Mar 222021
 

 

(We present Aleksha McLoughlin’s review of the new album by the British melancholic black metal band Abandoned By Light, just released last week.)

There are few names as prolific in British black metal than Sheffield’s Abandoned by Light, a one-man project that for eight years has been putting out a steady stream of solid records, with this newest one being the ninth overall, and the best effort yet. I must disclose that I have worked on records with Karhmul, but that does not cloud my judgement.

People may remember this project for its origins as a DSBM band, but in recent years Abandoned by Light has shifted over to a melancholic sound. This was done in order to break away from the genre staples of depressive black metal, as many of these songs have a much faster tempo and increased aggression, without sacrificing the intensity.

Like some other Abandoned by Light albums such as The Angel Experiment, one of the band’s most well-regarded releases, Gentle is a concept album, in this instance based upon the 1951 Dylan Thomas poem of the same name, with various references throughout. Continue reading »

Mar 222021
 

 

The New York band Grey Skies Fallen first took shape in 1996 under the name Eve of Mourning before adopting their current moniker the following year. In the quarter-century since then they’ve released a pair of EPs and five albums. The last of those full-lengths, Cold Dead Lands, first saw the light of day in January of last year, with an independent digital release and a CD release by Old Souls Collective. But the album is about to be jointly reissued by GrimmDistribution with Paragon Records and More Hate Productions, and we’re helping to spread the word about that by featuring the album’s title track today.

And so this is one of those situations that isn’t a true premiere, though it will undoubtedly be the first time some of you have heard the song, and thus hopefully will provide a good introduction to newcomers about the immense sonic and emotional power of the record in advance of the April 8th reissue. Continue reading »

Mar 182021
 


Spanish Love Songs

 

(Seb Painchaud, the main man behind the Montréal band Tumbleweed Dealer, has very expansive and eclectic musical tastes, which is one reason why for five years in a row we’ve asked him to share a year-end list with us. He did that for 2020 (here), but as explained below he has found some other (mainly non-metal) 2020 releases he wants to recommend.)

As you might have noticed reading my year-end list, I wasn’t in a very good place mentally when I wrote it. Reflecting upon such a shitty year amidst attempts to make holiday plans around the pandemic and knowing the disappointment that was in store for my kid made what is usually the highlight of my year turn into a chore. Even the wife remarked that I’m usually in a great mood afterward and looking forward to it being published, when this year I seemed to power through it like a chore and be happy to just have it done with. I did, and I was.

Seasonal depression had met OCD-induced anxiety and they both basked in my negative outlook as I tried to find something good to say about anything that happened in the last twelve months.

The year itself, other than the plague-filled mess it became, was also a reaction to a 2019 spent scouring new releases where I honestly just wanted to jam some familiar classics. The year-end lists filled me with dread rather than glee, and that was just one more thing that COVID had taken away from me. I gotta admit, I didn’t put in the time I usually do to compile the list, and just didn’t listen to as much new music as I did in previous years.

After a beginning of 2021 spent ignoring all recent albums and basking in nostalgia, my passion for seeking out new stuff has returned, and I’m now realizing 2020 had some damn good releases I just plain slept on. Some I missed completely, some I passed on after too quick of a listen, and some just didn’t click at the time.

So here are 10 albums I slept on last year that you need to check out: Continue reading »

Mar 132021
 

 

I’m going to indulge myself and let you know what’s recently been going on behind the scenes here at our putrid site before we get to the music below.

As I moaned and bitched about over the last couple of weeks, I have indeed been crushed by a project for my day job. For many days last week I couldn’t do anything but write premieres I had promised to do, and for two of those days I couldn’t even do that. Thankfully, Andy Synn stepped in and did the editing and posting of some things written by others (and by himself) so that the site didn’t go dark.

While consumed by work, I couldn’t even pay much attention to our email or announcements on social media and music-related messages from friends. But the worst part of that project ended yesterday, and I did a little catching up (just a few days’ worth), enough that I made a list of 47 songs and videos to check out (I’m not making that up). Of course I’ve only randomly jumped around in that list. I’ll probably never get to the rest of it, much less everything else that came out while I was missing in action. From that random darting around I picked the following songs and videos. Continue reading »

Mar 032021
 

 

(This is Andy Synn‘s review of the new album by the Portuguese band Sullen, which will be released on March 5th.)

Despite our site’s somewhat controversial (and, let’s face it, slightly inaccurate) name, there are definitely some of those among our regular readers who actively look forward to the times when we recommend something that falls more on the melodic, harmonious, side of the Metal spectrum.

Recent years have seen us singing (no pun intended) the praises of bands such as Arctic Sleep and Ecclesia, Klone and Close the Hatch, Astronoid and Sinistro, and it was just a few short month ago that I declared the new Protest the Hero album to be one of the very best records of 2020.

All of which, I suppose, is my way of saying that while we don’t go to the clean-singing well that often, when we do it’s because we think it’s something you’ll really like.

Something like the brand new album from Portuguese prog-metallers Sullen. Continue reading »

Feb 132021
 

 

Happy Valentine’s Day to one and all (a day early, as Mr. Synn reminds me), including those of you who’ve had all the romance beaten out of you by life’s misfortunes. With black hearts and wilted flowers, I bring you the following musical gifts, some of them nastier than rabid wolves, some of them as beautiful as an alabaster corpse, some of them wilder and more destructive than a cyclone.

I started the day as usual, venturing onto my outdoor deck, bleary-eyed and clutching coffee, yearning for a couple of smokes. What greeted me was the sight of the forest around our island home blanketed in about five inches of snow that had fallen overnight, quiet, grey, and cold. The next thing that greeted me on my phone was a message that gave me the way to launch this round-up.

CHAINSWORD (Poland)

The message waiting for me on my phone as I smoked and caffeinated was from my Norwegian friend eiterorm. He wrote: “Can you please do a review so that this album cover is the header image for the blog?  There is so much going on in that artwork, but my favorite thing is obviously the five-nipple pentagram chain”. I replied: “Your wish is my command.” Continue reading »

Feb 112021
 

 

2016 was the year in which Boston-based Aversed released their last record, an EP named Renewal, which followed the band’s 2011 self-titled EP. In the years since then the band’s members focused primarily on their other projects and live performance opportunities, including Seven Spires, a member playing live for Begat The Nephilim and another for Allegaeon/Continuum, and spending time as members of Solium Fatalis and Unflesh previously. But now Aversed are about to return in a big way.

On March 19th they will release their debut album, Impermanent. While the band haven’t jettisoned their progressively inclined take on melodic death metal, they’ve expanded their palette to include elements of blackened and orchestral metal in ways that make their sound even more difficult to succinctly summarize. Still at the forefront are the remarkably varied vocal talents of Haydee Irizarry, again backed by the both hard-hitting and sophisticated instrumental approach of guitarists Sungwoo Jeong and Alden Marchand, bassist Peter Albert de Reyna, and drummer Jeff Saltzman.

Two songs from the album have already surfaced, and today we’re bringing you a third one — “Abandoned“. Continue reading »

Jan 302021
 

 

I picked a half-dozen songs for today’s round-up, most of which I paid attention to based on friends’ recommendations. It was easy to do that because I was already a fan of every group included here. If you don’t immediately recognize all the names, I’ll forewarn you that there’s a lot of whiplash in this playlist, which is to say that the music diverges sharply from song to song. On the other hand, the variety increases the odds that you’ll find something to like.

AETHERIAN (Greece)

I was so excited to find out that Aetherian would be releasing a new song and video yesterday. For a band that only have one EP and one album to their credit since the release of their first single in 2014 we’ve written about them literally a dozen times, including reviews of that EP and album. They earned all that attention because their brand of melodic death metal is so very good. Their melodies (which tend to lean on the melancholy side of things) are beautifully crafted and moving; when they charge hard, they’ll give your pulse rate a swift kick in the ass; and they always seem to have a few surprises up their sleeves as well. Continue reading »

Jan 262021
 

 

It has been a long time coming — a very long time — but on January 29th the Roman band Oceana will release their debut album The Pattern through Time To Kill Records. But it seems the time is right, even if the album is arriving 25 years after Oceana’s debut demo and EP, and the strength of the new album is such that fans of progressively inclined melodic death metal will be grateful the band did not die an early death.

Given the passage of so much time, all will be forgiven who are unfamiliar with the band. It was the brainchild of Massimiliano Pagliuso, who has been the guitarist for the Italian band Novembre throughout those same 25 years, and it was he who revived Oceana, bringing together original drummer Alessandro “Sancho” Marconcini and another old friend, Gianpaolo Caprino, as second guitarist.

How the rebirth happened, and the themes that inspired The Pattern, are subjects addressed by Massimiliano Pagliuso in an extensive statement that you will find below. What you will also find below is a full stream of the new album, preceded by a few reactions of our own. Continue reading »

Jan 252021
 

 

In a round-up yesterday I disclosed that I spent a lot of time on Saturday catching up with new music I was interested in hearing. I actually just scratched the surface, but still got submerged in a lot of metallic extremity. As palate cleansers, I sometimes gave my ears and my head a break by venturing into music I knew in advance wouldn’t be the usual bread and butter of NCS. From those off-the-beaten-path excursions I selected the following music to share with you.

I don’t mean to suggest that there’s no metal here at all, and a couple of the names will be well-known to NCS readers, but it’s still different. And you’ll also find that there is a lot of globe-hopping coming your way.

THY CATAFALQUE (Hungary)

I can always recognize the music of Thy Catafalque when I hear it, regardless of which vocalist happens to be accompanying Tamás Kátai. It may have something to do with his guitar tunings and his use of rhythms, but mainly it’s rooted in his crafting of melodies. I wish I could confidently assert that the melodies are connected to the folk traditions of his Hungarian homeland, but I’m just assuming that, because I’m not a student of Hungarian folk music. To my untrained ears, all I can say is that the sounds are exotic to me, and both earthy and haunting. But really, those two adjectives just skim the surface, because across the breadth of Thy Catafalque‘s extraordinary discography, there are many other sensations as well. Continue reading »