Feb 132020
 

 

(This is Vonlughlio’s review of the latest album by Italy’s Blasphemer.)

This time around I have the opportunity to do a small write-up about the Italian band Blasphemer’s third album, The Sixth Hour, which was released on January 24th via Candlelight Records.

This project was given birth in 1998 by Simone Brigo (Guitars) and Paolo Maniezzo (vocalist up to 2017) with the intention to express their artistic vision, and their thoughts and views of organized religion, hate, and death, in a Brutal Death Metal setting.

It was not until 2002 that they released their debut demo, Life Kills, and subsequently they did some splits in 2003 and 2006, but it was when they released their debut album On the Inexistence of God that I found out about them. Continue reading »

Feb 032020
 

 

(In this post Vonlughlio gives a strong recommendation for the latest album by the Russian black/death metal band Horror God, released last fall by Lavadome Productions.)

Cursed Seeds, the third album by the Russian band Horror God, was released last September by Lavadome Productions. I should confess that I have been following the label for years and become friends with the owner Jan, conversing about Death Metal, likes and dislikes, not seeing eye to eye, all the good stuff friends talk about.

Having said that, it is the music alone on Cursed Seeds that prompted this write-up. I have enjoyed each second from start to finish, because it is a perfect blend of Death/Black influences put into 7 songs totalling 36 minutes of pure fury, desperation, loss, and hope. My first listen turned into three listens in a row, and I found myself enjoying the overall effort from this group more and more each time. Continue reading »

Jan 232020
 

 

(This is Vonlughlio’s review of the new album by the French progressive technical death metal band Slave One, which will be released by Dolorem Records on January 24th.)

It’s been a while since I have done a small review, and this time around I’m taking the time to write about the band Slave One and their sophomore effort Omega Disciples, to be released via Dolorem Records. To be honest, I was not aware of this French band’s existence until I heard a single from this album, and was hooked. So, I decided to check out their previous work.

There, this Death Metal outfit incorporate various elements within their song structures, displaying both brutal and tech elements as well as melodic inputs in some of the sections that create a dark atmosphere that is quite appealing. But when I heard the the promo of the new record I was blown away with the musicianship on display within the 8 chapters of this current offering.  The continuous growth from their first EP to now is evident, and that is something I always look for in a band. Continue reading »

Dec 312019
 

 

(For the 8th year in a row, here’s our friend Vonlughlio’s list of the best brutal death metal albums of the year that’s about to end.)

So it’s that time of year, at which I am lucky enough to share the top Brutal Death Metal albums of 2019, and what a great year for the genre it has been. As usual, the list-making process has been nothing but a clusterfuck, because it has been difficult to compile my favorite 25 albums released this year. But it must be done, and I can say for this year that I am content with the end result.

I would like to take the opportunity to thank Islander for letting me do some write-ups and year-end lists since 2012 for this genre, which is one of my favorites in the Death Metal Universe. I also thank the writers and other contributors of NCS; because of them I can discover great bands each day.

With no further ado, below are my favorite 25 BDM albums of 2019. Later on this will become part of the Blast Family Top 50 BDM albums of the year. So for now, here is the list: Continue reading »

Oct 222019
 

 

(Here’s Vonlughlio’s review of the first full-length by the Filipino death metal band Pulverized.)

Falsus in Uno, Falsus in Omnibus has proven to be a great surprise this year. Released by Pathologically Explicit Recordings on October 20th, it’s the debut album by the brutal death metal band Pulverized, who hail from the Philippines.

The band have been active since 2015. Their first EP, Realm of Sufferance in 2016, was an example of raw, in-your-face, straightforward BDM that captivated me right away, and they followed that with a 2017 demo the includes three songs which are also on the debut album. Continue reading »

Oct 162019
 

 

(Today Vonlughlio reviews the debut album of the U.S. death metal band Horrific Demise, which is out now on the Comatose Music label.)

The subject of today’s brief review is Excruciating Extermination, the first album by Horrific Demise, released via Comatose Music this past August 29th.  I believe this project was formed back in 2005 by Matt Bishop (Human Artifacts, ex-Lividity) and I heard of the name since he was working on this release for a couple of years. I was not familiar with this particular project, but was with his former band Lividity.

After time in developing the music he gathered some top musicians alongside him to record the album, including Anthony Voight on vocals (Sarcophagy, ex-Gorgasm),  Phil Good on bass (Lust for Decay, Necrotic Disgorgement), Tony Tipton on guitars (Sarcophagy, Regurgitaton, ex-Necrotic Disgorgement), and Kyle Christman on drums (Sarcophagy, Human Filleted, ex-Gorgasm). When I saw that lineup I thought, hot damn!!!! A great list of top musicians who have contributed to some amazing releases in the BDM world. Continue reading »

Oct 152019
 

 

(This is Vonlughlio’s review of the new EP by Indonesia’s Interfectorment, which was released on May 31st by Brutal Mind, and features cover art by Toshihiro Egawa.)

One of the BDM scenes that is well known for their passion, is the Indonesian one. They are an amazing group of fans who support BDM in all its forms and do not hide the happiness this genre brings to them. A lot of bands come from that region, and some are great ones.

Sometimes, with the number of bands who play BDM, it can be hard to distinguish one from the other in terms of sound. Regardless, there are still bands who stand out from that large pack and bring something special. In this case, it’s the project Interfectorment from (Bandung, West Java), who on May 31st released their long-awaited EP Grotesquely Decay via Brutal Mind. Continue reading »

Oct 012019
 

 

(Our contributor Vonlughlio hereby proves that he does listen to varieties of metal other than Brutal Death, and here he recommends the debut album by the Seattle-based black metal band Irksvm.)

Today’s subject is the black metal project Irksvm from Seattle, Washington, whose debut album Moribund was released via Vargheist Records this past August 30th.

As some of you dear readers might know, Brutal Death Metal is one of my favorite genres and I tend to concentrate my write-ups on bands in that realm, since others here at NCS do a fine job covering all the other genres. But from time to time I do review bands who are not BDM and have made an impact on me, as Irksvm did.

For this particular case, I was not familiar with their music, but became really impressed by how good this offering is. The mastermind behind this band is Duncan Mccue (Doctor Professor, Incestuous Impregnation, Marburg) who does all instruments and vocals. Continue reading »

Sep 262019
 

 

(This is Vonlughlio’s review of the long-awaited second album by the Baltimore brutal death metal band Visceral Disgorge.)

This time around the subject is Slithering Evisceration, the long-awaited sophomore album by Visceral Disgorge (Baltimore, Maryland), released via Agonia Records on September 13th. This project was formed back in 2007. They released their debut album Ingesting Putridity in 2011 and that was well-received, gaining the band a lot of fans worldwide.  One of my favorite aspects from that record was the riffs of Steve Rosenzweig (R.I.P.), such an amazing musician who left us too early.

Thanks to the overall reaction to the first album and the massive following it produced, the band was able to tour quite a bit, and I was fortunate to see them at Chicago Domination Fest III in 2016. To say the least, their performance was among my favorites from that fest. They leveled the placed. That was not an easy task — Gorgasm, Lividity, Inherit Disease, and Malignancy played as well, and their performances were also among the best. So, I was quite impressed with the stage show of Visceral Disgorge. Continue reading »

Aug 212019
 

 

(Vonlughlio returns to NCS with a review of the forthcoming second album by the slamming brutal death metal band Facelift Deformation.)

This time around I’m writing about Facelift Deformation‘s sophomore effort, Cybernetic Organism Atrocities, to be released on the 31st of August via Realityfade Records. To be honest, I had heard of this Hong Kong/Taiwan project last year when they released their debut album Domination to Extermination (with another label) but never got around to listening to it.

Realityfade Records made the announcement that they would be releasing this new material, and I was intrigued, to say the least. This label has amazing bands such as Interminable Corruptions, MDMA, Habitual Depravity, Ineffable Demise, Coprobaptized Cunthunter, Decomposition of Entrails, Dysmorfectomy, and ByoNoiseGenetator, just to name a few. I recall when Mr. Sagaidak started this label and it’s good to see the development throughout the years, with a roster that includes many slam/BDM bands I enjoy and some deathcore bands too.  While deathcore is not my thing, I can respect the fact that he is doing what he likes and is not afraid to expand his vision on his own terms. Continue reading »