Jan 292011

The March issue of DECIBEL magazine arrived a couple days ago at the NCS island. There on the cover was a photo of a smiling Chuck Schuldiner licking blood from a nasty cut on his finger. And to commemorate the magazine’s 12-page oral history of Death, the issue included a “Flexi” disk recording of Boston’s Revocation covering “Pull the Plug” from Death’s 1988 album, Leprosy.

I stared at that Flexi disk for a few minutes, trying to think what to do with it.  I tried to shove it into my computer’s CD drive, but it was too big. I shook it really hard and held it up to my ear, but no music came out of it. I even chewed on it, but it still wouldn’t give up its secrets. Slowly, it dawned on me that this thing was meant for a turntable — y’know, those things that make stuff spin around and around, with an arm that holds a needle that somehow makes sound come out of the spinning things?

Problem is, we don’t have any turntables here at NCS. So that Flexi disk is destined to go through life as a coaster.

Then, just as I was resigning myself to having to imagine what “Pull the Plug” would sound like as performed by Revocation, that dim bulb in my head flared briefly and I remembered an e-mail I’d gotten earlier in the week from NCS contributor BadWolf telling me that the Revocation song was streaming over at MetalSucks. I hadn’t been anyplace where I could listen when that e-mail arrived, and then I just forgot about it. So I guess that Flexi disk served a purpose after all.

If you happened to miss that song-stream over at MS, don’t make the same mistake twice — you can stream the song here, right after the jump, and you should, because, to use a journalistic term of art, it’s hot shit.

May 202010

Job For A Cowboy, Whitechapel, Cattle DecapitationRevocation, and I Declare War hit Seattle hard on JFAC’s current Ruination tour on the night of May 18 at El Corazon. All three of your NCS collaborators turned out for the carnage and we file this somewhat incomplete report, along with a somewhat incomplete batch of our half-assed photos (be sure to scroll to the end of the review to see those).

Somewhat incomplete, because we had to leave before JFAC’s set. Maybe if we were being paid to run this site, we’d have stayed to the bitter end, but the people who actually do pay us were expecting our asses to show up on time early the next morning. Life is full of fucking compromises, isn’t it?.

I DECLARE WAR

Well, what can we say? It’s just so fucking cool to see our local boys making good. As we reported here back in March, IDW has signed with Artery Recordings and has a new album (Malevolence) due out on June 8, with two of the songs currently streaming on their MySpace page. They played some dates earlier this month in California with Whitechapel and Son of Aurelius, and next month they start a nationwide tour with Molotov Solution, Dr. Acula, and Monsters.

But this night was a show for the home folks — something of a coming-out since the news of their label-signing, and man, did the home folks turn out. El Corazon was packed to the gills in time for the first chord of IDW’s first song, and they showed these hard-working, hard-playing dudes a lotta love.  (more after the jump . . .)

Jan 272010

We have seen the future of extreme metal, and it is bright!

The METAL AS ART tour featuring Hypno5e, Revocation, and The Binary Code is one we’ve been waiting for with bated breath for months. We’ve been curious about Hypno5e and huge fans of Revocation and The Binary Code for a while now (we’ve written about our admiration for Revocation here and The Binary Code here and here).

On January 26, the wait ended as the tour rolled into Seattle’s Studio Seven, with support from local band 7 Horns 7 Eyes — which was the biggest revelation of the night — and two of your NCS Authors were there.

This was, bar none, one of the best shows from end to end that we’ve seen in many moons. These are young bands that are capable of carrying the future of extreme metal on their shoulders.  If merit counts for anything (and unfortunately, it doesn’t always), these hard-working dudes will find a place in the vanguard and the kind of widespread notice they deserve.

For our detailed review of the performances and a big collection of our amateurish photos, continue on after the jump . . . .

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