Oct 222019
 

 

(Here’s Vonlughlio’s review of the first full-length by the Filipino death metal band Pulverized.)

Falsus in Uno, Falsus in Omnibus has proven to be a great surprise this year. Released by Pathologically Explicit Recordings on October 20th, it’s the debut album by the brutal death metal band Pulverized, who hail from the Philippines.

The band have been active since 2015. Their first EP, Realm of Sufferance in 2016, was an example of raw, in-your-face, straightforward BDM that captivated me right away, and they followed that with a 2017 demo the includes three songs which are also on the debut album. Continue reading »

Oct 162019
 

 

(Today Vonlughlio reviews the debut album of the U.S. death metal band Horrific Demise, which is out now on the Comatose Music label.)

The subject of today’s brief review is Excruciating Extermination, the first album by Horrific Demise, released via Comatose Music this past August 29th.  I believe this project was formed back in 2005 by Matt Bishop (Human Artifacts, ex-Lividity) and I heard of the name since he was working on this release for a couple of years. I was not familiar with this particular project, but was with his former band Lividity.

After time in developing the music he gathered some top musicians alongside him to record the album, including Anthony Voight on vocals (Sarcophagy, ex-Gorgasm),  Phil Good on bass (Lust for Decay, Necrotic Disgorgement), Tony Tipton on guitars (Sarcophagy, Regurgitaton, ex-Necrotic Disgorgement), and Kyle Christman on drums (Sarcophagy, Human Filleted, ex-Gorgasm). When I saw that lineup I thought, hot damn!!!! A great list of top musicians who have contributed to some amazing releases in the BDM world. Continue reading »

Oct 152019
 

 

(This is Vonlughlio’s review of the new EP by Indonesia’s Interfectorment, which was released on May 31st by Brutal Mind, and features cover art by Toshihiro Egawa.)

One of the BDM scenes that is well known for their passion, is the Indonesian one. They are an amazing group of fans who support BDM in all its forms and do not hide the happiness this genre brings to them. A lot of bands come from that region, and some are great ones.

Sometimes, with the number of bands who play BDM, it can be hard to distinguish one from the other in terms of sound. Regardless, there are still bands who stand out from that large pack and bring something special. In this case, it’s the project Interfectorment from (Bandung, West Java), who on May 31st released their long-awaited EP Grotesquely Decay via Brutal Mind. Continue reading »

Oct 012019
 

 

(Our contributor Vonlughlio hereby proves that he does listen to varieties of metal other than Brutal Death, and here he recommends the debut album by the Seattle-based black metal band Irksvm.)

Today’s subject is the black metal project Irksvm from Seattle, Washington, whose debut album Moribund was released via Vargheist Records this past August 30th.

As some of you dear readers might know, Brutal Death Metal is one of my favorite genres and I tend to concentrate my write-ups on bands in that realm, since others here at NCS do a fine job covering all the other genres. But from time to time I do review bands who are not BDM and have made an impact on me, as Irksvm did.

For this particular case, I was not familiar with their music, but became really impressed by how good this offering is. The mastermind behind this band is Duncan Mccue (Doctor Professor, Incestuous Impregnation, Marburg) who does all instruments and vocals. Continue reading »

Sep 262019
 

 

(This is Vonlughlio’s review of the long-awaited second album by the Baltimore brutal death metal band Visceral Disgorge.)

This time around the subject is Slithering Evisceration, the long-awaited sophomore album by Visceral Disgorge (Baltimore, Maryland), released via Agonia Records on September 13th. This project was formed back in 2007. They released their debut album Ingesting Putridity in 2011 and that was well-received, gaining the band a lot of fans worldwide.  One of my favorite aspects from that record was the riffs of Steve Rosenzweig (R.I.P.), such an amazing musician who left us too early.

Thanks to the overall reaction to the first album and the massive following it produced, the band was able to tour quite a bit, and I was fortunate to see them at Chicago Domination Fest III in 2016. To say the least, their performance was among my favorites from that fest. They leveled the placed. That was not an easy task — Gorgasm, Lividity, Inherit Disease, and Malignancy played as well, and their performances were also among the best. So, I was quite impressed with the stage show of Visceral Disgorge. Continue reading »

Aug 212019
 

 

(Vonlughlio returns to NCS with a review of the forthcoming second album by the slamming brutal death metal band Facelift Deformation.)

This time around I’m writing about Facelift Deformation‘s sophomore effort, Cybernetic Organism Atrocities, to be released on the 31st of August via Realityfade Records. To be honest, I had heard of this Hong Kong/Taiwan project last year when they released their debut album Domination to Extermination (with another label) but never got around to listening to it.

Realityfade Records made the announcement that they would be releasing this new material, and I was intrigued, to say the least. This label has amazing bands such as Interminable Corruptions, MDMA, Habitual Depravity, Ineffable Demise, Coprobaptized Cunthunter, Decomposition of Entrails, Dysmorfectomy, and ByoNoiseGenetator, just to name a few. I recall when Mr. Sagaidak started this label and it’s good to see the development throughout the years, with a roster that includes many slam/BDM bands I enjoy and some deathcore bands too.  While deathcore is not my thing, I can respect the fact that he is doing what he likes and is not afraid to expand his vision on his own terms. Continue reading »

Aug 132019
 

 

(This is Vonlughlio’s review of the latest album by the Mississippi-based death metal band Uzumaki, which was given a CD release last month by Vargeist Records.)

There comes a time for all of us when we are introduced to a project that has been going for a while, but we’ve overlooked, and once you make that discovery you’re immediately hooked. This was the case for me with the band Uzumaki, a death metal outfit run solely by Mr. Jared Moran, who creates complex and obscure songs that blow you away. That’s how I felt when listening to Uzumaki‘s latest offering, Spoken in Tongues. This record was digitally released last year, but thanks to Vargheist Records it has been captured in a physical format this year.

In planning for this small write-up I wanted to get familiar with Uzumaki’s complete catalogue. So I listened to the first album, Glossolalia, released back in 2012, and moved forward toward the newest one. I was curious to see if there had been some progression within the music or if instead it had become stale over time, and also to get a sense of the overall sound across the releases. Continue reading »

Aug 092019
 

 

(Our connoisseur of all things brutal, Vonlughlio, returns with this review of the explosive new album by Devourment, which will be released by Relapse Records on August 16th.)

This time around I can write about a band that is dear to me, and to a lot of people in the Brutal Death Metal scene. A project founded back in 1995, their first demo and two promos led to their debut full-length release Molesting the Decapitated back in 1999, which took everyone by storm and became a classic in the genre. I am talking about Texas-based Devourment.

This band really does have a special place in my heart. The early releases ramping up toward that debut album just fucked me in a good way once I got the chance to listen to them, and so did the album. Songs from the early years, like “Fucked to Death”, “Babykiller”, and “Choking on Bile” are among my favorites. By the time of the first album release the band consisted of Ruben Rosas (Vocals), Bryan Wynn (Guitars), Kevin Clark (Guitars), Mike Majewski (Bass) and Brad Fincher (drums). Together they made deliciously disgusting music, filled with filthy riffs, blast beats for days, and some of the nastiest vocals ever. And I must mention that the vocals of Wayne Knupp (R.I.P) on the Impaled demo, the 1997 promo, and that “Babykiller” single were sure as hell among the best I’ve heard. Continue reading »

Jul 192019
 

 

(This is Vonlughlio’s review of a debut EP by the California technical death/grind band Marburg, which was released in a CD edition by Vargheist Records on July 5th.)

This time around I would like to talk about the band Marburg from Los Angeles, California. They are a Tech Death/Grind group that formed back in 2015 and digitally released their debut EP Polemicist in 2016. At some point they signed with the South Carolina label Vargheist Records, which has recently released the EP on CD.

Getting the chance to listen to their music, I did not have any idea how it would sound, and ohh boy, this turned out to be a pleasant surprise, to say the least. For me, the sound is natural, and all the instruments play a key role in delivering in-your-face grind with tech ingredients that make it even more enjoyable. The first song, “Fuck You”, is the perfect introduction, giving the listener a taste of the wild ride they are about to experience. Once I hit play, the energy in the music was unquestionable, and the talent showcased here is superb. Continue reading »

Jul 102019
 

 

(This is Vonlughlio’s review of the new second album by Ecliptic Vision, which was released on July 6th.)

This time around I have the opportunity to review the self-titled sophomore effort of Ecliptic Vision from Syracuse, New York. Prior to listening, I had no idea what the sound would be like, other than a description of the music as a mix of technical and brutal death metal, nor anything about the band, for that matter.

Now, the good thing about getting into this project with so little knowledge is that for me it was a pleasant surprise, to say the least.  I won’t say the material is groundbreaking or something we haven’t heard before, but the musicians in the band are very talented, and the end result shows their skills and how well they work together. Continue reading »