In “Leviathan,” the philosopher Thomas Hobbes famously wrote that the life of man is “nasty, brutish, and short.” And that pretty much sums up the new LP from Austin’s Mammoth Grinder. Extinction of Humanity is 21 minutes of distorted, stripped-down, feedback-accented, in-your-face, slash-and-sludge mayhem.
If you knew nothing about the band other than its name and that awesome, smoking, skull-faced, album cover above, you’d prudently prepare yourself for some ass-kicking, and you’d be right. Mammoth Grinder has thrown an unusual grab-bag of ingredients into the blender — garage-punk drum rhythms, a mash-up of grindcore pacing and sludgy trudging, harsh vocals somewhere between a hardcore howl and a death-metal growl, and a smorgasboard of heavy, fuzzed-out guitar stylings.
The resulting concoction is massively intoxicating. If you could really drink this venomous brew, it would lead you on the kind of romping binge that leaves you wondering at daylight what the hell you’d done the night before and where all that blood on your hands came from.
To find an analogue to what Extinction of Humanity delivers, scroll back through your catalogue and listen to Wolverine Blues (1993) from Entombed or (not quite as close a fit) Dismember‘s Like An Ever Flowing Stream (1991). Extinction is not strictly old-school death metal, but more like old-school, Swedish-style death ‘n’ roll — except maybe even more visceral in its appeal. (read more after the jump, and listen to a song . . .) Continue reading »