Sep 202018
 

 

(This is Vonlughlio’s review of the third album by the multinational group Burning Flesh, which was released in March of this year.)

I spent a recent Sunday afternoon, while recovering from an illness, catching up with some music I had missed earlier. I recalled that at the beginning of the year a friend of mine suggested the band Burning Flesh in a FB convo, and I turned to their third album Human Flesh Fertilizer. I went back and found the play-through video for an album track he had sent me and revisited it. Shame on me that I did not pay more attention back then.

This band has members from Switzerland and France and they have been an entity since 2005, releasing a demo in 2007, a debut called Unconscious Deformity in 2010, and a sophomore album in 2013, New Chaos Order. I decided to listen to those previous albums and then re-listened to the new one. Despite the constant change in members, it’s apparent that guitarists Diego and Anthony have been able to maintain a permanent vision of what the band should be, and therefore they obviously form the core of this project. Continue reading »

Sep 172018
 

 

(This is Vonlughlio’s review of the debut album by the Spanish brutal death metal band Fixation On Suffering, which is set for release by Pathologically Explicit Recordings on October 28, 2018, but is streaming at Bandcamp now.)

This Sunday sitting in my favorite chair I am listening to some new albums, including the one I am going to talk about today by a new band (formed in 2016) called Fixation On Suffering. They hail from Spain and are signed to Pathologically Explicit Recordings.

This band made their debut back in 2017 with their EP Relevation of Tortured Imprisioment. It showcased a level of musicianship that was well-respected in the scene, and vocals that got the job done. This 15-minute EP was a good one, and made me look forward to new music, though I felt it did not get the promotion it needed and faded away behind so many other releases. So if you can, dear reader, give it a listen. Continue reading »

Sep 122018
 

 

(On September 14th Unique Leader Records will release a new album by NYDM band Pyrexia, and here we have Vonlughlio’s review of the album.)

As I sit in the santuary part of the house on a Saturday night, being sick, I have been thinking about the early- and mid-’90s living in the Dominican Republic and being a metalhead. It was a time when you would go to small get-togethers and see local bands perform, and to talk music with that guy who seemed to have all the info, as well as cassettes (I’ve mentioned him in some of my previous small write-ups). Sure, it was not a perfect time, but people weren’t uptight, and if you liked a band, cool, and if not, that was cool too. Nowadays, well, it’s not the same, but I won’t get into that.

So, why was I going back down memory lane?? Well, it’s because I had been given the opportunity to write about Pyrexia’s new album, Unholy Requiem. This band, founded in 1990 in New York, made waves in the scene with their demos and their 1993 debut album Sermon Mockery, one of the best Death Metal albums to be released and a true classic, at least for me. That album is ferocious, unapologetic, and in-your-face, with everything working together perfectly, from the riffs to the vocals, the drums, and the production work. This band, along with Suffocation, Internal Bleeding, and Dehumanized, were bands who left a mark in the scene, and that will be forever evident. Continue reading »

Sep 102018
 

 

(Vonlughlio prepared this review of the debut album by the Australian brutal death metal band Expulsed.)

This time around I am going to introduce you to a small label located in the depths of Ukraine (Reality Fade Records) founded by Dimitri in 2016. I was fortunate to discover the label when it had only released three albums. Through interactions on Facebook I became friends with him, and from there I saw that he had a clear vision of what to do with the label, with a focus on bringing out music that he was passionate about, without focusing on commercial consequences.

From there, Reality Fade signed many bands, such as Interminable Corruptions (whose first album I reviewed here, and placed on my 2017 year-end list as well), Coprobaptized  Cunthunter, Habitual Depravity, Dymorfectomy, Decomposition of Entrails, MDMA, Ineffable Demise, and ByoNoiseGenerator (whose new album I reviewed here), to name a few. But the subject of today’s small write-up is the Australian band Expulsed and their debut album Kingdom of Desolation. Continue reading »

Sep 042018
 

 

(Vonlughlio reviews the new album by the Russian death metal band ByoNoiseGenerator, who combine brutal death metal, grind… and jazz. The album will be released on September 20 by Reality Fade Records.)

ByoNoiseGenerator from Perm, Russia, are one of the most forward-thinking brutal death metal bands at the moment, because of their unusual willingness to incorporate new elements into their sound.

They broke out back in 2015 with the release of their debut, Turbulent Biogenesis (available here), to which my immediate reaction was the following: “Really??? What the fuck????”. Of course I listened to that release five times in a row, which was not an imposing challenge because it’s only about 14 minutes long. Listening to a saxophone in this kind of music was just mindblowing, because to be honest I had bought the CD and did not know what to expect.

In fact, one thing that I regret was not including this release in my top albums from that year. To be able to mix BDM, grind, and jazz elements in elaborate yet short songs, and make it work, is not an easy task. Continue reading »

Aug 302018
 

 

(Vonlughlio reviews the debut album by the one-man brutal death metal band RAW from Surabaya, Indonesia.)

Today’s write-up is about the debut of the Indonesian Brutal Death Metal band Raw entitled The Persecute Heinous, set to be released via Brutal Mind on August 31st. But before we get into that gem of BDM, I want to talk about the label.

Brutal Mind is an Indonesian label established in 2009 and their main chief, Mr. Deni Lisain, is well-respected in the scene, due to his hard work and dedication to the genre. How he has been able through the years to amass fans from around the world is something amazing. Continue reading »

Aug 272018
 

 

(Here’s Vonlughlio‘s write-up on the new Krisiun album, Scourge of the Enthroned, which will be released on September 7th by Century Media.)

As I started to write this small review for Krisiun‘s new album Scourge of the Enthroned, I found myself thinking that this band needs no introduction. They have been active since 1990, releasing crushing Death Metal from their homeland of Brazil.  After this many years of activity, some bands tend to reduce the intensity and fury of their music, evolving into something more, or something less. Sometimes change is good, at other times not so much.

In the case of this band, they seem not to have aged one bit, still combining that fury and precise execution that I discovered back in my country. The year was 1996, and in the Dominican Republic this type of music was hard to get. But fortunately, there was a guy there who somehow got all the music (or knowledge) and would burn tapes, and one of those was Krisiun’s debut album. Continue reading »

Aug 202018
 

 

(NCS contributor Vonlughlio reviews the new album by Debridement from Northern Ireland, which will be released on August 23rd by Rotten Roll Rex.)

The music of the band that’s the subject of this small write-up is just pure and filthy fun. Yes, you read that correctly, and why do I say that? ‘Cause it’s Slam/BDM done right, and that is intended to make you smile (even though you shouldn’t) and enjoy the music for just that: It’s fun and entertaining.

That band is a one-man project called Debridement, run by Mr. Brown (guitarist from the band Oncology) from Northern Ireland. I discovered this project back in 2016 with their EP Reduced to a Pile of Putrefying Slop and thought to myself, with a big smile, this is indeed filthy and disgusting, and sloppy (production-wise). It showcased the musical ability of Mr. Brown, who performed all the instruments, while envisioning how this style of goregrind should sound. It was 18 minutes of pure entertaining, horrible music, executed precisely and leaving the listener wanting more. Continue reading »

Aug 142018
 

 

(NCS contributor Vonlughlio penned this review of the new album by North Carolina’s Abhorrent Deformity, released on August 3rd by Comatose Music.)

This time around I have the opportunity to do a small write-up for the band Abhorrent Deformity’s sophomore effort Slaughter Monolith, released via Comatose Music. This project was formed back in 2013 and they are a local band (for me at least now) whom I discovered back when I lived in Santo Domingo, Dominican Republic, after their first album Entity of Malevolence was released in 2015.

I have to say that although I heard a couple of songs from the first album and liked the music, I never  listened to the full album (due to shortness of time on my behalf). But I did eventually, once I moved to their home State in the  U.S., and I’m glad I gave it a listen since it showcased great musicianship and songwriting. Another aspect that caught my attention was how well they blended brutal death elements with progressive touches. Yes, dear reader, you read correctly. Continue reading »

Aug 072018
 

 

(Our friend Vonlughlio prepared this review of the debut album by Texas-based Infuriate, which will be released by Everlasting Spew Records on August 31.)

2018 has already been a great year for Death and Brutal Death, and one of the things I’ve enjoyed more is the discovery of bands I’ve never heard before, just to be blown away with their music. Galvanizer was one of those bands and now their label mates Infuriate (both on Everlasting Spew Records) have just left me speechless with their self-titled debut album, set for release on August 31st.

My friend, Mr. Vespasiani was the guilty party who introduced me to this band and I am glad he did, since this has to be on my favorite debut-album list of all time (yes, I keep a list of those). Continue reading »