Jun 182025
 

(written by Islander)

Helldprod Records has marked June 18th as the release date for Mortalha Negra‘s debut EP, Necromante. While Mortalha Negra is a new name, the person behind it is well-known: Armando Exekutor has led Flagedör for more than two decades and is also a fixture in Gravedancer, whose debut album was released in 2023 (and those are just two aspects of an extensive musical resume within the Brazilian scene, and elsewhere).

Under the banner of Mortalha Negra, A. Exekutor has joined forces with drummer J. Ferrante to create sulfurous black thrash with a powerfully occult atmosphere. Helldprod previews the EP with these words: Continue reading »

Jun 182025
 

(Andy Synn encourages you all to book a trip with Deadguy on their long-awaited new album)

Don’t call it a comeback!

Or… maybe do? Because if there’s one time you’re probably justified in using that word it’s when a band has a thirty year gap between albums (especially if it’s a thirty year gap between their debut and their follow-up).

The thing is, no matter how influential and iconic Fixation on a Coworker was (and still is, to be clear) there’s no getting around the fact that it has been a very long time since 1995, and during the intervening three decades between then and now the Hardcore scene has grown and expanded and evolved to such an extent that the big question actually seems to be… does the world need a new Deadguy album?

Well, here’s the thing, however you answer that question – mine would be a resounding “yes”, by the way – all that really matters is that this is the album that Deadguy themselves needed to make.

Continue reading »

Jun 172025
 

(written by Islander)

The Leipzig-based band Morbyda will have their debut album Under the Spell released on June 20th by Dying Victims Productions. If enough people find it, we predict it will bring throngs of people under its spell, people across a wide range of ages who relish the glories of devil-horned heavy metal. This quartet may be fairly new to the scene, but they sound like they’ve been at this for decades.

“Blackened speed metal” is the high-level descriptor of the music, and it’s not off-base, but it doesn’t fully capture all the traditions Morbyda pull from, or the absolutely electrifying and fist-pumping results they’ve achieved. With this album, they become a band worth watching very closely Continue reading »

Jun 172025
 

(According to our own Andy Synn, now is the perfect time to get to know Finnish quartet Sargassus)

One thing I mentioned in the intro to yesterday’s review (which you can, and should, read here) was that while we don’t always end up covering some of the bigger bands out there, sometimes we’ll do it just because we enjoy doing so.

But what I failed to mention is that there’s another benefit to occasionally covering some of the more notorious names… because if and when those articles start doing larger numbers and attracting new readers (as has been known to happen every now and again) there’s inevitably a knock-on effect that brings more eyes to the smaller and/or more underground names we usually write about.

Which is why I’ve chosen to follow up my Cryptopsy coverage with some words about the recently-released debut album from Progressive/Melodic Black/Death Metal quartet Sargassus.

Continue reading »

Jun 162025
 

(written by Islander)

Anyone who was even a semi-regular visitor to our site from 2011 through 2023 will recognize the name Oak Pantheon. Over that period we wrote 24 articles about this Minneapolis band’s music, dating back to their first single and continuing through our review of their last album, 2023’s The Absence.

And yes, it did turn out to be their last album, because this past February Oak Pantheon announced that they were amicably splitting up. They explained on social media: “Drifting motivations and musical interests have made it difficult to agree on a cohesive path forward. We will likely work together again, just in different forms.”

Throughout the entirety of their existence and their quite varied musical expressions Oak Pantheon was principally a collaboration between Sami Sati and Tanner Swenson. Since the dissolution of Oak Pantheon neither of them has abandoned music-making. In the case of Sami Sati, we are happily announcing today that he has a new project called Vanishing Earth that serves as a continuation of his efforts and ambitions in Oak Pantheon.

And today we are also very happily hosting the premiere of Vanishing Earth‘s musical debut, a two-song EP named The Boundless that will be released on June 17th. Continue reading »

Jun 162025
 

(Andy Synn is here to feed your insatiable hunger for more Cryptopsy whose new album is out Friday)

It’s generally understood, by our regular readers at least, that we tend to favour covering smaller, up-and-coming, or less well-exposed bands whenever and wherever we can, largely because – at our level, at least – those are the bands who will benefit the most from our coverage.

That doesn’t mean we won’t cover bigger bands or more notorious names when the opportunity presents itself to do so… it’s just that, after a band reaches a certain level of popularity (or notoriety) it’s easy for our voice to just get lost in the storm of acclaim (or criticism) that tends to follow most releases of a certain magnitude.

Case in point – do Cryptopsy really need us to review their new album? Well, they’re currently on the cover of Decibel which suggests that a) no, they really don’t, and b) the movers and shakers in the industry might finally be coming around to the fact that the band are (still) kind of a big deal.

But just because a band doesn’t need our help doesn’t mean we don’t want to write about them, and to be quite honest I’ve been itching to put my thoughts about An Insatiable Violence down on paper (or, at least, on the internet) for you all to read for quite some time.

Continue reading »

Jun 152025
 

(written by Islander)

Sad to say, this Sunday’s column is much shorter than usual. I got a late start on it, but the bigger explanation is that early tomorrow I’m flying to my former stomping grounds in Texas to be at a Tuesday memorial service for a close friend and vital mentor, with an even earlier flight back to Seattle the next day. That means I need to get a head-start today on premieres I had agreed to host over the next three days before my old friend’s passing following a long illness. Continue reading »

Jun 122025
 

(Andy Synn returns to nature with the new album from Returning, out 20 June)

Ah, “numinous”… referring to something that arouses or engenders a spiritual or religious experience… what a perfect name for the new album from Returning.

If you’re not familiar with the band, the duo’s previous album (2023’s Severance) introduced us to their moody, mesmeric blend of earthen Black Metal and ethereal ambience, resulting in a haunting, often hypnotic, sound situated somewhere between the visceral vibrancy of Wolves In The Throne Room and the shadowy shimmer of Treha Sektori, with a dash of the mournful melancholy of early Agalloch on the side.

And while I’m not suggesting that the duo have found god – if anything, the divinity they’re seeking to commune with is that of nature itself – there’s certainly a sense of religious awe, if not ecstasy, to their new album.

Continue reading »

Jun 122025
 

(written by Islander)

High-energy metal can make people pump their fists and bounce their bodies off each other. We see that, we do that. And although hell-raising music doesn’t really cause blood to boil or heads to spin (or Hell to be raised), sometimes that’s also a good way to describe the impact of a fist-pumping album like Grog‘s Sphere of Atrocities.

We’ve commented before about how unusual it is for this Portuguese band of brutal death/grinders, who’ve been plying their deadly craft since 1991, to hold together with the same lineup for the past 20 years despite the usual upheavals in personal life and the world at large, not to mention the constant upheavals in the realms of heavy music.

It’s even more unusual that after such a long career they’re still pushing themselves musically, still sharpening their execution and still finding new ways of getting the blood of listeners rushing and their heads wildly spinning. You’ll realize this for yourselves when you dive into our premiere stream of their explosive new album today, in advance of its June 13 co-release by Helldprod Records and Murder Records. Continue reading »

Jun 112025
 

(Andy Synn highlights three more homegrown heroes who represent the Best of British)

There is, as I have long been telling you, such a wealth of variety and talent in the UK scene right now that it’s impossible for anyone – even someone as handsome, intelligent, and… above all else… modest as I am – to cover it all.

Still, that’s never stopped me trying, which is why today I’m presenting a killer combo of doomy introspection, aggro intensity, and iconoclastic blackened belligerence courtesy of CwfenDesolated, and Trivax.

Continue reading »