Mar 032019
 

 

Man, this was tough, trying to decide what to write about in this Sunday’s SOB. I mean, it’s always tough, but harder than usual this week. Maybe it was because I didn’t have time to prepare a round-up of new songs last week, which might have shaved a few black metal entries off my lists. Yesterday I narrowed it down to 18 choices (you see what I mean?).

Clearly, I needed to make this a two-parter, but still had to make hard choices. For example, I decided not to include the new album by Popiół (here), or the new Aoratos song (here), because I’ve written about both bands in other posts recently, and although I’ve been very impressed with the new releases by Aara (here), Ancient Flame (here), and Herzegovinian (here), I haven’t spent enough time with them to write even half-assed introductions.

I’m still wrestling with some other decisions I’ll need to make in order to keep Part 2 from becoming bloated. Whether I succeed or fail, you’ll see Part 2 at NCS first thing on Monday.

NORDJEVEL

The following video begins with a rape, followed later by the victim’s delivery of the horrid fruits of her violation. Much other nastiness ensues, all of it filmed and edited with skilled hands (by Grupa 13 Production). It has the look and feel of a mythic saga, but I haven’t recognized which saga it might be, nor have I found any info about the origins of the story in press materials we’ve received. Whatever is going on here, the visuals are riveting (and NSFW). So is the music. Continue reading »

Feb 242019
 

 

This week I’ve chosen advance tracks from three forthcoming albums, two tracks from a recent split, and one complete album that’s just been made available for streaming in advance of a March 1 release (and it’s one of the best of the year so far). And with that, let’s just go right into the music.

KULL

Bal-Sagoth won’t need an introduction for many of you, but for others, it was a UK band conceived in 1989 by Byron Roberts in an attempt to form what he called “a sublimely symphonic black/death metal band swathed in a concept of dark fantasy & science fiction, inspired by the celebrated style of the grand pulp horror and fantasy literature of the 1930’s”.

He was eventually joined by the brothers Chris and Jonny Maudling to form the core songwriting group, and Bal-Sagoth released their first demo in 1993. They followed that with six albums, three on Cacophonous Records and three on Nuclear Blast. The last of those was The Chthonic Chronicles in 2006. Continue reading »

Feb 172019
 

 

I think I was overly ambitious about what I thought I could accomplish today. I did enjoy spending time with, and writing about, the music I collected in today’s first post, but that exercise wound up leaving me with too little time to write about all the black metal I’d chosen for today’s SHADES OF BLACK column. Originally conceived as either one giant post or a two-part collection, I’ve had to cut it back: The music of four bands is featured here, instead of eight.

Maybe I’ll find the time to write about the other four in time to do a second SOB post tomorrow before the turbulence of the work week and the resumed flood of more new music inundates me, but that’s tough to predict at this moment. In the meantime, I hope you enjoy these four selections as much as I have (two of the bands old favorites, and two are recent discoveries).

SARASTUS

Having spent time with Enter the Necropolis, released on February 8th by the Finnish black metal band Sarastus, I’m feeling foolish for failing to explore the previous releases of this duo (composer and multi-instrumentalist Vardøger and vocalist/lyricist Revenant) — which include a debut demo (I) from 2015 and a debut album (II-Toinen Tuleminen) released in 2016 — because this new album is a real thrill. Continue reading »

Feb 102019
 

 

Part 1 of today’s recommendations of black metal consisted of “singles” from three albums due for release later this year. In this second Part are streams of four full releases that surfaced in the last week. For reasons explained in Part 1, my words will be hurried, but the music here is so good that I hope, in your listening, you won’t be as rushed as I am in my writing.

ZLOSLUT

Sahar, the third album by this Serbian band (whose name roughly translates as “ominous”), and the first since it expanded from the solo project of Agnarion into a full line-up, is an interesting and very effective interweaving of stylistic ingredients, made with a blazing loom. Continue reading »

Feb 102019
 


photo by Jørn Veberg

 

The conditions were correct for frostbitten music yesterday, when the Seattle area received more snow in 24 hours than it usually gets in a year. Granted, it was a laughably small amount by the standards of people who live in truly wintry climes (8 inches at the airport, and greater or lesser amounts around the area), but enough to paralyze the region and knock out the power (and internet service) in the forest where I live from 8 a.m. to 8 p.m. We’re obviously not really set up to deal with snow very well.

The absence of power and net access put a crimp in my usual Saturday surveying of new black metal; I spent more time feeding the wood-burning stove to stay warm. I did catch up a bit this morning, but also relied on listening I’d done during last week before the weather turned hostile. There’s enough here to justify dividing the group into two parts. But I’m kind of hurrying through the words since more snow is expected today, and I’ve got to make preparations.

Part 1 consists of advance tracks from three forthcoming albums. Part 2 is devoted to recent full releases.

GAAHLS WYRD

The presence of Gaahl (Kristian Espedal) at the front of this formation will guarantee attention for their debut album, GastiR – Ghosts Invited. But for that recording he had some impressive talent around him, too — Ole Walaunet (The Batallion, God Seed, Grimfist), Frode Kilvik (Krakow, Aeternus), and Kevin Kvåle (Horizon Ablaze). Continue reading »

Feb 032019
 


Ellende

There’s quite a lot of new music I’m recommending in this Sunday’s column — three full EP streams (one of which is an EP-length single composition), plus advance tracks from three forthcoming albums. Coincidentally, four of the featured bands are essentially solo projects.

As usual, I picked these selections in part to provide some listening variety, though there’s certainly more than a fair share of melancholy and grandeur to be found herein, along with a fair share of ripping and tearing. I also positioned one selection to provide a bit of a diversionary interlude through its interweaving of Neo-Folk elements (and clean singing) among heavier sounds.

ELLENDE

I discovered this Austrian atmospheric/post-black metal band through a 2016 video of the title track from their 2014 EP, Weltennacht. I couldn’t get the song out of my head, and the video was hard to forget, too, since it included film of the 1987 public suicide of a Pennsylvania politician (Budd Dwyer) at a press conference he conducted the day before he was to be sentenced to prison following a conviction for bribery. Continue reading »

Jan 202019
 

 

Well, here we are at the final segment of today’s extensive column devoted to black and blackened metal. If you’re still with me, I applaud your perseverance and endurance. I’m sure the bands would applaud, too, since I’m about to shower three more with praise. And of course I fervently hope that you’ve found some exciting new discoveries along the way.

VANANIDR

I’m now turning to the first of three bands who’ve pleasingly seized my attention in the past. This one is the Swedish group Vananidr, whose 2018 debut album I briefly reviewed in another one of these Sunday columns (here). Vananidr is essentially a solo project of Anders Eriksson (on the album, he was aided by Karl Thunander for the drum performance). On January 11, Vananidr released a new two-track single entitled Bleak and Desolate. Continue reading »

Jan 202019
 

 

I didn’t divide the music in today’s column evenly between the two Parts that I’d originally planned. There was significantly more in the second Part than in the first one, not only because there were two more bands there but also because many of the items were full releases rather than advance tracks from forthcoming records.

I’m using the past tense, because, as you can see, I’ve decided to divide Part 2 into two parts as well, which means there will be a Part 3 of this Sunday’s column. I hope the total magnitude of what I’m spreading before you today won’t deter you from checking out everything, because everything here is well worth the time.

ÆRA

“At speed, the songs embody cold yet chaotic ferocity. In their slower movements, they reach for haunting grandeur and wintry melancholy. Emotionally evocative and immersive music in an icy Norwegian style that’s well-suited by the drifting mists and ancient forests depicted on the cover.” That was my summing up of this pagan black metal duo’s 2017 debut EP, Of Forsaken Vows. It was a very good beginning, and inclined me to pay attention to their new full-length, The Craving Within. Continue reading »

Jan 202019
 

 

As you can see, I again had enough time this weekend to round up, and write up, enough recommendations to justify a two-part column. I’ll dispense with further introductory comments and get right to it. (P.S. – I’ve added all four of the following tracks to my list of candidates for our 2019 edition of Most Infectious Songs.)

1349

This opening song (which has an interesting background story) took me by surprise twice. First, I had no idea it was coming when it surfaced to considerable fanfare five days ago; it comes a long five years after 1349‘s last album (Massive Cauldron of Chaos). And second, the music itself is a surprise. Continue reading »

Jan 132019
 

 

In this second Part of this Sunday’s SHADES OF BLACK column I’ve changed course away from the predominantly atmospheric and sometimes folk-inflected music that dominated Part 1 in moody, mystical, and magnificent strains of sound. The selections in this Part are less easily categorized with broad brush strokes, but I guess I’d venture to say they are mainly more “muscular” and savage than what you’ll find in Part 1.

BLODHEMN

I’ve been deplorably late in catching up to the third album by this one-man band based in the black metal hot-bed of Bergen, Norway, but under persistent prodding by my Norwegian friend eiterorm, I finally have. That third album, Mot Ein Evig Ruin, will be released on February 16th by the Dutch label Soulseller Records, and now there are two tracks out in the world — “Dra Te’ Helvete“, which surfaced in October, and more recently “Det Gjekk Ein Faen“. Continue reading »