Apr 232021
 


photo by Ville Ruusunen

 

(Karina Noctum has brought us the following interview of Goat Aggressor, a veteran drummer and member of the Finnish black metal band Malum, whose fourth album, Devil’s Creation, was just released by Purity Through Fire.)

In this interview with Finnish drummer Goat Aggressor we talked about his most recent release with the band Malum. The band offer a melodious harmonic sound with well-structured songs. Devil’s Creation is another gem for all those who like the Scandinavian underground. Continue reading »

Apr 192021
 

 

(Comrade Aleks has brought us another very interesting interview, this time with Artyom Krikhtenko, the main man behind the fascinating Ukrainian band Odradek Room, whose newest album was released not long ago through a division of Solitude Productions.)

Odradek Room (from Mariupol, Ukraine) is one of those rare bands with their own vision and ways of unleashing their creative stream. Named after Franz Kafka’s imaginary creature, they have held on to an abstract emotional doom-death pattern with progressive feeling (and avant-garde edge) for about twelve years. They paint vast canvases of despair and grief in gloomy and violent colours, but this elegant and sometimes complex mix has its play of light and shadow.

Odradek Room’s third full-length album Painted Mind was released about seven weeks ago, and together with the band’s mastermind Artyom Krikhtenko (vocals, guitars, keyboards), we try to explore Odradek’s nature for you. Continue reading »

Apr 052021
 

 

(In this interview Comrade Aleks posed questions to Artem Serdyuk, harsh vocalist and guitarist of the Belarusian band Woe Unto Me, whose new EP, Spiral-Shaped Hopewreck, was released on March 12th by BadMoodMan Music, a division of Solitude Productions.)

Woe Unto Me remains a most creative Belarusian doom band still, despite the social catastrophe which has happened in their country. The band was formed in 2008, and as their debut album A Step into the Waters of Forgetfulness (2014) was without doubt sheer funeral doom of epic scale, the second full-length Among The Lightened Skies The Voidness Flashed (2017) tended toward more complex, multi-layered structures and even avant-garde sound.

Their new EP Spiral-Shaped Hopewreck takes us further in a desperate sonic journey of doom, woe, and lethargy, but how far? The band’s founder and ideologist Artem Serdyuk (harsh vocals, guitars) is here tonight to answer this and other questions. Continue reading »

Mar 302021
 

 

(In this new interview Comrade Aleks spoke with Quentin Aberne, guitarist of the French doom band Carcolh, whose second album The Life and Works of Death was released last month by Sleeping Church Records.)

There are few bands with whom we have had close relationships through years despite their status and activity. It’s kind of an exception to the rule indeed. It was 2013 when we did an interview with the Bordeaux-based traditional doom band Marble Chariot for Doom Metal Front magazine, and we’ve kept in touch ’til now even though the band was reincarnated by most of its lineup as Carcolh.

Named after a grotesque mythical mix of tentacled dragon and snail, Carcolh provides pure old and good traditional doom. And as their debut album Rising Sons Of Saturn (2018) tended to be a promising start, the new full-length work The Life And Works Of Death is a full-scale doom invasion, a balm for the mortal wounds of replete doom-eaters.

We had a nice talk with Carcolh’s guitarist Quentin Aberne, and I invite you now to learn more of Carcolh and their ways.

Continue reading »

Mar 252021
 

 

(In this interview Comrade Aleks spoke with Chainarong Meeprasert — bassist, vocalist, and co-founder of the Thai death/doom band Shambles — about the band’s past, present, and future.)

As a tireless doom metal researcher I was surprised when I found that Shambles had been hidden from my radars.

This Bangkok-based gore-thirsty outfit was founded in Thailand back in 1997. The guys tried to express their addiction to Satanism and Darkness through brutal death and black metal, but in the end they chose a path of heavily death-influenced doom metal with huge influences of Incantation and like bands.

After a series of demos and splits Shambles recorded the Realm of Darkness Shrine full-length in 2016. They didn’t stop, and new releases like the Primitive Death Trance EP (2017) and a split with Japanese AnatomiaAbyssal Doom Oriental (2020), followed.

Recently we talked about Shambles’ past, present, and future with one of the band’s founders, Chainarong Meeprasert (bass, vocals). Continue reading »

Mar 192021
 

 

(We present Comrade Aleks‘ interview of two members of the superb death-doom unit Rotting Kingdom from Lexington, Kentucky, whose debut album was released one year ago by Godz Ov War Productions.)

A year ago Godz ov War Productions released a debut full-length album A Deep Shade Of Sorrow by the Kentucky-based band Rotting Kingdom. The album got quite a lot of positive feedback, and it seems to have been the obvious reaction to clear and artistic old school doom-death (with a noticeable emphasis on the second). First-class growling, a truly grim sound with lots of weight and melody, and tangible macabre passion mark this material, making the album a remarkable journey into the absolute ruin of Rotting Kingdom.

Brandon Glancy (drums) and Chuck McIntyre (bass) guide us to the Kingdom’s heart. Continue reading »

Mar 172021
 

 

(We present Karina Noctum‘s new interview of drummer extraordinaire Derek Roddy.)

It was time to catch up with Derek Roddy (Serpents Rise, Nader Sadek, Malevolent Creation, Nile, Hate Eternal). We talked about drumming, but also more about his band Serpents Rise and the making of Nader Sadek’s latest EP The Serapeum (premiered in part and reviewed at NCS here), which was a collaboration with Karl Sanders (Nile) and Morean (Dark Fortress), among others — as well as other interesting endeavours. Continue reading »

Mar 152021
 

 

(We present DJ Jet‘s fascinating interview of Lasota, vocalist and guitarist of the Polish pagan metal band Varmia, whose new album bal Lada (recorded under very unusual conditions, as you will learn) was released on March 12th by M-Theory Audio.)

When forming the band in 2016 what was your mission or vision for this band?

Hi. Well the goal at the time was very simple. I had the album written and it had to be recorded. The concept was to do it live in a makeshift studio to avoid the “usual studio” vibe. So we ended up in an old barn that we rented for two weeks. After that I started to think how to release the album and that it would be great to play these songs live. Everything went together smoothly and people seemed to like it. So we put it out, settled as a band, and started to play the shows.

I always felt that this would be far more than just a single shot “project” (hate this term). Varmia appeared to me as a beast that needs to be fed. So we have been feeding it since 2016 now. Continue reading »

Mar 022021
 

 

(Not long ago we published Aleksha McLoughlin‘s review of the excellent self-titled debut album by the Finnish death metal band Revulsion, which was released on February 5th by Transcending Obscurity Records, and Aleksha has now followed that up with a live recorded interview of Revulsion members Atte Karppinen (drummer) and Tuomas Alatalo (bassist), a transcription of which you’ll find below.)

 

What was it like signing up to Transcending Obscurity Records? They have some great bands on their label, like Gaera and De Profundis.

It was exciting, of course; our first signing and immediately to an international label. We obviously had heard about them through Sepulchral Curse and Sadistik Forest, we know the guys from that band. So we already had friends who had signed up with them. It was quite a clear choice in that sense because we already had an idea of what they could do and what kind of connections to the industry they had, how we could get our music out there.

We were surprised how quickly Transcending Obscurity Records responded to our questions about the signing. Yeah, it didn’t take long for him to reply. He was like, “Let’s get this album out there, let’s get you guys some visibility”. Because it’s obvious today, in this kind of competitive environment, with a lot of bands, labels and everything like that, it’s hard to get your voice out there and get your band seen and stand out. Continue reading »

Feb 262021
 

 

(We present Comrade Aleks‘ interview of Yves Allaire, the man behind the Quebec black metal band Nordicwinter, whose newest album Sorrow will be released by Hypnotic Dirge on March 26th.)

I’m the wrong person if you need to know something new about black metal, but from time to time some blackened promos hit my mailbox. This time it was Nordicwinter, a Canadian one-man band started by Yves Allaire about 15 years ago. I found its relatively new album Desolation among a few fresh releases from Hypnotic Dirge and was attracted by Nordicwinter’s bleak and atmospheric sound. Also Yves tends towards mid-paced themes with some cold, almost epic melodic lines, and I dig such depressive themes that avoid the faster side of black metal.

The winter is almost done, so let’s keep it here a bit longer with some Canadian black metal. Continue reading »