Mar 202012
 

Three videos from yesterday, packaged together for your viewing pleasure.

The first is the official video from God Forbid and Victory Records for the song “Where We Come From” off the band’s sixth album, Equilibrium, which is going to drop on March 26. This is the second track released from the album so far, the first being “Don’t Tell Me What To Dream”, which we featured in an earlier post (here). Both songs are strong. Although I thought the first one incorporated some “modernizing” elements, this new one sounds more like what I expected from these metalcore heavyweights. It’s immediately infectious and of course it brings the groove. It’s a fun video, too, transitioning from day-job clips to a live performance at a joint called Dingbatz on February 24.

God Forbid’s North Carolina label mates Wretched also premiered a new video yesterday. Victory seems to be staging the ramp-up to both bands’ albums in tandem (Wretched’s Son of Perdition is due for release on March 27). We included the first track from Wretched’s album in that same previous post that featured “Where We Come From”, because they premiered on the same day, too. The new song is called “Dilated Disappointment”, and it’s a heavy metal blizzard. In fact, it appears to have ionized the atmosphere where the video was shot, leading to an electric storm that matches the conflagration of the music.

The third video is one I discovered thanks to an e-mail tip from Ben C. (Church of the Riff). It’s a visually arresting CGI animated short called Ruin. It depicts airborne mechanized hunters chasing a human (who doesn’t seem to be entirely human) through a post-apocalyptic city. Fortunately, the prey has a Yamaha MT-01 in damned good running order, so he has a fighting chance. I’m not a gamer, so the level of visual detail and realism achieved in the video may be old hat, but it sure wowed me. It was created by Wes Ball and Oddball Animation.

All three videos come right after the jump. Continue reading »

Mar 022012
 

Once upon a time, when metalcore was a new thing, I ate it up, all I could get and as much as I could hold. And one of my favorite bands was God Forbid. My listening tastes have moved off in different directions, but I’ve still got a soft spot for this band, and I’m getting curious about what’s happened to their music. We’re all about to find out, because their sixth album, Equilibrium, is going to drop on March 26 via Victory Records.

The line-up hasn’t changed much since the early days — Dallas Coyle is gone and Matt Wicklund is in — but the world of music has changed a lot since the days of Determination, and God Forbid have done their share of changing along the way, too, with a more dominant thrash attack, jacked up by the head-spinning guitar solo’s of Doc Coyle and even the incorporation of progressive influences. But three years have passed since Earthblood, and I’m wondering where we’ll find God Forbid now.

Well, so far we’ve got two pieces of evidence — a portion of one song called “Cornered” and as of yesterday a full song called “Don’t Tell Me What To Dream”. And I’d certainly say, based on yesterday’s release, that God Forbid have . . . “modernized.”

More thoughts about that, plus the new song, after the jump. Also after the jump is a new song from another Victory band, North Carolina’s Wretched, whose 2010 album Beyond the Gate I praised in this NCS review. They also have a new album due for release — Son of Perdition. Continue reading »

Feb 042012
 

January ended four days ago, so it’s past time for our usual monthly round-up of news about forthcoming albums. I have to confess that this list is even more spotty and sporadically assembled than usual — which is saying something. Various distractions prevented me from keeping a sharp eye out for news about new releases, so I have no doubt this list is incomplete.

Here’s how this round-up usually works: In these METAL IN THE FORGE posts, I collect news blurbs and press releases I’ve seen over the last month about forthcoming new albums from bands we know and like at NCS (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, I cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album earlier than the last 30 days, we probably wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. For example, on this list you won’t see such notable releases as the forthcoming albums from Meshuggah, Enthroned, Unleashed, Psycroptic, Goatwhore, Asphyx, Naglfar, or Autopsy, because we’ve mentioned them elsewhere. Or at least I think we did.

Having said all that, please feel free to leave Comments and tell all of us what I missed when I put this list together. Let us know about albums on the way that  you’re stoked about, even if you don’t see them here! Continue reading »

Dec 142011
 

Yeah, it’s kinda late in the day for another post, but I just saw a press release about a new tour running from March 15 through April 21 of next year that I thought was worth talking about. This tour had been forecast previously, but now we have a concrete schedule. Here’s the line-up:

DevilDriver
The Faceless
Dying Fetus
Job For A Cowboy
3 Inches of Blood
Impending Doom
Wretched

Why is this interesting? Well, first of all, it should be loaded with new music. The Faceless is currently putting the finishing touches on its third album for a tentative February release on Sumerian. Stands to reason that they’ll be performing songs from that album. I’ll be curious to hear it, because guitarist Michael Keene has described the CD as “the most musical and progressive record we’ve made” and says the songs will be more focused “on musicality and making an expressive, unique, moody and expansive record.”

On top of that, Dying Fetus is currently recording a new album. It’s not projected for release until the middle of next year on Relapse, but they will clearly be finished with the recording before hitting the road on this tour, and so we can expect new songs from them, too. And that’s not all. Continue reading »

Aug 092010
 

Just when we were beginning to think it was a law that all metal bands from North Carolina south to the Florida border had to sound like Mastodon or Baroness, we discovered Wretched and their new album Beyond the Gate (with that very cool Dan Seagrave album cover). Not that we have anything against Mastodon or Baroness. In fact, we’re fans. But Wretched ain’t cut from that cloth, not by a long shot.

Instead, in their new album on Victory Records, North Carolina’s Wretched are wearing the mantle of melodic, technical death metal with some interesting progressive threads woven into the fabric. Think about bands like The Faceless, Veil of Maya, and Black Dahlia Murder, and you’ll start to get close to Wretched’s musical territory. But there are also some big surprises in store.

Seven of the album’s 11 songs are fast-paced and feature shuddering rhythms with jolting staccato bass lines and weaponlike drumming, intricate math-metal riffs, and fire-breathing guitar leads and solos. The vocals are predominantly mid-range growlers, but they occasionally drop lower or vault higher into cutting shrieks.

But those seven songs aren’t simply exhibits in a case of “let me prove how fast I can play.” They’re actual songs, with structure and melody, that happen to be executed with a lot of fancy fretwork and blazing double-kicks. Wretched also spices up a few of those songs with some attention-grabbing surprises, like the brief extract from a Cuban folk song at the end of “Birthing Sloth” or the cello-and-guitar outro at the conclusion of “The Talisman”.

But there are four songs left to be discussed. They’re all instrumentals, and they’re not at all what you would expect from the musical style of the other seven.  (more after the jump, including a sample track and more examples of Dan Seagrave’s eye-catching album covers . . .) Continue reading »

Jul 012010
 

Another month has ended, and like a drug-resistant strain of sexually transmitted disease, we’re still here.

And because we’re now a full six months into 2010, it’s time for another monthly update to the list of forthcoming new albums we first posted on January 1. (All the other updates can be found via the “Forthcoming Albums” category link on the right side of our pages.) Below is a list of still more projected new releases we didn’t know about at the time of our previous updates, or updated info about some of the previously noted releases.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Perhaps needless to say, these are bands that mostly fit the profile of music we cover on this site — the kind that would like to tear your head off.

So, in alphabetical order, here’s our list of cut-and-pasted blurbs from various sources since our last update about forthcoming new releases. Look for the bands you like and put reminders on your calendar. Or if you’re like us, just stick post-it notes on your forehead. Of course, if your foreheads are the low, sloping kind, you may only have room for a few, so be choosy.

BURDEN OF GRIEF: “German melodic death/thrash metallers BURDEN OF GRIEF will release their new album, Follow The Flames, on July 2 in Europe via Massacre Records. The follow-up to 2007’s Death End Road will contain 10 new songs. The limited-edition version of the CD will include a bonus disc featuring cover versions of eight metal classics.”

CEPHALIC CARNAGE: “Denver, Colorado-based technical death/grind metallers CEPHALIC CARNAGE have set Misled By Certainty as the title of their new album, due on August 31 via Relapse Records. The follow-up to 2007’s Xenosapien was recorded at the band’s own studio with longtime engineer/producer Dave Otero. The CD is described in a press release as a ’50-plus-minute journey into metal’s most extreme realms’ which ‘see[s] these veterans takes it to edge before pulling it back with ‘Repangea’, perhaps their most sprawling and epic work to date.'”

(lots more after the jump . . .) Continue reading »