Jan 212018
 


Robert Venosa: “Ayahuasca Dream”

 

(DGR has stepped into the round-up void left by our editor this past week and has produced a three-part collection of recent songs and videos. Parts 1 is here; Part 3 will be presented on Monday.)

 

Three weeks into January, and judging by the handful of massive Seen and Heard and Overflowing Streams posts we’ve had to put up, you could say that we’ve managed to the get ourselves into gear as our beloved musical genre has already offloaded numerous news bits upon us in the new year.

I, your ever-faithful servant, have also been doing my best to go along with my ragged fish net and catch everything that might’ve slipped by us — which in the case of this post dates back to last week and then some. Continue reading »

Jan 202018
 


Dagon (photo credit: Chuck Marshall)

 

(DGR has stepped into the round-up void left by our editor this past week and has produced a three-part collection of recent songs and videos. Parts 2 and 3 will be presented on Sunday and Monday.)

The first couple weeks of the new year often feel like a machine slowly lurching back to life as people wake up from their respective holiday binges and try their damndest to shake the rust off, kick the tires, and get things back to into gear.

Both the news and the writing fronts often have that same year-opening feeling of machines lurching back into life after a couple weeks of dormancy — in the case of NCS it’s because we buried ourselves in the yearly Listmania event in which numerous lists of albums toppled over each another like the zombie anthills from the World War Z (in name only) film.

Three weeks into January, and judging by the handful of massive Seen and Heard and Overflowing Streams posts we’ve had to put up, you could say that we’ve solved the getting things into gear issue as our beloved musical genre has already offloaded numerous news bits upon us. I, your ever-faithful servant, have been doing my best to go along with my ragged fish net and catch everything that might’ve slipped by us — which in the case of this post dates back to last week and then some. Continue reading »

Dec 292017
 

 

(This is the third and final part of DGR’s massive year-end list feature. Part 1 (here) included Honorable Mentions and albums ranked 30-21; Part 2 (here) counted down albums 20-11. And today we present DGR’s Top 10, plus a few other assorted year-end honors.)

 

There are few things that I enjoy each year more than the yearly list roundup here at NCS – including taking the time to write out my own personal favorites. This is a post that I spend a large part of the year dreading, knowing that my penchant for massive verbiage in the face of all things common sense will turn around and bite me in the ass and the stress implied therein of the constant re-reading and editing that goes into the joy of crushing one’s website editor under the sheer weight of text. Were the yearly list allowed to be a book, I would deeply enjoy witnessing the ever increasing size of the roll of toilet paper mine would have to be printed on throughout the year. Maybe one year I’ll actually be able to spring for two-ply and at least have some effect. Continue reading »

Dec 282017
 

 

(This is the second part of DGR’s massive year-end list feature. Part 1 (here) included Honorable Mentions and albums ranked 30-21. Today he presents the next 10 selections for the album list, ranked 20-11. Tomorrow we’ll have the concluding segment.)

 

There are few things that I enjoy each year more than the yearly list roundup here at NCS – including taking the time to write out my own personal favorites. This is a post that I spend a large part of the year dreading, knowing that my penchant for massive verbiage in the face of all things common sense will turn around and bite me in the ass and the stress implied therein of the constant re-reading and editing that goes into the joy of crushing one’s website editor under the sheer weight of text. Were the yearly list allowed to be a book, I would deeply enjoy witnessing the ever increasing size of the roll of toilet paper mine would have to be printed on throughout the year. Maybe one year I’ll actually be able to spring for two-ply and at least have some effect. Continue reading »

Dec 272017
 

 

(As usual, DGR created a year-end list of great length, devoting a great many words to each listed item. Whereas your humble editor continues to fear that the site may collapse beneath this great leviathan of words if it its bulk were caged in a single post, this year we have split it up into only three parts instead of last year’s six. This part includes Honorable Mentions and the albums ranked 30-21.)

 

There are few things that I enjoy each year more than the yearly list roundup here at NCS — including taking the time to write out my own personal favorites. This is a post that I spend a large part of the year dreading, knowing that my penchant for massive verbiage in the face of all things common sense will turn around and bite me in the ass, and the stress implied therein of the constant re-reading and editing that goes into the joy of crushing one’s website editor under the sheer weight of text. Were the yearly list allowed to be a book, I would deeply enjoy witnessing the ever increasing size of the roll of toilet paper mine would have to be printed on throughout the year. Maybe one year I’ll actually be able to spring for two-ply and at least have some effect.

2017 on this end, was an oddly paced year that moved in massive fits and starts. It seemed like there would be a tremendous flood of music and then radio silence, save for the occasional spark of life that would illuminate an ever-darkening cosmos — a new star birthed just in time to realize that it can’t see any of its neighbors anymore. Believe it or not, there was actually one point at which I thought I’d be able to keep this thing down to a nice and trim twenty albums without falling off the deep end. But as the yearly crawl back through our review archives causes one to do, there was a whole lot of “oh fuck, that actually came out this year” uttered — which is a pretty good sign, as many of these albums have slotted into the constant-play role, alongside the many other discs that I’ve dedicated words to over the years. Continue reading »

Dec 122017
 


Afgrund

 

(Like the good cowboy he is, DGR has stepped forward to handle round-up duty today.)

We at NCS are big fans of posts full of genre whiplash, and this roundup of things that caught our eyes and ears last week will likely be one of those. We try to always keep our giant fish net of news-and-music catching open for stuff to fall in and we like to clean it out whenever we get the chance, even though you would’ve figured that last week things should have slowed down just a bit…you would think.

However, just because it’s close to the end of the year and time for everyone to begin writing up summaries of their favorite albums of 2017, and just because our editor managed to escape from the loris horde encircling the NCS compound for a vacation, does not mean heavy metal got the hint and decided to slow down for a bit. We did here in our little comfortable corner of the ‘net, but that doesn’t mean everyone did. And so we go outside to clean off the radar dish and see what landed in the net over the past week. Continue reading »

Dec 072017
 

 

(Here’s DGR’s review of the new EP by the death metal collective known as Scour.)

Last year, Scour released its debut EP Grey, something that I reviewed — though I don’t recall it having a name at the time so much as suddenly appearing – and I had a lot of joking fun with the review, even if folks didn’t quite understand that at the time.

The novelty of Scour was the initial draw for the project, and while I found the release good, I did not expect a second release so soon. Now that Scour are established and have unleashed themselves live upon some folks, it felt like diving in again was the reading of the next chapter of an ongoing story, and so, we  find ourselves wondering how this extreme metal collective’s second EP has turned out. Continue reading »

Dec 062017
 

 

(Here’s DGR’s review of the new EP by Kunstzone.)

Kunstzone, the hybrid industrial death metal project of musicans Alex Rise of Tyrant Of Death and Psychotic Pulse and Khaozone’s Candy, is a group that we — mostly me, though I’m sure I’ve fooled Islander into writing at least one blurb about them — have been banging the drum about for a little while now.

The group, a fusion of the two musicians’ love of all things abrasively electronic, alongside a wall-of-sound production style on the guitars and drums, has had the band veering closer and closer to Anaal Nathrakh territory than most groups. They have a handful of releases to their name, among them the full releases Eschaton Discipline and The Art Of Making The Earth Uninhabitable. While the artists behind Kunstzone have been more than happy to hide themselves behind a joking veneer of being Star Trek: TNG crew members, the music released can be described as anything but fun. Continue reading »

Dec 052017
 

 

(DGR reviews the debut album by the Greek band Aetherian.)

The genre-realm that skirts the line between doom and melodic death metal is one that has become increasingly crowded over the years, especially as some of the more long-running groups have rocketed up in popularity. The line between the two blurs constantly, and the bands that walk that path have developed into a very recognizable genre grouping in their own right, with bands like Insomnium having quickly moving to the forefront.

The pacing of most of these bands firmly plants them within the melo-death realm, and Greece’s Aetherian with their debut album, The Untamed Wilderness, don’t stray too far from it. Continue reading »

Nov 292017
 

 

(The Infernal Sea have recently released a new EP, and here we have DGR’s review of its two gruesome tracks.)

The beginning weeks of November brought quite a few interesting things, and among them was the release of a 7″ vinyl known as Agents Of Satan by UK black metal act The Infernal Sea. The two-song EP sees the band descending further into the ghoulish black metal realm, as they’ve continually refined both their sound and their image, evolving from an already fairly mean and white-knuckle rush of black metal written by a group of angry dudes in hoodies armed with plague doctor masks to a fully robed, smoke enveloped getup, with the group giving in fully to the ‘infernal’ side of their name.

It does also prove, however, that the band are big fans of having fans put some effort into scoring their new music, and thanks to the glory of Satan, we have managed to do so… if Satan were the website Cult Never Dies and their stream of the disc. Continue reading »