(TheMadIsraeli reviews the new album by West Virginia’s Byzantine.)
Anyone who could get to sit down and have a real, lengthy chat with Chris “OJ” Ojeda would quickly learn that the dude is one of the coolest cats you could have the pleasure of talking to. He’s still got a youthful passion for metal, as if he hadn’t aged from his teenage years at all. I remember back in the early/mid-2000s a marketing term being thrown around, the meaning of which I was never sure of: “working man’s metal”. If you take the words literally, Byzantine are certainly that. For OJ, music really has been the thing he gets to indulge once the rest of life is taken care of. Yet Byzantine’s music is one of the most compelling cases for the argument that some of the best metal is written when it’s not created with careerist intentions.
Normally, I would have been afraid that To Release Is To Resolve wouldn’t stack up to the band’s previous work. They lost two members who contributed a lot of touches that made the band: Michael “Skip” Cromer’s bass playing and back up vocals were gone, as was Tony Rohrbough, one of my favorite guitarists of all time and a hard-to-replace identity in the lead guitar slot. However, I didn’t have that hesitation, because since my introduction to Chris when I reached out to him concerning my retrospective of their discography, I learned that Ojeda is, in many respects, Byzantine incarnate. This is his baby, and he wouldn’t allow it to stagnate or put out material that wouldn’t be up to par. Continue reading »










