Nov 222022
 

(October 28th brought the release by Church Road Records of a fourth full-length by Germany’s Implore, and in this review DGR provides a lot of reasons to get enthusiastic about it.)

It’s been a little while since we’ve gotten an album as clearly “bookended” as Implore‘s October release The Burden Of Existence, yet one glance at track times alone and it seems like the masterminds behind the metallic chaos that is Implore got a taste for track-sequencing symmetry.

Implore are not the type of band to go on musical journeys or prog-dalliances, so none of the songs on The Burden Of Existence stretch for time in any sense of the word, but it is fun noticing how the group have three of their four longer songs on The Burden Of Existence positioned within the front two and the back two of the lineup. Of course, when you close out an album with a song called “The Sense Of Endings”, maybe room for subtlety is a couple of train stops away from where we are currently – but alas, we’re getting ahead of ourselves here. Continue reading »

Sep 242022
 


Fell Ruin

Yesterday, September 23rd, was the first day of autumn in the northern hemisphere, as defined by the September equinox. And so we begin the inexorable march toward the Winter Solstice (with the autumnal equinox in between, when all the spooks come out).

I thought about focusing today on music with a cloudy and wintry cast, but it still seems too early to be that blinkered in the choices. I also thought about focusing solely on music released on the first day of fall, especially since I did a shit job keeping up with press releases and other sources of new music this past week. It would have been easier just to make selections from the top of the pile. But this morning I did manage to do a lot of catching up, and made some selections from earlier days too.

FELL RUIN (U.S.)

We’ve been waiting with bated breath for something more from this Detroit band over the five long years since the release of their debut album, To the Concrete Drifts. At last that “something more” is here, in the shape of a new album intriguingly named Cast in Oil The Dressed Wrought. Last week brought the first song from the album, “Stain the Field“, along with a video that makes a frighteningly intense and extravagantly twisted song even more nightmarish. Continue reading »

Aug 282022
 

I had a lot of uninterrupted listening time over the last couple of days. For this column, that proved to be both a blessing and a curse — a blessing because it enabled me to wade through a broad swath of new music, a curse because what I found that I wanted to recommend after a lot of winnowing was still A LOT. So, today’s collection may test your endurance.

Coincidentally (or maybe not so coincidentally), there’s a lot of sheer dazzling madness in this collection. I tried to interweave some less insane but still gripping experiences, but it’s nevertheless likely that if you do make your way through everything here, your head will be spinning for a long time after. Today’s music also demonstrates why I called this column “Shades” of black, because there’s not much black metal orthodoxy here.

ENSLAVED (Norway)

I was dubious about the idea of starting the column with a new Enslaved song, because they’re rightfully famous and don’t need any help from us, and because I’ve not fallen in love with their more recent releases to the extent I did with earlier ones. But those doubts were in place before I listened to this new single. After hearing it I thought, how can I NOT begin with it? Continue reading »

Jan 202022
 

 

Here are a half dozen new tracks and videos from forthcoming records that caught my attention over the last 24 hours, and are worth your attention. I think you’ll find that altogether they make for an interconnected playlist that flows well.

KRALLICE (U.S.)

If there is now any kind of reliable forecast for new music from Krallice, it is to expect the unexpected. It seems evident that the many creative forces within the band are simply uninterested in plowing the same furrow twice, and instead they give free rein to what interests them and how they’re feeling at the moment. Like all good mavericks, the impulse to shake things up also seems to be alive and well. Continue reading »

Sep 302019
 

 

(For this month’s Synn Report, Andy delves into the discography of the German band Implore, including their latest full-length, just released by Century Media.)

Recommended for fans of: Nasum,Trap ThemAncst

Sometimes the self-imposed restrictions I’ve put in place around this column do make things a little difficult.

Case in point, simply picking three bands for the “Recommended for fans of…” section above proved to be a surprisingly difficult task, as Implore’s sound could potentially appeal to a wide range of listeners.

At their heart the quartet are a belligerent Death/Grind act, but this description doesn’t tell the full story, as while the speed and structure of the tracks recalls Grindcore godfathers like Nasum and Rotten Sound, and their meaty, Swe-Death guitar tone is equal parts Grave and Dismember, there’s also a distinct Crust/Hardcore element that would appeal to fans of everyone from Earth Crisis to Martyrdöd, as well as a touch of blackened spite reminiscent of Anaal Nathrakh at their grindiest, and some hook-heavy riffs and melodies that aren’t a million miles from At The Gates or Darkest Hour at their punkiest.

But Implore don’t actually sound exactly like any of these bands when all is said and done. They just happen to hit that sweet spot where fans of these bands, if they’re open-minded enough, will be able to appreciate what they do, no matter whereabouts on the Metal spectrum they come from. Continue reading »

Aug 242017
 

 

I know I posted a round-up of new music just yesterday, but there are far more discoveries I’d like to share, and these go a bit deeper into the obscure realms of the underground than the ones I picked yesterday.

Lots of interesting stuff here, so much that I’ve divided this post into two parts. You may need to skip a meal and a bathroom break to get through both parts, but you’ll be glad you did, even if you begin gnawing your fingers and wetting yourselves. That ain’t fake news.

REX DEMONUS

The first band here is Rex Venomous, they are a multinational group, and the debut two-song EP you’re about to hear is Tenetur et Relicta. I looked up those two Latin words, and they translate as “bound and abandoned”. Continue reading »