Apr 112025
 


Artwork by šaška

(On May 30th Drowning Sea God Records will digitally release the debut EP from the London-based metallic hardcore band ButcherBird. Wil Cifer has had a chance to hear it, and sent in the following positive review.)

I’m always up for checking out a hardcore band that is willing to venture off the beaten path. So here we are with ButcherBird, a hardcore band from London that has a metallic groove to their feedback-squealing attack.

The angry shout of the vocals is the most straightforward thing about the overall sound this band is throwing at you. They do use breakdowns, but these cropped up in less expected places. There is a more rock n roll vibe underlying the whiplash of angular riffs, making them more of Rollins Band than Full of Hell when it comes to the sonic scope these guys have crafted. Unwieldy sections of choruses collide to create a celebratory ambience. They are not fueled by a singular mood, but express a wide range of varied emotions with little pretense. Continue reading »

Apr 052025
 

(written by Islander)

I don’t have a “physically active lifestyle” these days, yet some nights my body acts like I just ran a marathon. Last night was one of those. I conked out and woke up more than 9 hours later. Not even the part of my brain that always nags me, even asleep, about the need to get this Saturday column in shape could resist the bear-like compulsion to hibernate.

So, a very late start today, made later by the time needed to overcome grogginess. Still groggy, even after reading godawful global news stories while inhaling a cocktail of caffeine and nicotine, I glanced at the godawful big NCS in-box. Here’s the first message I saw:

Please take a moment out of your day to listen to the new track from Casa Mondo “Same Words.” It is a taste of Afro Reggae Summer Niceness and would give your followers a warm fuzzy feeling 🙂

I nearly wrote back to ask how in the world we got on this person’s list. We must be on many lists that have zero to do with what we do, because I see dozens of e-mails like this every day from musically remote planets (remote from our own ugly little asteroid).

Of course I didn’t write back, but I thought, the only warm fuzzy feeling our followers might want from music at NCS would be a feeling of fungal infection. And “niceness”? I think our definition of “nice” is not what Casa Mondo had in mind. Continue reading »

Apr 042025
 

(written by Islander)

I keep an electronic calendar and a paper calendar of premieres I agree to run for NCS. Belt and suspenders, as people use to say before suspenders went the way of the Dodo. But sometimes my pants fall down anyway, like when the plans of a band or label change and I’m being distracted by something else when I see that and then forget to change either calendar.

That’s what happened today. I had an album premiere on the calendar, but when I went hunting for the “assets” for the premiere I saw the e-mail chain where a schedule change had happened. So I found myself with time I didn’t expect to have today, and decided to make this roundup of new songs and videos as a bit of a head-start on the weekend roundups. My selection strategy was to pick the newest things I saw that I liked this morning. Hope you enjoy what I chose.

(In case you’re wondering, I do have assistants in my NCS work, but mainly they delete things I’ve written and introduce typos by walking across the keyboard. They’re less useful in keeping my pants up.) Continue reading »

Mar 222025
 

(written by Islander)

As usual, I had an enormous number of things to choose from for today’s collection. As usual, I had no preconceived idea how to do it. I just put one foot in front of the other, stumbling along until I ran out of time.

As I sit here and look at what I chose, I see that I defaulted to some old favorites but also went with debuts from some bands I’d never heard of. (I also siphoned off a few that will make good shades for the usual blackening of the Sabbath tomorrow.) I also added a couple of live-performance videos at the end, one of which is a genuine brain-scrambler. Continue reading »

Mar 192025
 

(written by Islander)

On March 21st Fiadh Productions and Snow Wolf Records will co-release Four Sorrows, a four-way split among bands around the world who deserve your close attention. Those bands, who are carving their own path through the realms of black metal, are Starer (USA), Myrvandrer (Norway), Ambergaze (Mexico), and Mistral (Poland). As an explanation of how the split came to be, we’ve seen this statement by the person behind Starer (and Snow Wolf):

I have been a huge fan of Mistral since both our debut albums released together on Folkvangr Records back in January 2021. Janek has become a good friend and I’m thrilled to be working together. All credit to him for introducing me to two amazing bands Ambergaze and Myrvandrer and convincing them to share their incredible music with us.

What we have for you today is a premiere stream of this new split, which includes one new song from each band, preceded by a bit of background about the artists and some thoughts about what you will hear. (Here’s a hint: the music is quite diverse and mostly beyond the bounds of traditional/conventional black metal.) Continue reading »

Mar 162025
 

(written by Islander)

I’m afraid I have a self-imposed deadline to finish this weekly collection of music from the blacker arts so I can turn to other obligations, and so I’ll dispense with an introduction and dive right into all the quite varied music I’ve picked for your entertainment and edification.

DROUTH (U.S.)

To begin, here’s “False Grail“, a startling new song from a new album named The Teeth of Time by Portland’s Drouth. Continue reading »

Mar 152025
 

(written by Islander)

I had an attack of spring fever this morning. It’s definitely not springtime weather here in the Puget Sound (it’s quite cool and wet, the wind is howling, and if that keeps up our power will inevitably go out). I just didn’t want to do anything that seemed remotely like work, and compiling these roundups is remotely like work.

But the old obsession not to let any days go by at NCS without spreading the word about music eventually won out over laziness, though it may not win out over wind, and so I will attempt to be not too windy in what I write.

I thought about leading with some of the bigger names who have recently released new music in an effort to draw people toward more obscure names in today’s collection (I was thinking about the likes of Cancer, Gaahls Wyrd), Benediction, and Rivers of Nihil) but so many of the more obscure names are so appealing to me that I decided to just get right to them. Continue reading »

Mar 142025
 

(written by Islander)

We have written frequently over the last seven years about the music of the Italian band Thecodontion, whose primeval and prehistoric thematic interests have been as interesting and erudite as their guitar-less but ever-evolving formulations of death metal. And so we were highly intrigued to learn last year that Thecodontion vocalist G.E.F. had started a new band named Clactonian, joined by Thecodontion drummer V.P. (also in SVNTH), Finnish bassist K.H.P.K. (from Ashen Tomb), and Italian guitarist B.Z. (Spell of Decay).

Like Thecodontion, the thematic interests of Clactonian are rooted in prehistory, and particularly the Paleolithic Age. The name itself is a term given by archaeologists to an industry of European flint tools made by an extinct species of archaic humans who lived hundreds of thousands of years ago. (You can find more about here.)

Last summer we premiered Clactonian‘s debut demo, Dea Madre, whose cover art you won’t have forgotten if you saw it. The music followed a path of early bestial black/death metal that drew strong influence from Beherit but also should appeal to fans of Archgoat, early Bathory, and some bass-driven bands like Barathrum or early Necromantia for the slower sections.

And now we’re bringing you Clactonian‘s second demo, Everlasting Paleolithic, in advance of its official release on March 28th. Prepare for… PALEOLITHIC BLACK METAL OF DEATH! Continue reading »

Mar 092025
 

I got a really good head-start on this column yesterday, so good that I thought I’d be able to post it much earlier today than usual. But of course the best laid schemes o’ mice an’ men gang aft a-gley.

This mouse forgot that Daylight Savings Time would go into effect overnight, springing the clock forward. And then this mouse slept for 9 1/2 hours. Put those two together, and the morning was well underway by the time I turned to finishing this. Oh well.

What you’ll find below is an alternating sequence of songs from forthcoming records and complete releases, most of them head-spinning in different ways, but with a more meditative and deeply haunting experience at the end. Continue reading »

Mar 062025
 

(In advance of their recent North American tour with Vltimas and Ex Deo, the Greek band SepticFlesh released an EP named Amphibians, and our DGR gives it a review here.)

If you’ve been following the news around tours for the past five or so years you’ve likely noticed an increasing trend of groups surprise-releasing singles – sometimes collaborative ones, which are immense fun – or EPs just prior to the tour happening. Aborted did it for their most recent tour; Machine Head did a combo song with the vocalists of Unearth, In Flames, and Lacuna Coil making appearances; and Lamb of God combined forces with Mastodon for their full album playthrough tour not too long ago.

The genesis of these songs can often lay in the cutting room floor from previous album sessions since creativity doesn’t exist in a vacuum and are highly unpredictable, but whereas it felt like groups constantly needed to have something to get them out on the road, now it has morphed into something more akin to revitalizing the current album cycle for a few more rotations around the sun.

Just as equally though, you do get lucky and a band will find time to sneak into the studio for a few and crank out ideas that’ve been haunting them like shadows ever-present in the corner of their vision. Bearing in mind that SepticFlesh‘s newest release crashes ashore a bit over two and a half years after their album, it would be hard to guess what led to which. Continue reading »