Jul 122020
 

 

Having caught up on a lot of lost sleep overnight, I’m getting a very late start today. Given the lateness of the hour, I’ve made today’s selections from among a short list of things I’ve listened to most recently instead of digging deeper into my ever-burgeoning list of black and blackish releases. A lot of promising new albums are missing from this group (including just-released records by Barghest (Louisiana), Urnscent (Iran), and Moribund Mantras (Germany), to name just a few, because I haven’t had time to completely make my way through them.

KHTHONIIK CERVIIKS

In early May (here) I tried to find the words to describe the first advance track from Æequiizoiikum, the new album by Khthoniik Cerviiks, and ultimately just threw up my hands and called it “a supernova-level musical spectacle, one that’s ingenious in its conception and eye-popping in its technical execution”. Now there’s a second track from the album out in the world, so it’s time to wrestle with words again. Continue reading »

Jul 052020
 

 

Last week wore me out, for a lot of reasons. After sleeping for an alcohol-assisted 11 hours Friday night I decided to take a vacation from NCS yesterday, and a vacation from listening to music of any kind. But I got back into the swing of things this morning, beginning before the sun rose. And from that listening session I picked what you’ll find here. I’m beginning with two bands whose past music I’ve enjoyed and then moving off into previously uncharted waters.

KATAVASIA

We kind of went overboard in our coverage of this Greek black metal band’s 2015 debut album Sacrilegious Testament and their follow-on 2017 EP Daemonic Offering: I count 9 posts we made about those releases, including an interview and a track premiere. If you’d like to get caught up, you’ll find all those articles here.

The band drew all that attention, not just here but elsewhere, in part because of the line-up, which included members of Aenaon, Varathron, Hail Spirit Noir, Agnes Vein, and Melan Selas. The line-up remains mostly intact on the band’s second album, Magnus Venator, which will be released on September 4th via Floga Records. Continue reading »

Jun 282020
 


Cultus Profano

 

The last 24 hours didn’t go as I had planned, but I have no one to blame but myself. I separated myself from most NCS activities after finishing yesterday’s round-up, and then partied a bit too hard with my spouse during one of our rare outings to a local bar and restaurant (which is very serious about social distancing). On the plus side, I slept for 11 hours after that. On the minus side, my brain was in a dense fog after awakening, a fog that’s only now beginning to dissipate.

So, to avoid letting the day pass entirely by without one of these usual Sunday collections, I had to change my plans and limit myself to a handful of individual songs and videos (and one demo), rather than trying to write about some recently released full-lengths that I want to strongly recommend. I’ll have to find some other way to do that.

CULTUS PROFANO (U.S.)

The first selection is “Cursed in Sin, Op. 25“, a song from the upcoming album Accursed Possession by Cultus Profano. We premiered not one but two songs off this Los Angeles-based duo’s debut album Sacramentum Obscurus, which was a terrific first full-length. And I’ve been eager to hear this new one. Continue reading »

Jun 212020
 

 

I had a big block of uninterrupted time to myself yesterday afternoon, with my spouse out of the house at a safe birthday celebration and the cats sleeping. So of course I spent the time digging through my list of new black metal(ish) music in preparation for this column. You see the results: More time means more picks.

NON SERVIAM (France)

I have Cvlt Nation to thank for this first discovery. The introduction to their premiere was brief and didn’t include much detail about the music, but the blaring headline did the job: “Listen To Non Serviam’s Salem – It’s Depraved And Sick! This Band Sounds Like NO OTHER!” I also thought the cover image was fantastic, and so decided to see what was going on with the music. Continue reading »

Jun 142020
 


Gaerea – photo by Catarina Rocha

 

Maybe you know about the “Overflowing Streams” format that we use for especially large collections of new music we want to recommend? The idea is to (regretfully) cut back on words and save the time needed to find, download, and upload cover art, and let the music streams mainly speak for themselves. And that’s the format I’ve resorted to for this week’s Shades of Black column, which is mostly a collection of recently released individual songs from forthcoming records.

GAEREA (Portugal)

The meteoric rise of Gaerea continues. In both its sights and its sounds the new video that begins this collection is extremely powerful. The inner pain they express is mutilating. The music is both crushing and explosive, delirious and despairing, sweeping and scathing. For such intense music, it’s also thoroughly immersive… or perhaps it’s better said that this is an emotional vortex that’s hard to escape. Continue reading »

May 312020
 

 

I had grand plans for today’s SHADES OF BLACK, but they were derailed by the amount of time I put into an album premiere earlier today and by what happened across the U.S. yesterday and last night, events that fixated my attention and splintered my concentration on music (and on everything else except for the overflowing of frustration and rage in the nation’s urban streets).

I’m still distracted, but wanted to do something for those of you who might look forward to this Sunday tradition, maybe especially in these incredibly unsettling times. So I singled out one part of what I had originally planned to do, and will now focus only on that part — a new album-length split release by two remarkably talented black metal bands: Almyrkvi from Iceland and The Ruins of Beverast from Germany. It’s worth the sole focus, because I think we have here a record that will find its place on many a year-end list. Continue reading »

May 242020
 

 

As you can see, I’ve managed to complete the second Part of today’s column in time to post it in its usual Sunday space. I hope you’ll find everything here as exciting as I have.

ÁRSTÍÐIR LÍFSINS

2020 has been a miserable year in most respects, but a great year for the Icelandic/German band Árstíðir lífsins. They contributed a tremendous song to Aldrnari, the tremendous album-length split with Carpe Noctem (reviewed here) that was released in April, and on Friday they digitally released their new album Saga á tveim tungum II: Eigi fjǫll né firðir (physical editions will follow from Ván Records). It is (you guessed it) tremendous. Continue reading »

May 242020
 

 

At the risk of overwhelming our visitors (a constant risk around here), I have again found so many new songs I’d like to recommend that I thought it best to divide today’s column into two parts, and will do my best not to become too verbose so that I have time to finish Part 2 in time to post it today — because Monday is going to be loaded with new things too.

ENSLAVED

I haven’t tried to find out how Enslaved’s new single is being received among fans and the metal press. I, for one, think it’s fantastic, and would rather not spoil the feeling by coming across some grim cur who’s sour about it. Not because I actually think anyone is entitled to be sour about it, but metalheads being metalheads, it’s inevitable. Continue reading »

May 172020
 

 

Well, it’s already late in the day, so I’ll dispense with introductory blather and just get right to it.

YSENGRIN

Potencée d’Or” first appeared on this French band’s debut demo T.R.I.A.D.E back in 2008. Along with three other tracks from that demo, it has been “re-imagined” and re-recorded for the band’s new album (and their last one) Initiatio. The album also includes a revised version of “Monumentum” from the Archivum MMV-MMX demo dating to 2010, plus four new compositions, including two ambient numbers recorded live with the help of Frater Stéphane (N.K.R.T., Rosa Crux). Continue reading »

May 142020
 

 

This morning I thought I would have time to pull together a round-up of new music to recommend. In sifting through tracks and videos that had hit my radar screen over the last 24 hours, it dawned on me that the songs I most wanted to feature were all variants of black or “blackened” metal. And so, without planning to do so, I have a week-day edition of SHADES OF BLACK for you.

GAEREA

It’s no secret that I’ve been a huge fan of this Portuguese band since their inception, and have really enjoyed watching their profile become more prominent and their fanbase expand so dramatically since the release of their debut EP in 2016. Their new sophomore album, Limbo, has been high on my most-anticipated list for 2020, and at last we have a track to share, along with the fantastic cover art by Eliran Kantor. Continue reading »