Sep 262019


(This is the eighth installment in an extensive series of posts by TheMadIsraeli devoted to a retrospective analysis of the discography of Slayer, and today’s subject is the band’s 1994 album Divine Intervention. Links to the preceding installments are at the end of this post. Our plan is to continue posting the remaining Parts on a daily basis until the series is completed.)

I’ve always perceived Divine Intervention as Slayer’s black sheep sort of release.  It’s an odd album to be sure, seeing Slayer write more tempo-complex songs, explore more death metal sorts of sounds, and adopt some of the other sounds they themselves had inspired in others.

But I like Divine Intervention quite a bit.  It’s weird, and Slayer have always been pretty good about being weird the few times they’ve done it.  There’s something unhinged about this album, and that lines up with a lot of the really bleak and depraved lyrical content.  There’s a lot of shit about serial killers on this album, and the album SOUNDS like the subject matter it addresses.  It’s sick.  It also helps that Tom Araya just sounds PISSED on this record, a tonality he’s never had before. He also sounds unhinged.



Divine Intervention stands out because of its approach to riffing. There’s some disgusting, depraved nonsense on this record like the lunatic “Sex, Murder, Art”, and even when the band are playing more to their comfort zone, they’re trying new things in rhythm and tempo, such as opener “Killing Fields” with its verse that sounds like the band could come apart at any moment.  It’s a killer ambiguous groove that you can never quite find the center of. The more death metal technical flare and groove of “Fictional Reality” is a good time as well.

This album really stands out, though, when it comes to the songs where the band just absolutely lose their minds.  The previously mentioned “Sex, Murder, Art”, the serial killer bloodlust insanity of “Dittohead”, “Serenity In Murder”, or closer “Mind Control” are really where this album shines.  It does lead to a somewhat uneven experience, however, because when the band touch back to more traditional Slayer material, like the title track “Divine Intervention” or “SS-3“, it can feel jarring.  However, that may actually be the point of the record and I’m just missing it.  Divine Intervention does contain one of Slayer’s all-time best slow burners though in the brooding “213“.

A lot of what you hear on this album is interesting in hindsight, being able to view the band’s entire discography now.  This is the last gasp of traditional Slayer, sound-wise, and I think it was a pretty good victory cry for the band’s thrash roots. It can be a tad bit uneven, but it’s a very underrated record because it includes some of Slayer’s best songs.

I also want to close this review by talking about Undisputed Attitude, because I think it frames a lot of what Slayer would go on to do with future releases.

I’m not going to review Undisputed Attitude since it’s a covers album, but it does tell you everything about how the next couple of Slayer albums would pan out. It’s a hardcore covers album, ranging from everything from punk to NYHC to just about the whole spectrum of the style. While people have, in my mind, unjustifiably pegged what Slayer would go on to do in the future as nu-metal, I think these people completely missed the fact that Slayer just went on a tear of incorporating a massive dose of hardcore into their sound.  A transition that would produce ambitious, if mixed results.


PART 1 (Intro)

PART 2 (Show No Mercy)

PART 3 (Haunting the Chapel)

PART 4 (Hell Awaits)

PART 5 (Reign In Blood)

PART 6 (South of Heaven)

PART 7 (Seasons In the Abyss)





  1. When I heard Lombardo was no longer in Slayer I was confused as to what had happened and pissed because my Beatles had lost their Ringo. Looking at the album credits, I had no idea who this Bostaph guy was, and I was extremely skeptical that anyone could fill Lombardo’s shoes.
    It only took a few seconds into the opening track to change my mind, because Bostaph was obviously a fucking beast on drums. It sounded like he was beating the shit out of his kit. And the songs were different as well, much heavier and darker than the past couple albums. I ended up loving Divine Intervention, and it proved that Slayer could withstand changes in their lineup.

  2. I hate replacing original members but slayer killed it with Bostaph and Holt. They brought energy to an already awesome lineup.

  3. 1 of my favs!

  4. First slayer to today’s slayer is the best thing that came about for the hard core thrashing metal there is and always will be , 55 year’s old and still keeping it real !

  5. This album got me into metal when it came out, I was a punk rock dude, and one of my homies showed this to me. It scratched the harder faster itch I had and opened the door. Truly grateful for something I had no idea I needed. Music is a huge part of my life, and metal makes me fucking happy.

  6. Undisputed Attitude’s last track, Gemini, is actually my absolute personal favorite Slayer tune, and has been covered on percussion with serious verve by Delta Empire. What makes the song really creepy is the fact that so many prolific serial killers were actually born in the time of the year that the sign covers, and the song’s lyrics were written from a serial killers POV, based mostly on the twisted ravings of the Zodiac, who seems to still be at large.

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