Andy Synn

Nov 282022
 

(Andy Synn goes to war once more with the music of Imha Tarikat)

While you’re reading this there’s a good chance I’ll be attending a funeral for one of my oldest, dearest friends.

As you might imagine, feelings have been running high ever since his death, and each of us who knew and loved him have had to find our own way to deal with his loss.

Perhaps unsurprisingly I have been turning to music, even more so than usual, as a conduit for my emotions, and Hearts Unchained – At War With a Passionless World has been one of the albums I have returned to most frequently over the past several weeks.

Of course, I’d like to think that I’d have listened to this record just as much even without this tragedy occurring (after all, I was a huge fan of the group’s previous work and have been looking forward to this one ever since), but sometimes an album hits you at just the right moment, in just the right way, to resonate even more deeply.

And this is one of those times.

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Nov 232022
 

(Andy Synn gets riffy with the new album from Sweden’s Vittra)

As we inch closer and closer to the end of the year time is running out for us here at NCS, and tough decisions are having to be made about what, and who, we can cover before “List Season” officially begins.

To be clear, I’ll still be writing and publishing reviews throughout December – mostly of things that I wasn’t able to get to over the last twelve months and which I think deserve more coverage and attention – but probably not as many as usual (the next couple of weeks are going to be particularly hectic and stressful for me, for various reasons, so I intend to take a well deserved rest from work, writing, and everything else).

Until then, however… let’s all enjoy some catchy-as-covid Death/Thrash riffage courtesy of Vittra and their new album, Blasphemy Blues.

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Nov 172022
 

(Andy Synn brings you some multi-national mayhem courtesy of Inverted Matter)

There are many, many things I love about Metal.

But one of the biggest is that there’s always something new to discover, a new artist or album to uncover that you’ve previously overlooked, so it’s practically impossible to get bored or jaded (emphasis on “practically”).

Take Inverted Matter, for example.

This multinational menagerie of misfits, monsters, and mercenaries (whose ranks include Defacement drummer Marco Dal pastro – putting in yet another pulverising percussive performance here) are brand new to me, despite the fact that they released their debut album, Detach, way back in 2017.

But, better late than never, right? And now that I’ve discovered them it’s time for me to pay it forward and introduce them to some of you in turn.

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Nov 162022
 

(Andy Synn goes on a juicy Prog-Metal journey with the new album from Montreal’s Ashbreather)

While we’re not averse to writing about some of the bigger names in Metal here at NCS – though this year, if I’m not wrong, we’ve actually chosen not to feature several of the “big” names, due to the fact that they get more than enough coverage already – our focus is always on showcasing and supporting the work of those bands who might otherwise fly under the radar (at least in terms of the wider Metal scene).

So, in that spirit, today we’re turning to a cinematic, single-track concept album by a Canadian trio whose music is best described at “Progressive Sludge”, with a heavy emphasis on the “Progressive” part of the equation, and a penchant for throwing in some unexpected creative twists along the way.

Enjoy!

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Nov 142022
 

(Andy Synn gives Dream Unending another chance to win him over with their new album)

If you know anything about us here at NCS – beyond our charm, good lucks, and our unwavering loyalty (and, yes, I am riffing on a previous intro, what of it?) – you’ll know that we’re not afraid to admit when we’re wrong.

That being said, I still stand by my decision to include Dream Unending‘s first album in my list of the most “Disappointing” albums of 2021 as, while I didn’t hate it by any means, the amount of hype around it was completely unjustified.

It wasn’t really the band’s fault, to be fair, but, from the reactions by some of the Metal Media (a lot of which seemed content to just lazily regurgitate the press materials) you might have thought that they were the first (and only) band to ever consider combining the dolorous heft of Doom with the dreamy dynamics of Post-Metal (or that Paradise Lost had never existed).

However, I am happy to report – very happy, as a matter of fact, as I always felt this project had promise, despite being so critical of their debut – that Song of Salvation is a huge step up, and a huge step forward, that just might live up to most (if not all) of the hype around the band.

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Nov 102022
 

Exactly what constitutes the precise definition of “Technical” Death Metal is a controversial topic at the best of times.

After all, doesn’t Death Metal – above a certain number of bpm, at least – actively require a certain amount of technical talent to properly pull it off?

And where exactly does one draw the line? After all, no-one would go around referring to Cannibal Corpse as “Technical Death Metal”, obviously, but many of their riffs (and particularly their bass-lines) are pretty finger-flensing, while Dying Fetus (to pick another “big name” out of the hat) are pretty famous for their face-melting fretwork but are arguably just as well-known for their willing embrace of bone-headed brutality.

Perhaps it’s just an age thing – maybe some of today’s “Technical Death Metal” bands wouldn’t have been referred to as such “back in the day” – or maybe there’s more to it than that.

Whatever the answer is… I don’t have it for you here. But I do recommend you check out all three of the artists/albums featured in today’s article, whether you’re a fan of “Technical” Death Metal or not.

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Nov 082022
 

(Andy Synn is here to host our premiere of the new album from Fell Ruin, out this Friday via Tartarus Records.)

One thing everybody knows about us here at NCS is that – in addition to our dashing good looks and stunning sexual prowess – we are loyal.

If we write about your band and like what you do then we’re prepared to wait as long as it takes to hear more from you.

Case in point, Fell Ruin‘s debut album, To The Concrete Drifts, hit me like… well… like a tonne of concrete when it was released back in 2017, so when we were asked if we wanted to host the premiere of the band’s long-gestating follow-up I immediately jumped at the chance to do so.

After all, I’ve had Cast in Oil… for a while now, and since I had already planned to review it this week it just made sense to take advantage of this offer.

A word of warning though – the band’s second album is a far different beast than its predecessor. So expect the unexpected.

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Nov 072022
 

(Andy Synn has a lot to say about Til Klovers Takt, the new album from Black Metal icons Kampfar, set for release by Indie Recordings on November 11th.)

It is often true, in Black Metal as much as any other genre, that the “best” bands don’t always become the “biggest” bands (and vice versa).

That’s not necessarily an attempt to belittle those acts and artists who – whether by luck, graft, or demonic intervention – have risen to the top, but it’s patently obvious (to me, anyway) that quality and popularity aren’t always correlated.

Case in point, having seen Kampfar perform multiple live shows which, in a just world, would long since have qualified them as festival headliners, and having lavished well-deserved praise on their recorded output for years now, it still galls me – as a fan of the band, and a fan of good music in general – to continually see them overlooked and ignored in favour of (arguably) lesser acts who are simply better at “playing the game”.

Let’s face it, seemingly ageless frontman (and veritable force of nature) Dolk, both live and on record, possesses the sort of natural charisma that other, more attention-hungry figures (naming no names) have clearly had to practice and rehearse very hard to achieve (or, at least, to fake), while the entire band have continually, and consistently, demonstrated themselves to be undisputed masters at crafting epic, instantly-infectious Black Metal anthems whose intensity, and integrity, is beyond reproach.

But, for whatever reasons, it still feels like the Norwegian quarter don’t get anywhere near the respect, or the acclaim, that they deserve.

Let’s hope that Til Klovers Takt will change that. Because it’s about damn time.

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Nov 032022
 

(Andy Synn has four more recommendations of albums and artists you may have overlooked recently)

As we gallop towards the end of another year, the vast pile of albums that I haven’t found time to listen to has now become so threateningly large that I may well end up crushed under the sheer (meta)physical weight of all the music I’ve missed out on.

Still, I’ve tried my best to cover as much of this year’s musical crop as I possibly can, and I think that – come December – you won’t have that much cause to complain, as my current shortlist (actually, that should probably read “shortlist”, since there’s nothing “short” about it) of albums and EPs to include is several hundred long (though the final number will doubtless fluctuate a bit as new releases are added and some are removed because I don’t think I gave them enough time/consideration to form a proper opinion).

And four of those that will definitely be included – some of them pretty prominently, let me tell you now – are included here today.

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Nov 012022
 

(Andy Synn basks in the splendour of the new Disillusion album, out Friday on Prophecy Productions)

How exactly does one follow up an album which not only catapulted you back into the public eye after years of absence, but which was also – according to some people – on a par with the best thing you’ve ever done?

Well, the best course of action – if the upcoming new record from resurgent Prog-Metal powerhouse Disillusion is anything to go by – is that you don’t… or, more specifically, you don’t try to compete with yourselves.

Instead you take your time, follow your creative muse, and calmly (and confidently) continue to produce some of the very best work of your career.

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