Apr 242019
 

 

I didn’t expect to prepare another new-music round-up so soon, since I posted one of these just yesterday, but I found myself with enough free time — just barely enough — to do it. Without further ado:

DARKTHRONE

Yesterday brought us the debut of a track called “The Hardship of the Scots” from the new album by Darkthrone, Old Star. Unsurprisingly, the news of a new Darkthrone song spread like wildfire, and predictably provoked reflexive praise. The thing is, such reflexes have been conditioned by decades of praiseworthy work by this band, and in this instance (more importantly), it really is a hell of a good song — which I have had serious difficulty getting out of my head so I can focus on other things. Continue reading »

Apr 232019
 

 

(In what has become an annual tradition, our man from the UK, Andy Synn, attended Inferno Festival on April 18 – 21, 2019, in Oslo. Beginning today we will post his reports on the event, day by day, accompanied by a few of his photos.)

This year’s edition of Inferno Festival was a funny one for me, for a couple of reasons.

For one thing the allure of the headliners simply didn’t seem as great this year (although the undercard definitely provided more than its fair share of gems), with only the highly-anticipated Hypocrisy headline slot on the Friday really standing out to me (which, let me be clear, is no judgement on the festival organisers, or the other bands themselves, and merely a reflection of my own mindset where Dimmu, Bloodbath, and Opeth are concerned).

More importantly, however, this was the first year where I’ve attended the festival and NOT been able to see all the bands I wanted to, as I started to develop a really nasty fever on the Saturday, and ended up spending the next sixteen-or-so hours simultaneously burning up and freezing to death while my body tried desperately to sweat out whatever was poisoning it, and even now I can count the number of hours of sleep I’ve had since then in the single digits.

Still, I can’t complain too much, as I managed to see almost all the bands I really wanted to watch over the course of the weekend, and can only apologise to the ones I missed. Continue reading »

Apr 232019
 

 

I’m torn between the desire to back-track and continue to catch up on new advance songs that I failed to notice over the nearly three weeks when I couldn’t devote time to round-ups, and the steady impulse to focus on things “hot off the presses”. This particular collection reflects that schism: There’s a bit of both in here.

GAAHLS WYRD

The timbre of Gaahl‘s voice dominates the opening of “Carving the Voices“, which Metal Hammer premiered a week ago. Like a prophet who might actually be clairvoyant or an ancient enchanter who has just emerged from a centuries-long imprisonment within a gnarled oak, the deep resonance of his voice conveys the possession of wisdom both profound and full of dread. Continue reading »

Apr 202019
 


Majestic Downfall – great photo by Luis Roa

 

I decided to begin this Saturday round-up with a rare news item (because it involves a band that’s a personal favorite) and then get into a bunch of new music. It’s not nearly enough new music to make up for the fact that I only managed one other round-up over the last three weeks, but it’s the best I can do for today. I siphoned off most of the black metal from my selections, and those will appear in the usual Sunday column, which is already shaping up to be a two-parter. Instead of Shades of Black, today’s picks could be called Shades of Death.

MAJESTIC DOWNFALL

Here’s the news item, which is a rarity because we’re really not set up to share the word about new tour announcements, since that would become a full-time job, and I’d rather spend the time writing about new music. But in this instance I made an exception, because it concerns Majestic Downfall, and in particular an excursion by that fine Mexican band into the provinces of The Great White North. Continue reading »

Apr 192019
 

 

Just two days ago, in introducing another premiere, I remarked that 2019 was shaping up to be a banner year for medieval black metal. In the forefront of my mind when I wrote that was this extraordinary album by Grylle. It’s not the only example I had in mind, but it stands in front. And perhaps paradoxically, an album that has proven to be one of the best of any genre I’ve heard this year (or likely will hear), in the midst of so much metallic extremity, is one performed almost entirely with acoustic instruments — and very old ones at that.

Les Grandes Compagnies is not stingy in its sharing of marvels either. It presents 11 tracks and more than an hour of music. Becoming immersed in it is quite easy. Leaving it behind 65 minutes later is very difficult. In some ways it’s like a time-traveling journey many centuries into the past, but not exactly like that. Rather than a pathway into a long-gone world that once did exist, it’s perhaps more like being transported into a world of the imagination, an ingenious hybrid of the ancient and the modern that exists only there. Continue reading »

Apr 182019
 

 

The last time I posted a round-up of new music (here) was 15 days ago. At the time I had 10 new songs I wanted to recommend, and no logical way to arrange them, given the diversity of the sounds, other than in alphabetical order by band name.  I got through five bands in the A-M range, with every intention of posting a second installment of five in the M-Z range by the next day. That didn’t happen, and I didn’t get it done by the end of that week, or the next week either, and now it’s Thursday of this week. My fucking day job has been killing me lately.

Of course, a ton more songs have been released in the last 15 days, but I’ve decided to stick with my original plan and finish that selection of 10 that I started more than two weeks ago, even though the music is no longer “hot off the presses”. I have made one change, because one of the songs I had chosen for the second group of five (by Misotheist) coincidentally wound up in eiterorm’s guest edition of SHADES OF BLACK last Sunday, so I made a substitution. Continue reading »

Apr 152019
 

 

In just five days Culthe Fest 2019 will begin in Münster, Germany, and for the second year No Clean Singing is delighted to partner with Unaussprechliche Culthe in helping to spread the word.

This is a two-day event, with performances on April 20 and April 21, and it features a remarkable line-up of bands from the realms of black metal, death metal, post-metal, and dark folk, plus an art exhibition (with works by Jeff Grimal, Irrwisch, and Carmen Alba), a panel discussion with Ernie of Krachmucker TV, and nightly after-shows.

The headlining bands are tremendous: Panopticon (performing in Germany for the first time), Sulphur Aeon, and Dornenreich (performing mostly songs from Hexenwind and Her von welken Nächten). But the rest of the line-up is also enormously appealing. Continue reading »

Apr 022019
 

 

I never learn. I have music from 10 bands that got me very excited this past weekend (on top of the 7 I wrote about in SHADES OF BLACK on Sunday). Ten is too many for a single post, which means I’m splitting this up, and the thing I never learn is that my best-laid plans always get dashed on the rocks by other life pressures. In my head, I feel that if I put my back into it, like a shackled oarsman on a Roman galley, I can get the second part done. In my head, I also think the odds are that the vessel will ram some Macedonian pirate vessel and sink like a stone.

The music of these 10 bands is all over the place. I usually have inspirations about how to organize the music in these round-ups so there’s some kind of flow. This time, I came up short. It’s all just so different. So I arranged everything in alphabetical order by band name, for want of a better idea. We have A-M here; maybe we’ll have the rest of the alphabet later. Ramming speed!

ACRITARCH

I got quickly addicted to this new release by Acritarch, before the archaeological ministry of my memory could excavate the recognition of who was behind it. Fortunately, Rennie of starkweather, whose mind is so much more agile than my own, knew who it was immediately, and told me. No wonder the album is so damned good. Continue reading »

Mar 272019
 

 

I wasn’t sure I would have a time for a round-up this week, given the continuing press of my day job, but I did manage to pull this one together based on some late-night listening over the last couple of evenings. If I stay up late enough and wake up early enough, I find that I’m still able to squeeze in something like this, despite having a lot fewer daylight hours to call my own. Here we go:

DEVOID OF THOUGHT

In October 2017 we premiered a demo named Astral Necrosis by the Italian band Devoid of Thought, whose name I thought would also describe the mental state of listeners exposed to the demo’s three tracks. The music was a whipsawing amalgam of death metal and thrash, with the kind of fireball instrumental performances and brain-spinning intricacy that might lead one to slap a “progressive” label on the ingredients as well — except the music seemed too maniacal and vicious for that word. It was insanely good, and also just insane. Continue reading »

Mar 242019
 

 

Yes, I know it’s Sunday, but I did listen to all the selections in this round-up on Saturday. I just didn’t get this post finished in time to launch it yesterday.

I listened to a lot of other things yesterday, too. Some of that will find its way into the usual SHADES OF BLACK column later today. Other songs and videos were also interesting, but I had to draw the line somewhere. Drawing lines gives me a headache, especially because I know that Monday will begin another week filled with new songs and videos on top of those from last week that I failed to get to, and another week when my day job (again) probably won’t leave me enough time for round-ups.

Doom plays a role in all of the following songs, which factored into my line-drawing, but the sounds of suffering play quite different roles from song to song.

OCTOBER TIDE

In their 25th year October Tide are releasing a new album, which founding guitarist Fredrik Norrman describes as “a bit more aggressive, a bit more death metal, and with an overall colder feeling than previous records”. His brother, guitarist Mattias, is still in harness, as is vocalist Alexander Högbom, but since the band’s last album they’ve added a new bassist (Johan Jönsegård) and a new drummer (Jonas Sköld), both of whom are also members of Letters From the Colony (who seem to have a lot of Meshuggah in their DNA, at least based on this live video from last summer). Continue reading »