Sep 132016
 

nox-formulae-the-hidden-paths-to-black-ecstasy

 

(We welcome guest contributor Lewis Edwards, who wrote the following review of the new album by the Greek band Nox Formulae.)

Few bands in black metal manage to strike the balance between originality and familiarity, and those that do usually tend to go through the “trial-and-error” process before crafting that perfect sound. This couldn’t be any further from the truth for Greek legion Nox Formulae, however, whose debut album The Hidden Paths To Black Ecstasy is an unforgiving lesson in how to take influence from your contemporaries while simultaneously creating something genuine and distinguished.

Intro “NOXON” sets the tone for the rest of the record, with its steady, ritualistic percussion creating a sense of unease from the very start. This unease turns out to be well-founded, as “The Shadow Smoke” then rips through the air with its brittle, trebly guitars and reverberated background notes. It’s a truly memorable way to open up an album, reminiscent of the way in which Darkthrone pummel the listener after a foreboding intro in their quintessential album, A Blaze in the Northern Sky. Continue reading »

Sep 122016
 

Saturno-Thou Art All

 

Today marks the advent of Thou Art All, the debut EP by a band from Ferrara, Italy, named Saturno, and we happily bring you a full stream of this astounding new work.

Saturno’s ranks include past and present members of Unbirth, Demiurgon, Valgrind, and Hobnailed, and they have turned their talents to the creation of a concept EP about the Trimurti, a trinity of the supreme God in Hinduism formed by Brahma the creator, Vishnu the preserver, and Shiva the destroyer. Continue reading »

Sep 122016
 

Obscure Sphinx-epitaphs

 

(Andy Synn reviews the new album by Poland’s Obscure Sphinx.)

In my November 2015 edition of The Synn Report, I wrote about how Obscure Sphinx had been mostly “underrated and underappreciated by the metal-loving public at large.” Despite having two fantastic albums to their name (particularly 2013’s nigh-untouchable Void Mother) the Polish quintet have spent the majority of their career thus far flying under the radar of most metalheads, with only a small, but dedicated, cadre of disciples (hi Brett!) scattered across the globe who truly appreciated the band for their talents and uniqueness.

I have no idea whether their third release, Epitaphs (complete with suitably esoteric Mario Duplantier cover art), will do much to change that, but I have to hope so. Because OS are exactly the type of band – distinct, complex, captivating — that the Metal world needs more of. Continue reading »

Sep 122016
 

Neurosis-Fires Within Fires

 

(Wil Cifer reviews the new album by Neurosis.)

The pioneers of sludge metal are back, and ironically by some of today’s standards Neurosis are no longer a metal band. This is not to say the album is not heavy. Heavy just comes in different colors.

It doesn’t take long for the band to make use of this dynamic, as it happens midway into the first song “Bending Light” when the gruff vocals kick in. They spend the first half of the song wandering around a dark and trippy landscape. This is fine with me. Neurosis had gone too far in Pink Floyd’s direction back on Honor Found in Decay, almost to the point that I thought certain portions sounded like they were from Obscured By Clouds. I am glad to hear more sonic menace infiltrated back into their sound.

I can accept that this is not going to be Souls at Zero or Through Sliver and Blood. If that is what you are looking for going into this, it’s time to face the fact they have moved on from there. The direction this album finds them on is darker and feels to me more true to who they are as a band. Continue reading »

Sep 122016
 

vrtra-my-bones-hold-a-stillness

 

(DGR reviews the debut album by Sacramento’s Vrtra.)

A half hour of music is honestly not a tall order when it comes to heavy metal. Most of the time you’ll find (especially amongst reviews here at NCS) that a half hour is really concise, more often than not an exciting prospect due to its propensity for constant repeats, and usually tied into jokes about a half hour being strictly reserved for Infinite Jest-length grind albums.

A half hour is actually something of a selling point, easily packed into work commutes and lunches. A half hour across three songs makes things much more interesting, and now the concessions start: A half hour available right now only through digital means or via cassette tape is when we start getting into strange territory. Such is the case with Vrtra’s My Bones Hold A Stillness. Continue reading »

Sep 102016
 

krypts-remnants-of-expansion

 

On Thursday I mentioned that I was on the verge of leaving Seattle for a trip related to my day job. I’m still on that trip, which has taken me to a mountainous region of Utah for a “retreat” hosted by the company I work for. This happens every year, and it’s always fun. This year may be even more fun than usual, because so far I haven’t subjected myself to alcohol poisoning.

Yesterday and this morning I had time to pull together some new music and one news item. Despite the title of this post, most of the following six bands either straddle the line between black metal and death metal or might be considered all the way over on the black-metal side of the line. But the title wasn’t intended as a straight genre descriptor. There are other reasons for the title, which you’ll discover soon.

KRYPTS

I’ve been anxiously awaiting the new album by the Finnish band Krypts, because their 2013 debut full-length, Unending Degradation, was damned good. The name of the new album is Remnants of Expansion, it’s embellished with artwork by Timo Ketola, and it’s coming out on October 28 via Dark Descent. Continue reading »

Sep 092016
 

Devin Townsend-Transcendence

 

(Andy Synn reviews the new album by Devin Townsend.)

The man, the myth, the legend, known as Devin Townsend is certainly a creature of many contradictions. And, over the years, his various attempts to integrate and incorporate the many different facets of his nature have certainly produced some of the most compelling, creative, weird, and wacky wonders of Metal’s modern age.

Love him or loathe him, you can’t deny that he’s one of the genre’s most distinct and idiosyncratic personalities.

He’s also never been one to rest on his laurels, or try and go backwards. He’s said as much in interviews himself. And though there are doubtless going to be those who feel like he’s been playing it a little too safe recently (an accusation I wouldn’t necessarily refute, since the majority of Sky Blue felt like a poppier reworking of similar themes and ideas from Epicloud… which itself had its fair share of generic filler), he’s never consciously tried to resurrect or repeat his previous work. Each album is a unique statement reflecting a specific place and time, and a specific state of mind.

Which is why you might be surprised to learn that Transcendence is the closest thing to the Accelerated Evolution days that Devin’s produced since… well, since Accelerated Evolution! Continue reading »

Sep 092016
 

Cognizant album art

 

(Austin Weber reviews the new self-titled release by Cognizant from Dallas, Texas)

The rise and growth of skronky death metal and über-dissonant black metal, influenced equally by the likes of groups such as Gorguts, Deathspell Omega, and legions more, has led to the emergence of some very interesting new groups. And of those influenced by these antecedents, the most under-appreciated seem to me to be the new wave of tech-grind groups who draw elements from both schools of thought and then bring it down into a tight and concise grind format.

Some of you may be aware of my rampant obsession with tech-grind of the skronky and dissonant kind, as reflected in my coverage of groups such as Dendritic Arbor, Blurring, Okazaki Fragments, Cave Moth, Crisis Actor, and Amygdala last year — who now have been re-named as Cognizant. Continue reading »

Sep 082016
 

the-isolation-process-st

 

(Andy Synn wrote this review of the self-titled album by The Isolation Process from Stockholm, Sweden.)

Wow, my current slate of potential reviews for NCS is pretty packed. Alcest, Obscure Sphinx, Mesarthim, Départe… a triumvirate of awesome British bands you guys might not have heard yet… the new album by the prolific An Autumn For Crippled Children… another edition of The Synn Report on a band who not only just released their fourth album, but who ONLY sing clean… the last quarter of 2016 is looking pretty packed already, and that’s not even taking into account all the other releases – big and small – set to hit the (digital) streets in the next few months.

So why the hell am I pushing all that aside to cover an album that’s now over two and a half years old?

Because I’ve fallen head over heels for it, and just can’t stop listening to it. That’s why. Continue reading »

Sep 082016
 

texaslogo

 

(In this post Austin Weber shares with us a full stream of the new album by Lizard Professor from Fort Worth, Texas, and excerpts from his review.)

In the world of writing about music, sometimes we have to work on a rush, and sometimes unconventional methods of delivering on time are needed. Point in case, our beloved overlord Islander is fleeing town again for reasons unknown. And in order to be able to get this post to him in time to get it ready to be posted before he leaves this Thursday morning, I figured I’d do something different to make it happen.

I say all this because today (this Tuesday, which is now the past!) I spoke with Islander about seeing if I could do a blurb and post at NCS about the Lizard Professor early full album stream I have going up  at my other gig at Metal-Injection. I was asking because Lizard Professor are a fairly unknown quantity, one I felt might benefit from being cross-posted for our audience of fine readers here at NoCleanSinging. Continue reading »