Feb 042017
 

 

It’s been a crazy week for this half-witted editor. Interferences by my fucking day job coupled with interferences by my non-blogging personal life prevented me from posting any news and new-music round-ups all week. That means I’ve accumulated an enormous list of things since last weekend. Unfortunately, I still won’t have time to catch up this weekend.

I’ve got work I need to do today for an annual event I’m attending tonight with my spouse, and based on past experience, I’ll be in no condition to write anything on Sunday morning. I’ve agreed to post one premiere tomorrow, which I’ll get ready today, but there probably won’t be anything else on the site tomorrow. Maybe the coming week will be less crazy and I can do a delayed Shades of Black thing and/or a “That’s Metal!” post after the new week begins.

Okay, enough with the excuses. On to a regrettably small but diverse collection of new things I noticed last week.

HIDEOUS DIVINITY

When I first started using the title “Seen and Heard“, it was because I intended to include both news about, and artwork from, new albums, even when there was nothing yet to hear, as well as streams of new songs. And I have items in both categories to recommend today in this large collection, beginning with the artwork at the top of this post. Continue reading »

Feb 042014
 

Still catching up on new music I missed over the last couple of days, I’ve compiled this collection of new songs by three European bands that I recommend highly.

MORBID FLESH

I make no secret of the fact that I have a quivering weakness for old-school, reeking-corpse death metal. It’s a genre in which I expect no molds to be broken, but I do want the right spirit and the right flair — faithfulness without tedium. Morbid Flesh from Barcelona, Spain, definitely meet those expectations.

They’ve recorded a new EP under the title Embedded In the Ossuary, which is scheduled for release on March 31 through Germany’s Unholy Prophecies. It caught my eye because of the wonderful cover art (above) by Javi Castaño and because it was recorded, mixed, and mastered by Javi Bastard of Spain’s Graveyard, and he knows a thing or two about old school death metal (Graveyard’s Jordi Gusi is also a member of Morbid Flesh). Recently, Unholy Prophecies began streaming a Morbid Flesh track named “Charnel House”, and I listened to it this morning. Continue reading »