Sep 222019


You’re probably asking yourself, since I can’t hear you, “Why will there be a second Part to this when there’s already seven bands in Part 1?!?” A good question, and a better one than you know, since there are also seven bands in Part 2.

I do have a reason for channeling such a flood of music from the black realms in this SOB installment, but I’ll save the explanation for Part 2. Sadly, I also realize the risk that this is just too much for most normal people to focus on. But I’m fortified by the suspicion that you’re not normal. I’m also deferring Part 2 to Monday morning, for extra fortification.

P.S. There’s some great cover artwork coming your way in this collection, in addition to the fine music.

P.P.S. Yes, I do know about the surprise release of Blut Aus Nord‘s new album. I had been waiting to post my review until everyone else got the promo. Now everyone can hear it, but I’ll share my own thoughts anyway — probably tomorrow. Continue reading »

Dec 292016



(Ken Sorceron had a very busy year, touring both Europe and the U.S. with Abigail Williams, singing with The Faceless, announcing a new band named The Accuser that has signed with Blood Music, and more. But in response to our invitation, he still managed to assemble a list of favorite 2016 releases that we’re now sharing with you — on his birthday!)

I didn’t get to listen to a ton of new releases this year because I was so busy doing my own music, but here are the top ten releases I can remember really liking in 2016.

In no particular order: Continue reading »

Nov 282016



Almost exactly one year has passed since the release of The Accuser, and now at last we have a new song from Abigail Williams to share with you. This is a demo track that will eventually appear in final form on a future release. Its origins can be traced back to a time soon after the release of the band’s third album, Becoming, in 2012 (with the original version co-written by former AW member Ian Jekelis and AW’s Ken Sorceron), though it has been revisited and revised more recently by Sorceron.

The name of the song is “The Final Failure“. At more than 11 minutes in length, it’s a multifaceted and emotionally intense track that alternately smolders and burns, like a campfire that’s dying in a frigid and hostile wilderness despite efforts to revive it. Or it could be felt as an expression of beleaguered striving in the face of one bad twist of fate after another, ultimately ending in failure and a staggering collapse into desolating grief. Continue reading »

Jan 082016

Ken Sorceron


(Andy Synn posed some questions to Ken Sorceron, vocalist/guitarist for Abigail Williams, whose 2015 album The Accuser was one of our favorite 2015 albums — and here are the answers.)


Hello Ken, how are you, and how are things in the AW camp?

I’m fine, thanks for asking. The band is good, just gearing up to go out and support Fleshgod Apocalypse in Feb.


How did the recent tour go? (Feel free to embellish with stories of drunken hijinks, drug-induced lunacy, or fine-dining experiences.)

Lots and lots of drug-induced lunacy, that’s for sure. Though it’s pretty hard for a band at our level (low) to operate like that over time, so that era has had to come to an end. Obviously drugs and alcohol will still be around, we aren’t squares or anything, just to a lesser degree from now on. The last two years were pretty insane on that front and we are somewhat lucky to be either alive or not in jail or something at this point.

As far as fine dining goes I’m a big fan of eating in the South and in the Midwest. Eating at all my favorite places around the country or world is pretty much one of the main reasons I still tour. Continue reading »

Jan 052016

Abigail Williams-The Accuser


Welcome to the 9th Part of our evolving list of 2015’s Most Infectious Extreme Metal Songs. To listen to the other songs that have preceded the two I’m adding today, go here.


As we forge brazenly ahead into the first month of the new year, we still have two year-end 2015 series in progress. Earlier today I posted one of our year-end lists, actually a combination of lists, prepared by the members of Amiensus.

I’ve been posting those lists in the order received, and it happens that today, in that order, was the day for the ones from Amiensus. And in that list, the band’s vocalist James Benson named “Will Wish and Desire” as his top metal song of the year. Continue reading »

Dec 212015

Abigail Williams-photo by Levan TK
photo by Levan TK

(Abigail Williams released one of our favorite albums of 2015 — to read our review of it and check out the music if you haven’t already, go HERE — and today we bring you a year-end list by AW’s Ken Sorceron.)

In no particular order:

Akhlys-The Dreaming I

Akhlys – The Dreaming I

Continue reading »

Oct 212015

hotel photo


I had to make a whirlwind trip to Dallas, Texas, for my fucking day job, leaving Sunday morning and returning to Seattle late yesterday. I didn’t have much time to myself, which means I fell behind in listening to new metal. On the plus side, I was put up in a swanky hotel, the corridors of which were lined with large framed photos from ’60s and ’70s fashion magazines. Every time I walked past the one above, I did a double-take. And that wasn’t the only one that stopped me in my tracks. So there’s that.

Anyway, last night and this morning I enjoyed the following new music streams and videos, presented here in alphabetical order by band name except for the last one, which is a twist on what I usually feature in these pages.


Thanks to Andy Synn, we’ve previously reviewed the excellent new album by Abigail Williams, The Accuser, which will be released by Candlelight Records on October 30. Yesterday CVLT Nation premiered a video for one of the new songs named “Nuumite”. It’s the track that ends the album, and takes a sharp turn from what preceded it (though if you listen closely to the preceding songs, you’ll realize that the twist was forecast all along). Here’s what Andy wrote about the song: Continue reading »

Sep 302015

Abigail Williams-The Accuser


When our writer Andy Synn recently reviewed Abigail Williams’ new album The Accuser, he described the further evolution of the band’s sound from their last album Becoming as “inverting the moody introspection of its predecessor into a dark and brooding nihilism, creating in the process a distorted reflection and a dark inversion of their former sound that still shares many of the same traits and elements, but twists them into harsher, more dissonant shapes.”

Today we have the privilege of premiering for you another song from The Accuser. Andy described this new one, “Lost Communion“, as music “with a rolling swagger to it, shot through with a series of esoteric, piercing lead melodies that thread their way in and out of the blasting, grooving, melee, climaxing in the unexpectedly massive hooks of the song’s mid-section, with some frankly huge vocals and booming riffs offering a big payoff to the song’s rapid-fire build-up.” Continue reading »

Sep 252015

Abigail Williams-The Accuser


(Andy Synn reviews the new album by Abigail Williams.)

Oh look! Perennial bandwagon jumpers Abigail Williams are back once again, with another trend-chasing collection of….

Actually. Fuck that.

Seriously. If you’re honestly still thinking like this… then there’s the door… feel free to let it hit you on the way out.

Because, and I say this with all the love in the world… this sort of attitude is complete bullshit and an example of precisely the sort of self-sustaining, media-created narrative mostly adopted by people too lazy to form their own opinions, and disseminated widely by sites and magazines more interested in following the herd and copying what they’ve read elsewhere than putting in any critical effort of their own.

Ironic, isn’t it, when it’s the media themselves blindly following the very trends they’re accusing others of… Continue reading »

Sep 112015

Abigail Williams-The Accuser


A few days ago I was in a sour mood because it appeared I might have to go to Alaska for my fucking day job, with the prospect of spending 10 days there in a state of metal sensory deprivation. As things turned out, I did in fact have to go to Alaska — and then turned around 24 hours later and flew back to Seattle. So while the entire escapade was ridiculous (and not worth explaining), the good news is that I can return to normal blogging activity.

Of course, while I was distracted with all this nonsense, dozens of new songs and videos appeared that were worth recommending to you. Our pal Leperkahn stepped up and wrote a 3-part post that we published earlier today featuring 16 of them. However, that collection did not cover everything on my own list of goodies, and in addition Austin Weber sent in a couple of suggestions himself. So in this post I’ve included Austin’s two songs (and I’ll identify which ones they are when I come to them), plus a couple of my own. At the risk of driving you into sensory overload, still more will follow from my list over the weekend.


Last fall we debuted demo versions of two awesome songs from Abigail Williams’ new album, The Accuser, but today brought the premiere of the album’s first track. I actually got wind of it yesterday through an e-mail alert from Bandcamp that the song had appeared on Candlelight’s page for the album. The song’s name is “Path of Broken Glass“. Continue reading »