Mar 132016

Solothus-No King Reigns Eternal


Finland’s Solothus made a powerful full-length debut with their 2013 album Summoned From the Void reviewed here) — so powerful that one might not have expected them to climb much higher with their next album. But they have. The new work is named No King Reigns Eternal, and you can listen to it here in its entirety.

The new album blends many of the same ingredients that were present in Summoned From the Void, yet the songwriting is even stronger, the wrenching melodies even more memorable, the guitar performances even more exceptional and varied, and the overall emotional impact of the album even more potent. Continue reading »

Oct 262015



Although we featured quite a lot of music, both new and old, this weekend, we’re far from exhausting our new discoveries. And so we begin the new week with a large collection of recently discovered songs. Most of these are ones that caught my eyes (and ears), and Austin Weber contributes one as well. Coincidentally, every band has a one-word name, which I find pleasing for reasons that make no sense at all.


I’ve been following Sweden’s Kall since mid-2013, initially because I learned that their line-up included members of the late lamented Lifelover, and later because I discovered how good their music is. I was a big fan of last year’s self-titled debut album (reviewed at length here), and I learned this weekend that the band are now working on their second full-length, projected for release before the end of this year via Catatonic State. There’s also a new song from the album available on Bandcamp — and it’s really good. Continue reading »

May 272013

In late 2011 a Finnish band named Solothus released their debut demo, Ritual of the Horned Skull. It drew praise from many reputable sources, but I, being irreparably half-assed, failed to track it down. However, because half of my ass does work reasonably well, I didn’t miss out on a second chance — the chance to hear the band’s forthcoming debut album, Summoned From the Void.

And what do Solothus summon from the void? They summon the gloom of a black storm front, the massive power of a swelling tide, and the chill of a crypt, and they transport all that straight into the listener’s mind — along with melodies both morbid and soulful, and compelling riffs that run the gamut from glacial to galloping.

Some hint of the music’s power comes in the instrumental introductory track, “Frostbane Overture”, as the magisterial sounds of a cathedral organ rise up within the vault, but the peaceful, meditative piano melody that joins the organ music may be a misdirection, for the air soon becomes thick with the atmosphere of doom.

Ancient doom is much of what weights the music — ponderous, booming guitar chords bathed in distortion; anvil-thick bass notes that sound like girders collapsing in slow motion; funereal drumbeats that pound like the steps of giants; bereft melodies moaning the grief of lost souls; and gravelly vocals as deep as ocean trenches, sometimes rising in ghastly howls. It sinks you at the same time as the powerful riffs get your head moving. Continue reading »