Feb 072021
 

 

I’ll be so bold as to say that lovers of black metal, or at least those whose tastes aren’t rigidly hemmed in by convention, are in the midst of a musical Renaissance. I don’t mean to say that every band and every variant are worth our time or our devotion — as in all art, there is wheat and there is chaff to be separated. But there are giant bushelfuls of wheat to fall into!

Sadly, out of the many noteworthy releases I discovered during the last week, the timing of which perhaps had something to do with Bandcamp Friday, I only have time to feature a couple, and I chose these two. Even with just these two, time prevents me from going into great depth about them

MISOTHEIST

I’ve been impatiently waiting for a new Misotheist album ever since coming across a preliminary version of a new song named “Benefactor of Wounds” in the spring of 2019. I had thought that Terratur Possessions would release the album that year, but the year passed, and so did 2020, and we continued to wait — though the debut of the album version of that same song last November did bring with it the news that the album would finally arrive this month. And so it has. In a word, it’s stunning. Continue reading »

Feb 052021
 

 

(This is TheMadIsraeli’s review of the new album by Ektomorf from Mezőkovácsháza, Hungary, which was released by Napalm Records on January 22nd.)

I plan to take a step back from doing normal reviews for the most part in the name of doing bigger more ambitious projects for the site in 2021, but I’ll definitely still be popping in to review something here and there.

I’m picking this as an initial 2021 review choice because it is actually pretty related to the project I’m currently working on for the site, but also because, with no shame, I proclaim to you now that I not only love Ektomorf, but in the world of absolute shithead aggro metal that mixes thrash, hardcore and a bit of that nu metal angst, Ektomorf are one of the absolute best at it and have been almost since their inception. Continue reading »

Feb 042021
 


Cult of Luna

 

(Andy Synn wrote these three reviews of recent and forthcoming EPs.)

It’s been a busy, busy week for me this week… but, then, when isn’t it?

It’s times like these, though, that I really appreciate the short-form, straight-to-the-point, structure provided by a good EP.

It’s a place for bands to experiment, to explore new ideas, and to formulate these little (or not always so little) slabs of perfectly proportioned form and function without having to worry about living up to the demands or expectations surrounding a “full-length” release.

Of course, one of the EPs featured here today is basically long enough to be considered an album – although I can see why, after listening to it, the band themselves declared it an EP – but all three of them manage to give a more focussed impression of each of the bands in question, while also providing an attention-grabbing primer for whatever they’re going to do next.

And so, without further ado… Continue reading »

Feb 042021
 

 

(This is Aleksha McLoughlin‘s review of the new album by the Belarusian band Eximperitus, which was released by Willowtip Records on January 29th.)

Eximperitus are a band who have not only lived up to their hype and mystique but surpassed all expectations on Šahrartu in every way imaginable.

It’s been five long years since the band released their full-length debut, and all that time away has resulted in not a second wasted. On their newest release, Eximperitus have focused on atmospherics, dynamics, and an ingenious use of layering to create music that genuinely sounds as alien as the imagery. Continue reading »

Feb 032021
 

 

Black Hole Deity is a new name in death metal, but it has a veteran line-up, whose instrumental and songwriting skills are on full display in the band’s absolutely electrifying debut EP Lair of Xenolich, which we’re premiering in full today in advance of its February 5th release by Everlasting Spew Records.

The band was first conceived by Cam Pinkerton and Chris White, co-founders of the death metal band Chaos Inception, and they then recruited Alec Cordero (from the death metal bands Cruelty Exalted and Calcemia) to handle lead guitar duties, and finally got none other than Mike Heller of Malignancy, Fear Factory, and Raven to handle the drumming.

Drawing upon supernatural and sci-fi themes, what this fearsome foursome have created is an explosive assault that’s a pure adrenaline rush, as well as one that inflicts megaton levels of stunning destructiveness. Listening to the EP, it’s very easy to imagine that you’ve been teleported straight into an alien war zone where advanced technologies are being deployed with both machine-like precision and breathtaking ferocity. Continue reading »

Feb 032021
 

 

(Here is Andy Synn‘s review of the new album by Portrayal of Guilt from Austin, Texas. The abum was just released by Closed Casket Activities.)

Raise your hands – who here remembers the halcyon days of abrasive, chaotic Hardcore?

You know what I’m talking about. Back when it seemed like half the bands were constantly on the cusp of imploding, and every song felt like a burning fuse about to explode?

Do you recall how it felt? The anger and the anguish. The tension and the terror. The overwhelming sense that anything could happen, at any moment, and everything might spontaneously combust without warning?

Well, my friends, you’re in luck, because those days are back… in PoG form! Continue reading »

Feb 022021
 

 

(Here’s Gonzo’s review of the unexpected new album by Arizona’s Gatecreeper, which was discharged by Closed Casket Activities on January 13th.)

From the endlessly bizarre timeline in which it’s being released to the sheer out-of-nowhere, smack-you-upside-the-head-and-run surprise of the release itself, I think it’s safe to say nobody saw this album coming.

And maybe that’s the point. After all, bands like Gatecreeper don’t really entertain much in the way of being subtle. Their bludgeoning songwriting, pounding rhythm section, and Chase Mason’s unearthly howl have solidified the band’s sound as instantly recognizable in the death metal underground.

And even though those elements are as present as ever on An Unexpected Reality, this sonic blowtorch falls a little short of the decimation it wants to inflict. Continue reading »

Feb 022021
 

 

Manipulating and intertwining ingredients of black metal and funeral doom, the multinational band Nathr have pronounced themselves ready to open the graves of the old Viking capital of Nidaros and to make us imagine what will come forth. They proclaim their inspiration in these words: “We start to dig up the somber emptiness of our souls, to express the grievances of life.”

Nathr only began last year, and took shape as the union among Italian vocalist/lyricist Nathas (Funeral Harvest), the Dutch musician Northr (Funeral Harvest, and the dark ambient project Northr), who performs guitars, bass, and synths, and the Norwegian drummer Ond (Funeral Harvest, Keiser). Their first release is an expansive four-track EP named Beinahrúga, which seems to be an Old Norse word for a pile of bones, and it will be released through Signal Rex on February 12th.

What we have for you today is a full stream of Beinahrúga, preceded by some thoughts about the disturbing experience of it. Continue reading »

Feb 022021
 

 

(We’re wolves and so are you and so are Werewolves, whose mission in life is to make you wolves with a serious IQ deficit. Nathan Ferreira wrote this completely fitting review of this band’s second album, which is out now on Prosthetic Records.)

Hey there, NCS readers! Do you want to get stupid?

Of course you do, you’re on a website that exclusively covers harsh, heavy music. Well, I’ve got just the band for you: Werewolves. Continue reading »

Feb 012021
 

 

(We present Aleksha McLoughlin‘s review of the new album by the South Carolina doom band Legba, which is set for release on March 5th, along with a stream of all the music.)

In times of pandemic and civil unrest, exactly what price are we willing to pay to escape back to a time long since passed? Legba’s newest release proves that such sentiment cannot come without a price.

Legba are no strangers to inserting social commentary within their music, most noticeably on their prior album Hell, and yet the samplings of news reports telling of COVID-19 as it grips America might be their most haunting inclusion yet. Further still is the shocking fact that that report might actually be the cheeriest thing on this album, and that’s saying something. Continue reading »