Nov 112025
 

(written by Islander)

One of our site’s favorite bands, Minnesota-based Amiensus, have busied themselves this year by releasing singles — “Fields of Emerald Fire” (reviewed here), “We Still Bloom” (reviewed here), and “The Peak of Denali” (reviewed here). They have also been teasing a fourth single to emerge before year-end, and today we’re very happy to bring it your way.

This one is a cover song, and you might guess whose music Amiensus is covering based solely on the cover art. But in case you’re still scratching your head, it’s Agalloch, and the song is “The Lodge” from the band’s beloved 2002 album The Mantle. Continue reading »

Oct 052025
 

(written by Islander)

When I finished writing the SEEN AND HEARD column yesterday and scheduled it for automatic appearance this morning I really didn’t think I would be awake or clear-headed enough to prepare a SHADES OF BLACK thing for today, which is why I said there wouldn’t be one. But even though I didn’t get to sleep after my spouse’s Saturday night birthday party until 1:30 am, I woke up at 7 am — amazingly not hungover, only weary.

I still thought about not trying to do put this column together, but I really hate leaving holes in our regular schedule, so here we are. Fewer selections than usual, but (I hope you’ll agree) very good ones. Continue reading »

Jun 282025
 

(written by Islander)

As usual I had a lot to choose from for this Saturday’s roundup. I gravitated to six bands whose music I and/or others at NCS have showered with past praise, but chose to end it with one band’s first release.

Geographically you’ll bounce back and forth across the Atlantic, take a trip to the Indian subcontinent, and then go further west and south to Australia for the final two records. Your head will probably bounce around a lot as you go through the music too. Continue reading »

Jun 012025
 

(written by Islander)

I’m no Cinderella but on days like this I do turn into a pumpkin (charred black).

After missing two Sundays due to festival-ing in May I had grand plans to partially make up for those absences in a larger-than-usual column today. But I forgot about plans my spouse had made for us this morning that will take me away from home and computer.

So the grand plan has been trashed. Rather than rack my brain trying to figure out what to save, I decided instead just to start and to keep going until time runs out (and I turn into a pumpkin). Continue reading »

Aug 282024
 

(Andy Synn closes the circle with his review of part 2 of Amiensus‘s new double-album, out Friday)

There is, of course, no way to talk about Reclamation, Part 2 without considering it in the context of its already-released predecessor – the two of them forming both sides of a singular (in both senses of the word) coin.

That doesn’t mean, however, that Part 2 is incapable of standing on its own – far from it – it’s just that the group’s decision to release Reclamation in two parts, almost a full four months apart, offers us an opportunity to reassess the latter while analysing the former at the same time.

So, let us begin, shall we?

Continue reading »

Apr 182024
 

(Andy Synn brings you part 1 of a 2 part review, with the second to follow… later this year)

To start things off I should probably let you know that I’m lucky enough to have heard both parts of the upcoming Amiensus double-album, Reclamation, and thus my perspective on it is – inevitably – going to be somewhat shaped by my experience of the whole thing, rather than just Part 1, which I’m reviewing here.

Hell, when I first got my hands on it I was under the impression I’d be writing about both Part 1 and Part 2 simultaneously, only to learn later that the band had decided to split the release in two.

That’s not a bad thing though – in fact there’s been several occasions where I’d have preferred other bands do the same (it’s something that I wish Mastodon had done, for example, with Hushed & Grim, albeit for somewhat different reasons that I don’t have time to go into here).

If nothing else, it actually makes my job a little easier, as I can fully concentrate on just one half of this epic (in multiple senses of the word) undertaking, while also sneaking in a few tantalising teasers about what to expect from Part 2 later this year.

So, without further ado, let’s begin, shall we?

Continue reading »

Dec 312022
 


Deiquisitor

Today we’ve already presented Andy‘s last SYNN REPORT of 2022, but I also wanted to throw at you one last round-up of new songs, especially because new metal has continued to drop throughout this last odd week between Christmas and New Year’s Eve – a time when some people kept working and others took time off, when some people reflected on the events of 2022 and others just wished the fucking thing would end, in the hope that turning the page would bring improvements.

The title of this post is literally true. Everything I chose to recommend was something I listened to for the first time this morning. I also thought it would be fitting to focus exclusively on music that emerged just this past week.

Before I forget, I also want to take this opportunity to thank everyone, both our writers and our visitors, for sticking with us in 2022. Please stay safe tonight, whatever you choose to do. We need you back with us in 2023. Hollering into a void is a less appealing prospect than hollering at people who are paying attention and might find some rays of light (and abyssal pits) in the music we’ll be yelling about. I won’t wish you a Happy New Year yet. I’ll do that tomorrow, in our first post of 2023. Continue reading »

Jul 032020
 

 

I’m mindful of the fact that today Bandcamp is waiving its revenue share, which means that more of the money you throw at Bandcamp releases today will land in the pockets of bands and labels. So I’m trying to make a lot of recommendations, many of which were included in Part 1 of this post. But I’m also mindful of the fact that time is running out. And so although this Part 2 of today’s collection consists of complete releases rather than individual songs, I’m not attempting anything close to reviews, just a few words of description and recommendation.

Needless to say, there are dozens of other recent releases I could have included here (2020 has been ridiculously strong for metal, IMO), so there’s more than a bit of randomness in the choices I made. Nevertheless, I back each of these wholeheartedly. (I should add that this collection is heavy on the black and blackened metal, because that’s where I’ve spent a lot of my recent listening time.)

ADORA VIVOS / AMIENSUS  (U.S.)

A beautiful and ravishing split that includes not only a great Amiensus song but also the magnificent return of Adora Vivos after a 7-year silence, a band that includes former Amiensus multi-instrumentalist J. Waller (on both Restoration and Ascension) and Amiensus vocalist/guitarist James Benson. This one won’t leave you the same way it found you. Continue reading »

May 282020
 

 

Over time most ardent music fans learn to identify different experiences that provide listening thrills. There’s the pleasure of listening to new music from old favorites, even though those old favorites may not be bringing anything new to the table in comparison to their defined sound. There’s the delight of making new discoveries — finding new bands doing new things. And then there’s the pleasure that comes from following the progress of bands, like Minnesota’s Amiensus, who start strong and then evolve, becoming both more intriguing and even stronger as the years pass by.

We’ve been following the progress of Amiensus, essentially step-by-step, since the release of their 2013 debut album Restoration (which, by the way, has lost none of its appeal in the ensuing years). It was evident from the beginning that this was a very talented group of songwriters and musicians, and what has become evident since then is that they are confident enough in their talents, and exploratory enough in their interests, to branch out in ways that enrich their brand of atmospheric and progressive black metal. And that adds intrigue to the announcements of new Amiensus music.

The latest source of intrigue was the news that later this year Amiensus will be releasing their third album, Abreaction, through Transcending Records. We’ve all already had one interesting peek into the album, when the band released an acoustic version of a song called “A Convocation of Spirits“, and today we’re providing a further insight as we premiere a different version of that same song. Continue reading »

May 172020
 

 

I spent some time yesterday and more time this morning trying to figure out what to include in this week’s SHADES OF BLACK column. It shouldn’t have been an anxious experience, but it has been, because there is so much I wish I could write about and recommend. Though I know no one will live or die based on the choices I have to make, it’s still painful to leave anything good behind.

At one point I took a break from mentally wrestling with myself over black metal and listened to other things. By pure chance I happened to listen to the first three songs in this collection right in a row, and thought they went together beautifully. I added the fourth one as a wake-up call, and as a transition to whatever I wind up including in SOB.

AMIENSUS

Minnesota’s Amiensus should need no introduction to faithful visitors to our site. We’ve been writing about their music, and occasionally hosting premieres of it, since 2013. Obviously, we are fans, and you should be too. If you happen to be newcomers, you’ll soon have a chance to get on board because Amiensus have a new album named Abreaction that will be released this summer by Transcending Records. Continue reading »