In the neverending musical combat between catharsis and comfort, byzantine boundary-stretching and banal convention, Cloak of Altering continues to leave no doubt where its allegiances lie. In the band’s eccentric and perpetually experimental maneuvers, it seems dedicated to rooting around in our subconscious in a way that makes it difficult to keep certain things buried that perhaps we’d rather remain hidden, just as it provides a necessary outlet for its creator’s own unsettling and unpredictable impulses.
Yet every new excursion by the band provides a multitude of fascinations, no matter how disorienting they may become, further proof of which is provided in Cloak of Altering‘s new album, Sheathed swords drip with poisonous honey (set for release on June 4th by Brucia Records).
We have the premiere of a song from that album for you today, “The Jesuscraft“. The opening line of our introduction, which is a few paragraphs below, is this: “The song seems diabolically calculated to keep listeners continually off-balance.” Perhaps, then, there is some hilarity to be found in the comment about the song from Cloak of Altering‘s alter ego Mories (the fiendish mind also behind Gnaw Their Tongues, The Sombre, The Night Specter, Hagetisse, and Golden Ashes, among other projects): “The Jesuscraft is the most straightforward song on the album.”