Feb 222014
 

artwork by Kati Astraeir, which has nothing to do with this post

The subjects of this post are a bit awkward for me to discuss, but they’ve been on my mind lately and the more I can get off my mind and put onto yours, the more light-headed I’ll feel. So here goes:

Premiering new music or new videos is something that music sites and metal blogs like to do. Premieres are publicized by the people who get to do them and by the bands, as well as by labels and PR agents, if they’re in the picture for a particular release. That drives traffic to the sites who get to host the premiere. When you get to premiere a music or video, you also have the pleasure of sharing something you like (though I guess some sites will premiere music regardless of what they think of it).

You’ll notice that a lot of sites prominently use the word “exclusive” when they do a premiere. When used correctly, “exclusive” means that the site in question is the sole source for the music — you can listen to the premiere at that location, and nowhere else. In some cases the exclusivity period may not last long — the band or label may upload the music somewhere else a day or two later — but sometimes it may last for weeks or even longer.

The way to ensure exclusivity is to premiere the music in an embedded player that can’t be copied and embedded by anyone else. For example, if you upload music to SoundCloud for streaming, you have the option of disabling the “share” feature that allows other people to copy the embed code and use the widget to stream the song or album on their own sites or blogs. Why do people do this? Continue reading »

Feb 212014
 

I apologize for the lack of creativity in the title of today’s (somewhat) alliterative round-up, but since everything I’ve selected comes in video form it seemed logical. I thought about “Friday Phlegm”, but not all the vocals in these babies are phlegmy. There are actually a lot of exceptions to our rule in here.

ASTROPHOBOS

The name of this first song and video is “Soul Disruptor”, and that’s truth in advertising. It comes from the debut album Remnants of Forgotten Horrors by the Swedish black metal band Astrophobos. The album was released last month by Triumvirate Records and is now available on Bandcamp.

I’ve not heard the whole album, but I have read Madame X’s review of it at Angry Metal Guy, and her comparisons to Naglfar and Dissection seem spot-on based on “Soul Disruptor” (and by the way, those are stellar bands with which to be compared, in my book). The music is both searing and melodic, both skin-scarring and blood-pumping. And the video is quote good, too — as long as you’re not prone to epileptic seizures or subliminal suggestion. Continue reading »

Feb 212014
 

Now this is some truly heart-warming news, at least for my black heart. The organizers of PAGANFEST AMERICA PART V have just announced the schedule of dates — which I will share with you in a moment. But first, here are five reasons why this is worth noticing:

Korpiklaani:  They are a band that I think are worth seeing whenever the opportunity presents itself. It doesn’t even matter if their music isn’t in your regular rotation. I’ve seen them twice, and I’m completely sold. Jonne Järvelä is a magnetic, high-energy, infectiously good-natured frontman, the smiling Buddha-like bass-player Jarkko Aaltonen has an epic beard, they sing a lot about drinking, and they know how to rock the fuck out in a live setting.

Turisas: Never seen them, but based on concert videos I’ve watched, I’m betting they will be tons of fun too.

Chthonic: Their last two albums are really good (I hadn’t fully climbed on the Chthonic bandwagon before then), and based on videos, they also look like they know how to put on a kickass show. Continue reading »

Feb 212014
 

(Our man BadWolf did this interesting interview with Ringworm’s screamer and lyricist, Human Furnace. We’re also streaming some new Ringworm jams at the end.)

The Human Furnace has a lot going for him: the best stage name in heavy music, a voice to match, and a new album, Hammer of the Witch, coming out on Relapse. For those not in the know, HF fronts Ringworm, a seminal Cleveland band with formal ties to Hatebreed and Terror. For what it’s worth, I like Ringworm’s take on metallic hardcore better than those other bands—it’s more vicious, and less focused on sing-along breakdowns, even though Furnace and company bring the hooks on Hammer of the Witch with songs like “One of Us is Going to Have to Die.”

Furnace is the only consistent member of Ringworm—the band dropped a required listen with 1993’s The Promise, and then split for most of a decade when some of Furnace’s cohorts went on to join the mighty Integrity before the band re-united in the early aughts. Ringworm’s been going strong since, and a lot of that has to do with Furnace’s powerful pipes and tireless work ethic. We chatted about being a ‘head from the Midwest, the blurred lines between metal and hardcore, and how he keeps his voice in tip-top shape (hint: it’s nothing good).

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Continue reading »

Feb 212014
 

To be clear, Tourniquets, Hacksaws And Graves is the name of the seventh studio excrescence by the mighty Autopsy. The deliciously disgusting album art (by Wes Benscoter) was unveiled today, showing the creative use of intestines as a tourniquet before the amputation begins.

Also revealed today: the release date — April 21 (via Peaceville).

“Once again bone crushingly heavy nightmares await…. Tourniquets, Hacksaws and Graves will awaken the most depraved part of the coldest zombie’s stare…..blood will flow, brains will be destroyed, coffin lids will be opened….”  That’s what the band say. I believe every word of it, too. Extremely eager for this.

And that.  Is all.  (except for this new band photo: Continue reading »

Feb 212014
 

Thou’s new album, Heathen, has range, but it’s something like the range between the horror of death and an almost peaceful acceptance of its inevitability, between the looming cataclysm and a halting spiritual perception of something that will outlast it — or at least the lesson learned that the finite minutes we have now are worth seizing for all they are worth, and that it is pain which grounds us in what is important.

Heathen is this Louisiana band’s fourth full album and the first since 2010’s Summit. They haven’t been idle during the years in between, producing an assortment of EPs and splits along the way. But Heathen is a monolithic effort — an hour and fifteen minutes of music. It’s a lot to take in, and not simply because of the time required. It taxes your well-being. It drags you down. It’s so crushingly dark, so heavy, and so wholly engulfing in its doomed atmospherics that it ought to come with a warning to the emotionally fragile.

And yet just when you think you’re going to sink beneath the waves, Thou throw you a life preserver, a little something to lighten the load, if only briefly. The immaculate weaving together of those two strands — the sense of drowning and the grasp of a lifeline to the surface — that’s what makes Heathen such a compelling experience. Continue reading »

Feb 202014
 

(Our friend Austin Weber returns with another collection of short reviews, with album and song streams.)

While 2014 doesn’t appear to have as many big league releases coming thus far, new and upcoming bands of all stripes will no doubt fill the void in quality. What follows are a smattering of different songs to hear and love or hate. Hate is more fun, but who knows maybe you will find something you enjoy?

HANNES GROSSMANNTHE RADIAL COVENANT

Over the last few years, I’ve witnessed numerous metal writers describe a band as sounding like Obscura. Whether or not that’s true, the point remains that it’s hard to get more Obscura-sounding than Hannes Grossmann, because duh, he is in Obscura. The Radial Covenant is his first solo record, written entirely by him, and accompanied by a jaw-dropping assortment of metal gods and legends. The album was crowdfunded into existence and just recently released. I should not need to explain how beyond-badass the ripping technical and melodic death metal core of The Radial Covenant is, though the experimental and progressive sides to the record are just as phenomenal. This is a higher quality death metal release than most of what’s coming out right now. So go buy it now, don’t be a late adopter. Continue reading »

Feb 202014
 

As you can see, I’ve decided to forge ahead with alliterative titles for the daily music round-ups this week. Lucky for you, there are only two more days in the week after today. Also lucky for you, I have found five pleasurable new songs over the last 24 hours that will put you in a chokehold, kind of like erotic asphyxiation.

PILGRIM

This Rhode Island duo’s 2012 debut album Misery Wizards turned a lot of heads, and now Metal Blade is primed to release their second album — II: Void Worship — on April 1 (a few days earlier in Europe). I was attracted to this news by the colorfully killer album art by Adam Burke, and that in turn led me to explore the album’s first advance track, “The Paladin”.

Whereas Misery Wizards was largely a crawling, bludgeoning behemoth of classic doom, “The Paladin” rocks very fuckin’ hard, driven by utterly filthy and utterly irresistible riffs. It’s a smoking, chugging steamroller of a song, with The Wizard’s wailing vocals riding over the top like a ring-wraith. The doom isn’t gone, but it’s been super-charged. This one is already on my list of candidates for 2014’s most infectious songs. Continue reading »

Feb 202014
 

Are you sitting down?  You should sit down before reading further.  Sweden’s revered Bloodbath added a note on their Facebook page earlier this morning. I’ll share it at the end of this post. In a nutshell, it indicates that Bloodbath have written 10 new songs and will begin the recording process next month. And that should mean we will have a new Bloodbath album in 2014, the first one since 2008’s The Fathomless Mastery.

Based on the note, it’s apparent that there will also be a new vocalist on this album — one who is neither Mikael Åkerfeldt nor Peter Tägtgren. The Facebook note provides clues to the new vocalist’s year of birth by listing a string of deadly disasters, ending with the statement, “The new singer for Bloodbath is born. Oh dear”.

To save you a bit of time, all of the listed disasters occurred in 1971. To save you a further bit of time, I’ve listed after the jump the names of some vocalists born in 1971, identified through my own half-assed research. I will say that the most likely candidate from the names I’ve found is Jörgen Sandström — who is currently the vocalist for my beloved Torture Division and also the vocalist/bassist for The Project Hate MCMXCIX (he also provided vocals, bass, and guitar for Grave on their first three albums and also played bass with Entombed from 1997-2004). Continue reading »

Feb 202014
 

(We welcome back guest contributor and fellow blogger BreadGod with a trio of reviews.)

UrzeitUrzeit

Urzeit is a brand new black metal band from Portland, Oregon that released their first demo just a month ago. Urzeit is German for “prehistoric times”. Quite an appropriate name, as this band plays music that is vicious and primitive.

The production is wonderfully raw. The distortion is cold and abrasive. It’s a perfect homage to the D.I.Y. analog production that was a mainstay of early 90s black metal. The music is also a perfect homage to early 90s black metal. The drums are an avalanche of rage and destruction. They constantly switch between savage blast beats and mid-paced rhythms that sound almost punk-like in nature. I especially love the cymbals. They help to add an extra amount of dissonance to what is already a chaotic experience.

The vocals are pain incarnate. They consist of a sick rasp that is cloaked in ghostly reverb. Let me tell you that this guy’s performance is absolutely bone-chilling. It sounds like the sickening calls of a thousand spirits from the distant past. The guitars are excellent as well. The riffs are cold, simple, and ravenous. Like the drums, they sometimes sound punk-like in nature. They also play plenty of riffs that sound like they were pulled straight from early 90s Norway. If you ask me, more black metal bands need to play great riffs like this. Continue reading »