Jun 182019
 

 

(It is Monday as I write this, though it will be Tuesday before you see it, as I agreed with Mr. Synn to post his own reminiscences about Ascension Festival on Monday. All the photos are my own, unless otherwise noted.)

I had a restless period of half-sleep on Sunday night. In part that was due to the sweltering conditions in my Reykjavik hotel room. The sun, which briefly dims in Iceland this time of year but never sets, had warmed it up during the afternoon and the two small windows were restricted in how far they would open, rationing the amount of cool air that could come in. I missed my second-floor room at the Hotel Laxnes in Mosfellsbær where I could keep the door to a balcony wide open, and all the windows gaping, and enjoy the breeze ruffling the gauzy curtains until the land of Nod fully took me.

But mainly my restlessness derived from the fact that I couldn’t shut off my brain. It was still flooded with memories of Ascension Festival MMXIX, which ended in glorious fashion at roughly 2 a.m. on Sunday morning in Mosfellsbær. Of course, many of those memories were re-playing the music that had bombarded and mesmerized the senses over three days, but an equal number that continuously flashed through my mind in that half-waking, half-dreaming state were of other aspects of the experience that had become just as indelible as the sights and sounds from the stage. Continue reading »

Jun 172019
 

 

(EDITOR’S NOTE: This is the first of three posts we will publish in as many days about the recently completed Ascension Festival MMXIX, which took place in Mosfellsbær, Iceland, on June 13-15, 2019. These are Andy Synn‘s impressions of the event, and the next two are being written by Islander., who took the photos included here, unless otherwise noted)

As the title above indicates, I recently celebrated my birthday (all presents and donations will be graciously accepted), and this year decided to celebrate it in style by attending Ascension Festival in Iceland, where the brooding darkness and overall brilliance of the music was matched only by the brightness of the ever-present sunshine and the brilliance of the company.

So what you’re about to read is a few random thoughts about the experience which, while not totally comprehensive (although I made sure to see something of every band, I’ve decided only to write about the ones which really stood out), should hopefully convince one or two of you to join us at next year’s edition! Continue reading »

Jun 172019
 

 

(This is Vonlughlio’s review of the new album by the Maltese death metal band Beheaded, which features cover art by Daniel Corcuero (Nekronikon). It was released by Agonia Records on June 14th.)

It’s been a while since I’ve done one of these small write-ups here in NCS, due to life (family and job), but I always follow the amazing posts from the writers and Mr. Islander, to whom I am forever grateful for letting me contribute my year-end list and these reviews.

This time around I’m writing about Beheaded from Malta. I’ve been a fan for quite some time now — for around 17 years. As I write this they are about to release their sixth album Only Death Can Save You through Agonia Records. Continue reading »

Jun 142019
 

 

(This is Andy Synn‘s review of the fantastic new album by the black metal band Idolatry from Edmonton, Alberta, Canada — which was released on May 31st via Humanity’s Plague Production.)

One of my favourite discoveries of the last several weeks was this little blackened gem from Canadian chaos-weavers Idolatry, which by turns brings to mind the very best of Inquisition and Necrophobic (with maybe even a little bit of Emperor thrown in for good measure) without sounding overly in thrall to, or derivative of, any of them.

And while they may not be doing much to truly break the mould, there’s definitely something to be said for finding your evolutionary niche and filling it to perfection… and, in that respect, Idolatry are well on their way to becoming an apex predator in their own right. Continue reading »

Jun 132019
 

 

(Andy Synn wrote this review of the new album by the Floridian death metal wrecking crew NEKROÍ THEOÍ, which was recently released by Prosthetic Records.)

Last week was a surprisingly busy week for new releases, which is why you’ll probably notice that I’ve dedicated all of this week (and possibly a big chunk of the next) to catching up on some of the artists/albums which we missed.

You’ll (hopefully) already have cast your beady eyes over my review of the new Enthroned album, and now it’s time to turn your attention to this stomp-happy slab of deathly delights from Nekroi Theoi. Continue reading »

Jun 132019
 

 

Bear with me, please. I need to indulge in a personal back-story, which is a partial explanation for why I’m so excited to present the premiere of Winterwolf’s new album, oh-so-fittingly entitled Lycanthropic Metal of Death. Or don’t bear with me, and just skip to the bottom and hit the play button (as long as you eventually do that, sooner or later, I’ll be a happy camper).

In December 2010, a month lost in the mists of time when this site was barely one year old, I impulsively embarked on a project impulsively named Finland Tribute Week. At that time, having become fascinated with (and eventually addicted to) extreme metal late in life, I was still trying to become educated about what I’d missed (a process that continues to this day).

I chose Finnish metal for a deep dive in part because I was so dumbfounded that a nation of such small population (relatively speaking) had succeeded in spawning sooooo many metal bands of soooo many different styles. Continue reading »

Jun 122019
 

 

(Our Atlanta-based contributor Tør was in the audience at The Loft on June 6th when the Devastation on the Nation Tour made its stop in Atlanta, and he provides these impressions, with his own excellent photos following the text.)

I have been looking forward to this night for months. The Devastation On The Nation Tour is in full swing, and co-headliners Dark Funeral and Belphegor are being supported by a host of bands including legends Incantation, HATE, Vale of Pnath, Nightmarer, and Malformity.

I make it to The Loft and have to walk up the stairs past some teeny-bopper event going on in the first-floor lounge area. Yes, I am a metal snob. I walk in the middle of HATE’s set, and Sinner’s vocals hit me like a brick. After a short setup, death metal legends Incantation take over the stage. With every riff and groove, I’m reminded of why this band has such a cult following. Incantation embody American death metal in the most imaginative way possible and I have a total blast watching their set. Continue reading »

Jun 102019
 

 

Beneath the Cosmic Silence, the new album by the Florida progressive death metal band Atlas Entity, proves to be appealing on many levels. For those with a taste for fleet-fingered guitar technicality and agile, astute, and creative drumwork, it will deliver enormous smiles — in part because the top-shelf performance skill isn’t brandished for its own sake, but employed in the service of well-crafted songs. For listeners who enjoy becoming immersed in memorable, mood-changing melodies, both introspective and riotous, it offers that too. People who relish biting savagery will also get their fix. But perhaps above all else, the music is bursting with life — the kind of album whose irrepressible vitality makes you feel good to be alive, no matter how shitty your personal circumstances might be going into it.

The album also incorporates some evolutions in sound as compared to the band’s previous release, the 2015 EP Enceladus, even though the same two people are at the helm — composer, multi-instrumentalist, and vocalist Alex Gallegos and session drummer Samus Paulicelli (Decrepit Birth, Devin Townsend). And as compared to that first release, this one represents a big step forward. We’re very happy to present a full stream of it today in advance of its release on June 14th. Continue reading »

Jun 102019
 

 

(This is Andy Synn‘s review of the new album by the Belgian black metal band Enthroned, which was releasd by Season of Mist on Friday, June 7.)

The human brain works in some funny ways (well, mine does anyway).

Conditioned as it is, by thousands upon thousands of years of evolution, to discern patterns in the surrounding world, sometimes it makes unconscious connections between things which the conscious mind would never have thought to put together.

For instance, ever since receiving the promo for Cold Black Suns I’ve been unable to shake this idea that, on a certain level, Enthroned have a lot in common with Sepultura.

Not musically of course – the two bands could hardly be more different – but it’s undeniable that the careers of both groups are defined/delineated by two distinct phases, each with their respective fans and detractors, and that the split between the two eras can, in simple (and far from comprehensive) terms be put down to a dramatic change in vocalist/frontman.

The difference, however, is that while latter-day Sepultura has proven rather divisive and uneven over the years (though not without its high points), the modern version of Enthroned have only gone from strength to strength, to the point where it seems like a majority of the band’s fans now recognise their current incarnation as the definitive one. Continue reading »

Jun 102019
 

 

I wasn’t able to complete the second Part of this week’s SHADES OF BLACK in time to further despoil the Sabbath with it, but as promised, I have at least used it to begin sending the new work-week deep into the void.

Part 1 consisted of advance tracks from forthcoming albums, but for this one I’ve chosen four complete album-length releases that in all but one case arrived last week. As you’ll discover, there are other marked differences between the selections here and those in Part 1, which is another reason I chose this division.

ANDAVALD

As many of you already know, Fallen Empire Records has permanently ceased activity, but its proprietor has not. Instead, he has joined forces with Mystískaos Records, whose previous releases have included music by Chaos Moon, Entheogen, and Vonlaus. The first three releases of this new collaboration include two of the albums in Part 2 of this week’s black metal column. The first of those is Undir skyggðarhaldi, the debut record by the Icelandic band Andavald. Continue reading »