last year when they released their debut album Domination to Extermination (with another label) but never got around to listening to it.

Realityfade Records made the announcement that they would be releasing this new material, and I was intrigued, to say the least. This label has amazing bands such as Interminable Corruptions, MDMA, Habitual Depravity, Ineffable Demise, Coprobaptized Cunthunter, Decomposition of Entrails, Dysmorfectomy, and ByoNoiseGenetator, just to name a few. I recall when Mr. Sagaidak started this label and it’s good to see the development throughout the years, with a roster that includes many slam/BDM bands I enjoy and some deathcore bands too.  While deathcore is not my thing, I can respect the fact that he is doing what he likes and is not afraid to expand his vision on his own terms. Continue reading »

Aug 132019
 

 

(This is Vonlughlio’s review of the latest album by the Mississippi-based death metal band Uzumaki, which was given a CD release last month by Vargeist Records.)

There comes a time for all of us when we are introduced to a project that has been going for a while, but we’ve overlooked, and once you make that discovery you’re immediately hooked. This was the case for me with the band Uzumaki, a death metal outfit run solely by Mr. Jared Moran, who creates complex and obscure songs that blow you away. That’s how I felt when listening to Uzumaki‘s latest offering, Spoken in Tongues. This record was digitally released last year, but thanks to Vargheist Records it has been captured in a physical format this year.

In planning for this small write-up I wanted to get familiar with Uzumaki’s complete catalogue. So I listened to the first album, Glossolalia, released back in 2012, and moved forward toward the newest one. I was curious to see if there had been some progression within the music or if instead it had become stale over time, and also to get a sense of the overall sound across the releases. Continue reading »

Aug 092019
 

 

(Our connoisseur of all things brutal, Vonlughlio, returns with this review of the explosive new album by Devourment, which will be released by Relapse Records on August 16th.)

This time around I can write about a band that is dear to me, and to a lot of people in the Brutal Death Metal scene. A project founded back in 1995, their first demo and two promos led to their debut full-length release Molesting the Decapitated back in 1999, which took everyone by storm and became a classic in the genre. I am talking about Texas-based Devourment.

This band really does have a special place in my heart. The early releases ramping up toward that debut album just fucked me in a good way once I got the chance to listen to them, and so did the album. Songs from the early years, like “Fucked to Death”, “Babykiller”, and “Choking on Bile” are among my favorites. By the time of the first album release the band consisted of Ruben Rosas (Vocals), Bryan Wynn (Guitars), Kevin Clark (Guitars), Mike Majewski (Bass) and Brad Fincher (drums). Together they made deliciously disgusting music, filled with filthy riffs, blast beats for days, and some of the nastiest vocals ever. And I must mention that the vocals of Wayne Knupp (R.I.P) on the Impaled demo, the 1997 promo, and that “Babykiller” single were sure as hell among the best I’ve heard. Continue reading »

Jul 192019
 

 

(This is Vonlughlio’s review of a debut EP by the California technical death/grind band Marburg, which was released in a CD edition by Vargheist Records on July 5th.)

This time around I would like to talk about the band Marburg from Los Angeles, California. They are a Tech Death/Grind group that formed back in 2015 and digitally released their debut EP Polemicist in 2016. At some point they signed with the South Carolina label Vargheist Records, which has recently released the EP on CD.

Getting the chance to listen to their music, I did not have any idea how it would sound, and ohh boy, this turned out to be a pleasant surprise, to say the least. For me, the sound is natural, and all the instruments play a key role in delivering in-your-face grind with tech ingredients that make it even more enjoyable. The first song, “Fuck You”, is the perfect introduction, giving the listener a taste of the wild ride they are about to experience. Once I hit play, the energy in the music was unquestionable, and the talent showcased here is superb. Continue reading »

Jul 102019
 

 

(This is Vonlughlio’s review of the new second album by Ecliptic Vision, which was released on July 6th.)

This time around I have the opportunity to review the self-titled sophomore effort of Ecliptic Vision from Syracuse, New York. Prior to listening, I had no idea what the sound would be like, other than a description of the music as a mix of technical and brutal death metal, nor anything about the band, for that matter.

Now, the good thing about getting into this project with so little knowledge is that for me it was a pleasant surprise, to say the least.  I won’t say the material is groundbreaking or something we haven’t heard before, but the musicians in the band are very talented, and the end result shows their skills and how well they work together. Continue reading »

Jul 022019
 

 

(This is Vonlughlio’s review of the latest release by one of his favorite bands, Australia’s Disentomb, which is set for release on July 12th by Unique Leader Records.)

This time around I have the opportunity to review the new release by one of the my favorite BDM bands from Australia, the amazing Disentomb. This project formed back in 2009 and released a demo the same year. Late in 2010 they released their debut album, entitled Sunken Chambers of Nephilim. I discovered the band in 2011, as did many others — that debut took the whole BDM scene by storm, a massive slab of pure raw and filthy BDM with Disgorge influences.

That release quickly took its place among my favorite debuts in the genre. Their musicianship was impressive even though the guys at that time were (I believe) still in their teenage years. Regardless of their age, this is one album that every BDM fan is aware of, and it’s time to recognize it as a classic that will pass the test of time. Continue reading »

Jun 172019
 

 

(This is Vonlughlio’s review of the new album by the Maltese death metal band Beheaded, which features cover art by Daniel Corcuero (Nekronikon). It was released by Agonia Records on June 14th.)

It’s been a while since I’ve done one of these small write-ups here in NCS, due to life (family and job), but I always follow the amazing posts from the writers and Mr. Islander, to whom I am forever grateful for letting me contribute my year-end list and these reviews.

This time around I’m writing about Beheaded from Malta. I’ve been a fan for quite some time now — for around 17 years. As I write this they are about to release their sixth album Only Death Can Save You through Agonia Records. Continue reading »

Apr 032019
 

 

(This is Vonlughlio’s review of the debut album by the North Carolina death metal band Putrefying Cadaverment, which will be released on April 14th by Sevared Records.)

It’s been a few weeks since my last write-up, and what a great way to break the silence — by reviewing the debut album of North Carolina’s Putrefying Cadaverment, entitled Indiscriminate Butchery, to be released via Sevared Records.

Before this, the band only released two demos and one EP named Necrosadistic Defilement before going on a lengthy hiatus. They were more slam/BDM oriented and had good riffs, but although the overall idea was interesting I had mixed feelings about the earlier music. Continue reading »

Mar 122019
 

 

(Vonlughlio prepared this review of the new album by the Slovakian blackened death metal band Ceremony of Silence.)

It’s been quite a bit since my last small write-up and I was planning on something else, but I needed to write about Ceremony of Silence‘s debut album Oútis, to be released via Willowtip Records on April 5th.

The project is guitarist Vilozof and drummer Svjatogor – both already deeply-rooted in the Slovakian underground metal scene – who formed Ceremony of Silence in 2015. The duo spent countless hours immersed in freeflowing, improvised jams and writing sessions. As they continued, they developed the 7 chapters of this effort, which can be described as death metal with a dissonant/atmospheric feel that is evident, with blast beats that emerge rapidly out of nowhere and riffs that are in constant motion and very addictive. Continue reading »

Feb 252019
 

 

(This is Vonlughlio‘s review of the new EP by the brutal death metal band Relics of Humanity from Minsk, Belarus.)

This time around I have the opportunity to review Relics of Humanity‘s new EP Obscuration, released via Willowtip Records this past 22nd of February. I have been listening to it non-stop and have to say that the music is back to the veins of their first album, Guided by the Soulless Call (which is their best work in my opinion).

The band have been active since 2007 and have released  demos, two albums, a compilation, and now this EP. One of the things I like about the project is that they have a specific sound to their music that is very recognizable, and have been able to maintain it through the years. Continue reading »